Molly Lowe And Bertolt Brecht: Making The Familiar Strange
Blurring the lines between the grotesque and the beautiful, the cerebral and the corporeal,...
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United States of America
Theatre Centre-Stage At US Literary Translation Conference
In 2018, the American Literary Translators Association (ALTA) gave pride of place to theatre...
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Betraying Kane, the Musical: “4.48 Psychosis” Venables’ Operatic Version
4.48 Psychosis, by Sarah Kane, was turned into an opera by composer Philip Venables in a...
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Touch Me In Duh Righteous: A Fubu “Slave Play” Review
An audience-sized mirror, a small wooden table with a bowl of fruit, and the lyrics to Rihanna’s...
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Welcome To “The Jungle” at St. Ann’s Warehouse
“Immersive theater” is a gimmicky term that can be just an indiscriminate pitch nowadays for any...
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Sin Muros: Interview with “City Without Altar” Poet and Playwright Jasminne Mendez
This February, writer Jasminne Mendez’s City Without Altar will receive a staged reading at Stages...
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Sin Muros: Interview with “Then They Forgot About the Rest” Playwright Georgina Escobar
This February, playwright Georgina Escobar’s Then They Forgot About the Rest will receive a staged...
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An Introduction To The National Disability Theatre: In Conversation With Mickey Rowe
A greater push for disability representation in the theatre industry has seen the emergence of...
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Identity, Technology, Nostalgia: The Theater Of Ivo Van Hove, Robert Lepage, And The Wooster Group
In recent theatre practice, attempts have been made and desires expressly voiced–from puppet...
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Terrific Power: “St. Kilda” at the So-Fi Festival in NYC
Jody Christopherson’s one-woman show St. Kilda, at the So-Fi Festival, gave me one of the...
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“Sycorax, Cyber Queen of Qamara”: A Conversation with Joan Kane and Sandra Bargman
By Playwright Fengar Gael, Sycorax is a character referred to, yet never seen, in Shakespeare’s “The Tempest.” But, in Fengar Gael’s story, Sycorax has been alive and waiting for 500 years to tell her side of the story.
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French Highlights At Chicago International Puppet Theater Festival
The Chicago International Puppet Theater Festival is proud to announce the establishment of The...
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“Breath And Imagination”: The Rediscovery Of Roland Hayes
Breath And Imagination is a musical, composed and written by Daniel Beaty, largely based on the...
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Ellen Pearlman: Brain Opera, Telematic Performance, And Decoding Dreams
Ellen Pearlman is a New York based media artist, curator, writer, critic, and educator. She holds...
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“Wet: A DACAmented Journey”: Living As An Undocumented Immigrant
Alex Alpharaoh has brought WET: A DACAmented Journey, his moving, comic, and political one-man...
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“On the Town” and the Long March for Civil Rights in Performance
In this blog post, Carol J. Ola, author or Bernstein Meets Broadway: Collaborative Art in a Time...
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And Then There Were None: Larissa FastHorse’s “The Thanksgiving Play”
I caught up with The Thanksgiving Play a few days after Thanksgiving. I was in the mood to laugh...
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Review: “Man In The Ring” By Michael Cristofer
Michael Cristofer’s “Man in the Ring” is a memory play that hits on an emotional level in a way that is hard to shake.
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Less Is More Or Less Is Less: The Balancing Act Of Designing Big Musicals In Small Spaces
Joe Klug is a gifted scenic designer who has a passion for reimagining musicals, particularly in...
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Amazing Grace: The Barrow Group Presents “The Tricky Part”
“Sun is bad for you. Everything our parents told us was good is bad. Sun. Milk. Red meat....
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