“The Plague” at Arcola Theatre
The idea of the plague has a powerful metaphorical aura. Antonin Artaud used it in his seminal...
Read MorePosted by Aleks Sierz | 24th Apr 2017 | Review, Theatre and Politics, United Kingdom
The idea of the plague has a powerful metaphorical aura. Antonin Artaud used it in his seminal...
Read MorePosted by Aleks Sierz | 23rd Apr 2017 | Review, Theatre and Gender, United Kingdom
It’s hot. Real hot. And you’re dancing, just lost in music. You’re at the legendary Shrine...
Read MorePosted by David McAlpine | 23rd Apr 2017 | Theatre and Science, United Kingdom
C.P. Snow’s pessimistic view of “two cultures” – the arts and the sciences at war with each other,...
Read MorePosted by Sally Guyoncourt | 23rd Apr 2017 | Design, United Kingdom
A new theatre which can adapt its auditorium to suit each play is to open this autumn with a...
Read MorePosted by Aleks Sierz | 23rd Apr 2017 | Review, United Kingdom
One good reason to visit the theatre is to see stars in the flesh. And some of the biggest celebs...
Read MorePosted by Felix Mortimer | 22nd Apr 2017 | Adaptation, Immersive Theatre, Transmedia, United Kingdom
Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...
Read MorePosted by Felix Mortimer | 22nd Apr 2017 | Adaptation, Immersive Theatre, Transmedia, United Kingdom
Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...
Read MorePosted by Alice Jones | 18th Apr 2017 | Theatre and Gender, United Kingdom
In the airy sitting room of a nice house, a group of friends are catching up over a glass of wine....
Read MorePosted by Aleks Sierz | 17th Apr 2017 | Review, United Kingdom
The Bush is back! After a whole year of darkness, the West London new writing venue has reopened...
Read MorePosted by Aleks Sierz | 16th Apr 2017 | Review, Theatre and Gender, United Kingdom
Tamasha is a touring company that specializes in cultural diversity. It nurtures new writers and...
Read MorePosted by Lauren Deutsch | 15th Apr 2017 | Transmedia, United Kingdom
If your vacations haven’t been focused on interaction with indigenous shamans (as have many of...
Read MorePosted by Aleks Sierz | 15th Apr 2017 | Adaptation, London, Review, United Kingdom
Updating the classics is not without its pitfalls. How can a modern audience, which has a...
Read MorePosted by Bruce Smith | 11th Apr 2017 | Adaptation, United Kingdom
The Brooklyn Academy of Music (BAM) has been the site of many creative adaptations of...
Read MorePosted by Mary Mazzilli | 8th Apr 2017 | London, Playwriting, Review, United Kingdom
There is something strangely genuine and comically truthful about the European première of David...
Read MorePosted by Aleks Sierz | 4th Apr 2017 | Review, Theatre and Politics, United Kingdom
Oh dear. The first play explicitly about Brexit is being staged by the National Theatre in a...
Read MorePosted by Mark O'Thomas | 4th Apr 2017 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
Much has been written over recent months about the apparent bubble in which we are all now living,...
Read MorePosted by Elizabeth Schafer | 3rd Apr 2017 | Theatre and Gender, United Kingdom
In 1602, a law student called John Manningham saw Twelfth Night, or What You Will, and wrote what...
Read MorePosted by Aleks Sierz | 3rd Apr 2017 | Adaptation, London, Review, United Kingdom
The rehabilitation of playwright Terence Rattigan has surpassed even the stage when not only are...
Read MorePosted by Rebecca Monks | 2nd Apr 2017 | Festivals, Scotland, Theatre and Politics, United Kingdom
In 1947 Edinburgh was still in a post-war haze. The city was craving colour, culture, and above...
Read MorePosted by Koos Couvée | 2nd Apr 2017 | Theatre and Disability, United Kingdom
An actor born with defects resulting from the drug Thalidomide has been cast as Shakespeare’s...
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