“Morning//Mourning” at PROTOTYPE 2023 Festival
Gelsey Bell’s Morning//Mourning is a quirky, experimental opera that defies categorization. It is...
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United States of America
Kennedy Center Dramaturgy Intensive 2022
During a summer of uncertainty and anxiety for American theatres and artists alike, a cohort of...
Read More“The Fall” at Soho Playhouse
On a cold November, New York Friday night, when temperatures approached freezing, the shivering audience waiting to experience Albert Camus’ The Fall at the Soho Playhouse checked in at the box office on the upper floor, then...
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“Lazarus 1972–2022” by Ping Chong
The show Lazarus 1972-2022 is difficult to pin down. How can what a thought looks like be...
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“Zahhak: The Legend of the Serpent King” and Dialogue of Civilizations at American Repertory Theater: An Interview with the Creative Team
Zahhak: The Legend of the Serpent King, will be performed January 12 – 15, 2023, at the Loeb...
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“Ain’t No Mo Play” on Broadway at Belasco Theatre
The young playwright Jordan E. Cooper deserves kudos for writing the play Ain’t No Mo. He is...
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Art, Dance, and Film of Ingrid Nachstern and Cate McNider
It was a chance meeting at MoMA’s dance series “Some sweet day” that brought Ingrid Nachstern and...
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“Once Upon A (Korean) Time:” Review
The simplicity of the set was enriched with exquisite lighting design, by Oliver Wason, depicting the starry heavens above, exploding bombs, flocks of butterflies, even projections of characters.
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“&Juliet”: What if?—A Review.
The previews of &Juliet the musical, began October 28th 2022 at the Stephen Sondheim Theatre...
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The Blackest Raisin: “A Raisin in the Sun” at The Public Theatre
Lorraine Hansberry’s A Raisin in the Sun, as anyone reading this knows, is a cornerstone of...
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“In a World Without Roe,” Hedgepig Ensemble Theatre Fosters Theatrical Parity
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
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Godless Clergy Members in “The Unbelieving”
The Unbelieving is documentary theater (all the lines are taken from real interviews), but this...
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Growing Up and Getting Through in Jill Sobule’s “F*ck7thGrade”
F*ck7thGrade is messy, it’s awkward, it’s unrelentingly earnest, and it’s utterly delightful....
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Clowning “On Beckett,” Irwin Delights at the Emerson Paramount Center
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
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Melissa Etheridge’s Queer Joy: “My Window—A Journey Through Life”
I was struggling to find my seat at New World Stages when two people a bit older than me wearing...
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Prequel, Sequel and Two Fangs: An Exclusive Interview with Dacre Stoker
This year is the 125th Anniversary of the famous gothic novel written by the Irish writer Bram...
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“Sesame Street: The Musical” Electrifies
An off-Broadway musical about the art of producing a musical and the love of show business “Sesame...
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The 90-Minute MacGuffin: “Four Saints in Three Acts”
The opera Four Saints in Three Acts’ astonishingly successful run on Broadway in 1934 was the most...
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Patriarchy as Judge: Smith Street’s Contemporary “Measure for Measure”
“Patriarchy is a judge that judges us for being born” proclaims the banner wrapped above our...
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A Queer Memory Play for the Online Generation: “You Don’t Have to Do Anything” Workshops in NYC This October
This October, playwright Ryan Drake and director Ryan Dobrin bring a memory play to the IRT Theater that explores online sexuality.
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