Girls Being Bad: “Our Dear Dead Drug Lord” By Alexis Scheer
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
Read MorePosted by Trevor Boffone | 8th Aug 2018 | Boston, Playwriting, Review, Theatre and Gender, United Kingdom
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
Read MorePosted by Michael Appler | 5th Aug 2018 | New York, Review, United States of America
Skintight hinges on the human eye’s instinct for voyeurism, on our inevitable desire to take a peek, to stare at something we know we shouldn’t.
Read MorePosted by Jack Wernick | 28th Jul 2018 | Belgium, Review, Theatre and Politics, United States of America
Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the...
Read MorePosted by Madison Parrotta | 27th Jul 2018 | New York, Review, United States of America
Linger is a fitting title for a play that navigates the lasting implications of wrong choices on...
Read MorePosted by Trevor Boffone | 20th Jul 2018 | Chicago, Review, United States of America
Everyone has a bad roommate story. Whether it was your college roommate or your little sister...
Read MorePosted by Yan Chen | 19th Jul 2018 | Dramaturgy, Festivals, Interview, Musical Theatre, New York, Theatre and Dance, United States of America
Gideon Lester is Artistic Director for Theater and Dance at the Richard B. Fisher Center for the...
Read MorePosted by Jack Wernick | 13th Jul 2018 | Festivals, New York, Review, United States of America
Downtown theater pioneer the New Ohio Theatre has emerged with its annual summer festival called...
Read MorePosted by Christine Deitner | 12th Jul 2018 | Los Angeles, Review, Translation, United States of America
There are plays that feel timeless because they strike familiar chords and speak to something at...
Read MorePosted by The Theatre Times | 6th Jul 2018 | Musical Theatre, New York, Review, United States of America
It is then, a refreshing surprise – as New York theatre recovers from the inundation of Broadway super-musicals that were too big to succeed – that Carmen Jones has returned in a razor-sharp 95-minute John Doyle production at the Classic Stage Company.
Read MorePosted by The Theatre Times | 1st Jul 2018 | Musical Theatre, New York, Review, United States of America
If you travel along the New York City underworld of trains and platforms, you’re likely to see a...
Read MorePosted by Madison Parrotta | 30th Jun 2018 | New York, Review, Theatre and Disability, United States of America
Produced in conjunction with Ma-Yi Theater Company, the world premiere of Teenage Dick at The...
Read MorePosted by Jack Wernick | 29th Jun 2018 | Devised Theatre, New York, Review, United States of America
Irondale Ensemble Project, a self-defined “think tank” in Brooklyn’s bustling Fort Greene nabe is...
Read MorePosted by Michael Appler | 29th Jun 2018 | LGBTQ+ Theatre, New York, Review, United States of America
After a month of Pride, Log Cabin is a cautionary tale about the price of privilege, of survival after assimilation, of what we leave behind after fleeing the fringe.
Read MorePosted by Trevor Boffone | 24th Jun 2018 | Musical Theatre, News, United States of America
After a successful run of Matt & Ben in January 2017, Houston theatre company Rogue...
Read MorePosted by Rachel E. Diken | 23rd Jun 2018 | Chicago, New York, Review, Theatre and Art, United States of America
This Is Modern Art, originally commissioned by Chicago’s Steppenwolf Theater, makes its New York...
Read MorePosted by Trevor Boffone | 22nd Jun 2018 | Festivals, Musical Theatre, New York, News, Theatre for Young Audiences, United States of America
When one thinks of Latinx narratives within the landscape of musical theatre, West Side Story,...
Read MorePosted by Donald Brown | 22nd Jun 2018 | New York, Review, Theatre and Politics, Translation, United States of America
Review of Romulus the Great, Yangtze Repertory Theatre The Roman empire is under threat and is...
Read MorePosted by Kristin Tomecek | 22nd Jun 2018 | Chicago, LGBTQ+ Theatre, Musical Theatre, Review, United States of America
Memory lane took on the form of a shabby New York City block dubbed “Avenue Q” for...
Read MorePosted by Hilary Halba | 21st Jun 2018 | Acting, Essay, New Zealand, United States of America
After a thirteen-hour flight from Auckland, New Zealand, I am in Jim Morrison country–or so I...
Read MorePosted by Katrina Holden-Buckley | 21st Jun 2018 | Boston, Interview, Theatre and Opera, United States of America
This week, OperaHub’s original DIVAS, a “World Premier play with opera music” opens June 21st and...
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