Practiced Empathy and Awareness with Atlantic Pacific Theatre
Atlantic Pacific Theatre challenged their regular audience with a diptych, part process theater,...
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United States of America
Playwright Puts Gay Divorce In The Spotlight: Conversation with Ken Urban
Boston-based playwright Ken Urban has written the first major play about gay divorce, using the...
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South Africa’s Richest And Smoothest Jazz
Experiencing any show at Brooklyn Academy of Music is as magical as seeing a show at LTC3, only I...
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Finding “Piramo E Tisbe”
Upon entering the theatre for Piramo E Tisbe, I was intrigued by the setup of the stage and the...
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Ten Pieces Of Advice For The Emerging Artist: The Beginning Of Intiman Theatre
When one wants to begin a career in theatre professionally, what tactic could they use? As an...
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Music At The Anthology
Music At The Anthology, also known as MATA, is in its 22nd year of commissioning and presenting...
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“Assembled Identity”: World Premiere
There is a rather iconic scene in The Devil Wears Prada where Miranda (played by Meryl Streep)...
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Bonnie Marranca: “It’s Up To Every New Generation To Create Its Own Institutions, Critical Discourses, And Working Methods.”
Interview by Cristina Modreanu with the occasion of the first edition of Bonnie Marranca’s essays...
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“The Women Who Mapped The Stars”: The Struggle to be Acknowledged
The Women Who Mapped the Stars is a new work by Joyce Van Dyke, a rising dramatist with several...
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Unpacking The Role Of Women In Ibsen’s “The Enemy Of The People”
Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....
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The Cambridge Chamber Ensemble’s “Cendrillon” Showcases Talent But Misses Its Mark
The Cambridge Chamber Ensemble debuted their reimagined production of Pauline Viardot-Garcia’s...
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Composer-in-Residence Clint Borzoni
Clint Borzoni is the current Composer-in-Residence for Musica Marin, a non-profit organization...
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Angels (And Demons) Of History In EgoPo’s “Lydie Breeze” Trilogy
Jessica Rizzo sees the 10-hour, marathon performance of EgoPo Theater’s Lydie Breeze trilogy...
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The Problem Of The Unmarried Woman In “Old, New, Borrowed, Blue”
Metrowest Opera had a full audience in the BCA’s smaller space on Saturday evening for their...
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“Summer: The Donna Summer Musical” – Setting The Record Straight
As we’ve settled into the 21st century, pop-culture vestiges of the 20th century have fallen by...
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At Carnegie Hall, Tianqi Du Chases After Bach’s Goldberg Variations
In the world of piano, J.S. Bach’s Goldberg Variations is a siren’s call. Countless pianists have...
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Psychological Spaces, #Metoo, And “The Crucible:” A Conversation With Set Designer Andrew R. Cohen
The Crucible (1953) is Arthur Miller’s harrowing play about the 1692 Salem witch trials. Set in...
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“SeagullMachine” – The Assembly Mixes Chekhov and Müller
The lights never go down on the audience, the result being we all play a part in the production, and there are no spectators. La MaMa E.T.C. is a beautiful, decrepit, wonderfully haunted space; to redefine audience roles and do away with spectators is an adventurous, fun design for this stage.
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“Ameryka”- Critical Mass And Block Party 2018
In 2017, Los Angeles’ Center Theatre Group launched a new, and frankly exciting, idea known as...
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Don’t Shoot The Messenger: Elfriede Jelinek’s “Rechnitz” In New York
On March 24, 1945, there was a party in Rechnitz, an Austrian town on the Hungarian border. The...
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