The Spirit Of Judson In A New Millennium: The Legendary Collective Still Oscillates Between Canonization And Transience
Until the beginning of February, the New York MoMA is mounting an exhibition on Judson Dance...
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United States of America
“City Of No Illusions” Takes Refugees To The Border Of Life And Death
“City of No Illusions,” a political comedy that stages the modern refugee crisis inside a funeral home.
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Pie in the Sky: Eliza Bent Delights With “Bonnie’s Last Flight”
I follow a strict protocol of attitudinal class warfare when I board airplanes. As I walk proudly...
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Matthew Bourne’s “Cinderella”–A Breathtaking Fairytale At War
When he first created his Cinderella in 1997, Matthew Bourne couldn’t have predicted any...
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“The Tempest” At The Pittsburgh Public Theater In Pittsburgh, PA, USA
A couple of decades ago my then-colleague Jan Hagens introduced me to a genre categorization that...
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Truth And “True West”
Sam Shepard’s True West has always been a magnet for celebrity hamming, particularly in the role...
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Post-Apocalyptic Ambiguity Of The Inner Light: A Conversation With The Creators Of “When Angels Fall”
ArtsEmerson is honored to host the New England premiere of When Angels Fall, a riveting tale of...
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Two Bold Shows by Women of Color at Mabou Mines
When I entered the theater at Mabou Mines for Edisa Weeks’ performance of Three Rites: Liberty, my...
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Shakespeare’s “Othello” In The Trappings Of Twenty-First Century America
An updated version of Othello now playing at the American Repertory Theatre in Cambridge...
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A New Eliza: Bedlam’s “Pygmalion” At The Central Square Theatre
After a critically acclaimed run in New York City, Bedlam Theatre Company has brought their...
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China, Liberia, America: A Suite Of Women’s Stories
In an intimate performance space in New York’s East Village, a quietly consequential experiment is...
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“Ms. Smith Goes To Washington”-The Fountain Theatre At Los Angeles City Hall
On Thursday, January 24th a lucky group of citizens in Los Angeles was treated to a unique...
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Unfinished Business: “A Doll’s House, Part 2” at The Huntington Theatre Company
After A Doll’s House, Part 2 enjoyed critical acclaim and eight Tony nominations on Broadway,...
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Tarell Alvin McCraney’s “Choir Boy,” Fearless and Faithful, Makes Radiant Broadway Debut
“Choir Boy” is itself a spiritual whose song, sung triumphantly by the bountiful talent of its leading star, Jeremy Pope, rises from its stage with the same faith and fearlessness of a prayer sung only for the stars.
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“Small Mouth Sounds” And Not Much Dialogue Either
Small Mouth Sounds now playing at Boston’s SpeakEasy is influenced by the personal experience of...
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“Paradise” at Odyssey Theatre – STEM and The Teenage Brain
Odyssey Theatre presents us with another thought-provoking play in Paradise by Laura Maria...
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Gilded in Glitter, How Much Jukebox Inferno Can “The Cher Show” Take?
Cher, the Academy, Grammy and Emmy Award winning superstar, could never be contained in a Broadway...
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“Hercules” At Abrons Arts Center
The historic Abrons Arts Center on New York’s Lower East Side is the setting of a dynamic...
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The Patriarchy Won’t Smash Itself: Interview with Kryssi Jeaux Miller, Founder of the Northern Colorado Jousting Troupe Knights of the Tempest
Kryssi Jeaux Miller is a young woman full of surprises. Kryssi wears many hats: she performs,...
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Complexity Abounds In Antaeus Theatre Company’s “The Cripple Of Inishmaan”-Glendale, CA
Situated on their two-year-old permanent home on Broadway in Glendale, CA, Antaeus Theatre Company...
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