“A Strange Loop” by Michael R. Jackson
It’s rare when a musical wins the Pulitzer Prize for Drama. Most recently it was cultural...
Read MorePosted by Jack Wernick | 14th Feb 2021 | Musical Theatre, New York, Review, Theatre and Politics, United States of America
It’s rare when a musical wins the Pulitzer Prize for Drama. Most recently it was cultural...
Read MorePosted by Jack Wernick | 28th Jan 2021 | New York, Review, Theatre and Politics, United States of America
Gary Morgenstein’s nostalgic yet au courant play A Black and White Cookie is an invigorating...
Read MorePosted by Alexander Fatouros | 28th Jan 2021 | New York, Prototype 2021, Review, Theatre and Opera, United States of America
Created by theatre-artist Geoff Sobelle and composer-performer Pamela Z, Times3 (Times x Times x...
Read MorePosted by Madison Parrotta | 26th Jan 2021 | Interview, New York, Theatre and Disability, United States of America
Inclusion has quickly become the commanding narrative in the theater world, but when it comes to...
Read MorePosted by Boris Sandler | 21st Jan 2021 | Adaptation, New York, Russian Theatre Abroad, Transmedia, United States of America
This article has been translated from it’s original Yiddish by Vassili Schedrin The year...
Read MorePosted by Alexander Nderitu | 13th Jan 2021 | Festivals, New York, News, Theatre and Art, United States of America
First of the block is ‘Human Freedom 2021- A Theater for Human Rights Campaign’. This initiative is spearheaded by newly-appointed 2021 IHRAF International Fellow, Alessandro Lenzi. It is organized through a global collaboration between Raizes Teatro (Palermo), International Human Rights Art Festival (NYC), Avant – Garde Lawyers (Paris), and Global Campus of Human Rights (Venice). Alessandro Lenzi is the Director of Raizes Teatro. The Last Era, a play written by Alessandro Ienzi will be one of the features of the campaign.
Read MorePosted by Megan McCormick | 31st Dec 2020 | Festivals, Musical Theatre, New York, Review, Transmedia, United States of America
*Content Warning: This article discusses and describes new musicals that deal with such topics as...
Read MorePosted by Alexander Fatouros | 4th Dec 2020 | Featured, New York, Participatory Theatre, Review, Theatre and Art, Theatre and Dance, United States of America
The brilliant performance reaffirms its disregard for conventional attitudes and unjustified inequalities—a nod to the social and political context from which the work sprang.
Read MorePosted by Rhiannon Ling | 15th Nov 2020 | Covid-19, New York, Review, Theatre and Politics, United States of America
Keely and Du, Jane Martin’s seminal work from 1993, is a piece often touted for its emotional...
Read MorePosted by David Vernon | 3rd Nov 2020 | Musical Theatre, New York, Puppetry, Review, United States of America
All Hallows Eve is one of those rare productions that contain all the spicy ingredients of a...
Read MorePosted by Jack Wernick | 26th Oct 2020 | LGBTQ+ Theatre, New York, Review, Theatre and Politics, United States of America
Camp is very much in season in Circle Jerk, a pitched-to-the-rafters romp from new media and...
Read MorePosted by Marcina Zaccaria | 15th Oct 2020 | New York, Review, Theatre and Opera, United States of America
How do we continue forward without the great opera houses open? It is an extraordinary moment for...
Read MorePosted by Clare Cioffero | 16th Sep 2020 | Interview, New York, Playwriting, Polish Theatre Archives, United States of America
For theater, I like to give myself constraints. So for this, the constraint was that I wanted to write this for two people, partially because I love 2-person plays. There aren’t enough of them, and also, they’re so much more producible, and it’s amazing to watch two people pull something off, so I gave myself that challenge. It sort of opened up the door for me in terms of what the piece was going to be like stylistically – I wanted it to be a bunch of different genres and I wanted it to be ironic and funny and also heartfelt at the same time. That was all sort of outside-in thinking about this piece which isn’t always how it is, but helped me get into it. The more I worked on it, the more I have fallen in love with the characters and their story, but it frankly came about by thinking about the structure itself, and what I wanted to play to feel like and how I wanted it to be formed versus what it was actually going to be – form then content rather than the other way around.
Read MorePosted by Rhiannon Ling | 6th Sep 2020 | Covid-19, LGBTQ+ Theatre, New York, Review, Transmedia, United States of America
Beginning with the erecting of a green screen and ending with its dismantling, Different Stars: A...
Read MorePosted by Rhiannon Ling | 21st Aug 2020 | New York, Review, Transmedia, United States of America
With the coronavirus pandemic still running rampant and limiting in-person gatherings, theatre...
Read MorePosted by Megan McCormick | 18th Aug 2020 | Covid-19, New York, Review, Transmedia, United States of America
Throughout the pandemic, Guggenheim has been committed to financially supporting artists and...
Read MorePosted by Abigail Weil | 15th Aug 2020 | New York, Review, Transmedia, United States of America
I’ve never not gotten lost in Green-Wood Cemetery. One of the oldest landscaped cemeteries in...
Read MorePosted by Megan McCormick | 2nd Jul 2020 | Interview, New York, Theatre and Politics, United States of America
Relevant, engaging, creative, and action-inciting work is always being produced at The...
Read MorePosted by Emma Cooper | 19th Jun 2020 | Interview, New York, News, Producing, United States of America
The world has changed significantly not only in the last four months but more largely since the...
Read MorePosted by Azudi Onyejekwe | 7th Jun 2020 | Essay, New York, Theatre and Politics, United States of America
Dear white folks (and institutions) seeking to be true allies, Resist the urge to pat yourselves...
Read MoreM | T | W | T | F | S | S |
---|---|---|---|---|---|---|
1 | 2 | 3 | 4 | 5 | ||
6 | 7 | 8 | 9 | 10 | 11 | 12 |
13 | 14 | 15 | 16 | 17 | 18 | 19 |
20 | 21 | 22 | 23 | 24 | 25 | 26 |
27 | 28 | 29 | 30 | 31 |