“Sensuality of Action”: Paula Vogel’s “Indecent” on Broadway
Indecent is the new play by Pulitzer Prize-winning playwright Paula Vogel, belated making her...
Read More
New York
Mourning in America: Target Margin Brings O’Neill’s Ghosts to Life
Though regarded by many as the father of American drama, Eugene O’Neill correctly diagnosed...
Read More
Conversation with Renée Fleming – American Soprano
The evening of April 25th marked the culmination of Opera America’s Onstage at the Opera...
Read More
Theater Review: Arthur Miller’s “The Price”
In Roundabout Theatre Company’s revival of Arthur Miller’s The Price, the first striking element...
Read More
Ivo van Hove’s “Scenes from a Marriage”
Intimacy burns. A couple pummels each other in an endlessly repetitive cycle from which there is...
Read More
Past Due: Sarah Benson Directs Richard Maxwell’s “Samara”
In the closing moments of Richard Maxwell’s Samara, the audience is plunged into near-total...
Read More
“The (R)evolution of Steve Jobs” at the Guggenheim
Creators of The (R)evolution of Steve Jobs appeared at the Guggenheim to discuss the creation of...
Read More
“The Hairy Ape”: A Comedy of Ancient and Modern Life In Eight Scenes
1000 yellow seats, tier upon tier — a sea of bright yellow rising to the rafters: this is the...
Read More
“The Hairy Ape” at the Park Avenue Armory, NYC
As I sat in my $95 seat applauding the elegant and very smart production of Eugene O’Neill’s The...
Read More
Daughters of Misfortune: Guillermo Calderón’s “Villa”
Trauma affects everyone differently. Survivors may become fragile or embittered, depressed or...
Read More
Understated Risk-Taking in Beckettian “Wakey, Wakey”
Audacious risk-taking in the theater comes in many colors, most of them loud. You can defy a...
Read More
A Conversation With Anne Bogart: “I’m Absolutely Certain That Certainty Is Bad”
An originator of the Viewpoints system of training for actors and founder of SITI company,...
Read More
Love Revolution: The Assembly’s “Home/Sick”
Commitment is hard. Even within the well-defined parameters of traditional monogamy, balancing the...
Read More
Review: Wallance Shawn’s “Evening at the Talk House”
Is it a good or bad thing for a dyed-in-the-wool dystopian like Wallace Shawn when real life...
Read More
Inside Preparations for the New York Chekhov Festival
On March 24, The Russian Arts Theater and Studio will launch its first annual New York Chekhov...
Read More
Women on the Verge: Caryl Churchill’s “Escaped Alone”
In an 1896 essay on “The Tragic in Daily Life,” the Symbolist playwright Maurice Maeterlinck...
Read More
“Champion” – Scenes From a Boxer’s Life, A New Opera
In an inviting, Frank Lloyd Wright-designed venue, New Yorkers finally got a sampling of Champion,...
Read More
Death on the Rialto: Wallace Shawn’s “Evening at the Talk House”
As goes the theater, so goes civilization. In Wallace Shawn’s Evening at the Talk House the demise...
Read More
“Oh Boy!”: From Champigny to Broadway
Following the U.S. premiere of Oh Boy! on Broadway, at the Duke on 42nd Street presented by the...
Read More
The Things We Carry: Geoff Sobelle’s “The Object Lesson”
“Do your things spark joy?” That (to some, risibly) simple question, and her runaway 2014...
Read MoreLike Us On Facebook
Most Popular Posts
- “Tired” Of Consuming Postdramatic… 31st August 2025
- Rock Opera and Musical Theatre. An exclusive… 7th July 2025
- Mozart! The Gem of European Musical Theatre 8th October 2024
- Shakespeare In The Park At The New Delacorte… 30th August 2025
