Corbyn-Era Labour Tackled By David Hare In New National Theatre Play
Sir David Hare will return to the National Theatre with the latest addition to a wave of plays...
Read MorePosted by Adam Sherwin | 16th Oct 2017 | London, Review, Theatre and Politics, United Kingdom
Sir David Hare will return to the National Theatre with the latest addition to a wave of plays...
Read MorePosted by Aleks Sierz | 8th Oct 2017 | Adaptation, London, Review, United Kingdom
Jane Eyre is one of those mythical stories that make their home in your imagination. Where they...
Read MorePosted by Aleks Sierz | 2nd Oct 2017 | Adaptation, London, Review, United Kingdom
The black cab is such an iconic symbol of London that it’s easy to forget that inside every taxi...
Read MorePosted by Adam Sherwin | 18th Sep 2017 | Directing, Essay, London
A titan of the stage, whose influence over the development of post-War British theatre was...
Read MorePosted by Aleks Sierz | 17th Sep 2017 | Adaptation, London, Review, United Kingdom
Anyone who likes playing “Spot the weirdo” will find themselves instantly at home in Howard...
Read MorePosted by Aleks Sierz | 11th Sep 2017 | London, Review, United Kingdom
Some legendary plays are a disappointment when you see them again — they don’t live up to the...
Read MorePosted by Aleks Sierz | 5th Sep 2017 | India, London, Review, Theatre and Politics, United Kingdom
Gandhi has a lot to answer for. I don’t mean the saintly campaigner for Indian independence, who...
Read MorePosted by Aleks Sierz | 30th Aug 2017 | London, Review, Theatre and Politics, United Kingdom
Fifty years ago this month, playwright Joe Orton was murdered by his lover Kenneth Halliwell. His...
Read MorePosted by Aleks Sierz | 28th Aug 2017 | London, Review, Theatre and Politics, United Kingdom
Another plague is sweeping British theatre: audience participation. Instead of just sitting back...
Read MorePosted by Adam Sherwin | 21st Aug 2017 | London, Management, News, United Kingdom
Michelle Terry, the new artistic director of Shakespeare’s Globe, has promised a return to the...
Read MorePosted by Aleks Sierz | 13th Aug 2017 | London, Review, United Kingdom
The question that always needs to be asked of any example of science on stage, and there are now...
Read MorePosted by Alice Jones | 9th Aug 2017 | London, Review, United Kingdom
It was only a matter of time before Tom Hiddleston tackled the most famous role in all of theatre....
Read MorePosted by Emma Cole | 25th Jul 2017 | Adaptation, London, News, Translation, United Kingdom
In 2013-14, an innovative, cross-disciplinary research project explored the interactions of...
Read MorePosted by Aleks Sierz | 16th Jul 2017 | London, Review, Theatre and Gender, United Kingdom
Surrogacy is an emotionally fraught subject. And one that is pregnant with meaning. The...
Read MorePosted by Aida Rocci | 14th Jul 2017 | Interview, London, Spain, Transcultural Collaborations, Transmedia, United Kingdom
As a storyteller and music performer, Lina Tur Bonet is wary of fusions. Last May, she was part of the presentation Made In Murcia that took place at the Cervantes Theatre in London.
Read MorePosted by Aida Rocci | 7th Jul 2017 | Immersive Theatre, London, Review, Transmedia, United Kingdom
At the core of Secret Cinema, there is the promise of daring to be different. Combining the realms...
Read MorePosted by Aleks Sierz | 3rd Jul 2017 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
The recent general election result proves that the power of the rightwing press has diminished...
Read MorePosted by Margaret Drummond | 1st Jul 2017 | Adaptation, London, Playwriting, Review, Russia, Russian Theatre Abroad, Translation, United Kingdom
Xameleon Theatre treats London audiences to a new insight into the life and works of Chekhov in...
Read MorePosted by Aleks Sierz | 20th Jun 2017 | London, Review, United Kingdom
Dorothy Parker’s take on suicide is called “Resumé”: it goes, “Razors pain you; Rivers are damp;...
Read MorePosted by Aleks Sierz | 19th Jun 2017 | London, Review, Theatre and Disability
London fringe theatre is underfunded and under-resourced, but it often produces work that is more...
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