“Black: The Sorrows Of Belgium”–Luk Perceval/NTGent and “Flandria”–Roland Gunst/LOD
A continuous conversation, not a hot topic With the reopening of the Africa Museum in Brussels and...
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Belgium
We Complement One Another: Gabriela Carrizo, a Founding Member of Peeping Tom
An interview with Gabriela Carrizo, a founding member of Peeping Tom After ten years we had the...
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What Is Queer About Queer Performance Now?
Between identity and identitylessness In this article, Elke Huybrechts regards what happened on...
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Cally Spooner: Between Language And Body
Black box and white cube From February 3 till March 18, the Centre d’Art Contemporain in Geneva...
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ETL Wins The Heritage In Culture Award 2018
The European Theatre Lab is very proud to announce that the project won Spotlight on Heritage in...
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Identity, Technology, Nostalgia: The Theater Of Ivo Van Hove, Robert Lepage, And The Wooster Group
In recent theatre practice, attempts have been made and desires expressly voiced–from puppet...
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Going To War And Making Revolution At The Bâtard Festival
Cezary Goes To War by Cezary Tomaszewksi and Tell Me About The Revolution by Farbod Fathinejadfard...
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“We Always Depend On Other People”–Dramaturg Stefan Bläske On His Process Of “Five Easy Pieces” With Milo Rau
It was a pleasure to sit down and talk to Stefan Bläske, the resident dramaturg of the...
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Playful Dogmatism: Milo Rau and Joachim Ben Yakoub in Conversation
Milo Rau and Joachim Ben Yakoub in conversation on the Ghent Manifesto. In May NTGent published...
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Young Work At TAZ #2018: Alice Bogaerts And Ingrid Berger Myhre
At their first encounter with director Alice Bogaerts’s and dramaturg Marleen Ilg’s stage...
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Between Body And Object
At the core of my oeuvre and of my artistic practice is the fact that you are not allowed to...
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Aiming The Guts
It is true of all of the FC Bergman collective’s productions, but 300 el x 50 el x 30 el is...
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Ivo van Hove’s “The Damned” at Park Avenue Armory
Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the...
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The Tiger And The Anus: How KFDA Decolonises Cosmopolitanism
The Kunstenfestivaldesarts (KFDA)’s commitment to promoting “cosmopolitan vision as an...
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Open Letters To The Circus #3: Who Gets To Build The Future?
This is the third letter in a cycle of Open Letters To The Circus. This letter is written in the...
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“Five Easy Pieces”: Milo Rau’s Extraordinary Work About Child Murderer
It’s not often that a children’s theatre features a piece about a pedophile and child...
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“La Cerisaie”: Chekhov’s “Cherry Orchard” With New Secrets
La Cérisaie (The Cherry Tree/The Cherry Orchard) presented by the Belgian company TG STAN (i.e....
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Metaphor At Play: New Theatre from Belgium, Poland and United States
Focusing on varied issues, three foreign plays staged at the 8th Theatre Olympics appealed with...
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Force And Fragility Meet And Merge In “Dunas”
There are mutual squeals of delight when Belgian dance artist, Sidi Larbi Cherkaoui and Spanish...
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A New Approach To Subtitling
Finding poetry in technology: theatre = yet tears Shall we take it as a bad omen that Siri is...
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