Privileges of the Imagination
When, nearly three years ago, I wrote about the first Teatroteka (Didaskalia, No. 142), I looked...
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Transmedia
Contemporary Performing Arts Festival Stays Open to New Possibilities Despite COVID-19
Maybe 13 is an unlucky number? Contemporary theater’s annual Festival/Tokyo is known for its focus...
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Of Wizards and Trolls: “Russian Troll Farm: A Workplace Comedy”
Co-workers Masha and Nikolai sit side by side in separate black boxes on my laptop screen. Their...
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Turning Challenges into Opportunities: Multicultural Multi-modal Conversations at the Conference “Theatre and Virtual Reality” in Saint-Petersburg, Russia.
As part of the XXX Baltic House International Theatre Festival, the conference “Theatre and...
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The Annoyance’s “Splatter Theater:” Sharing a Chicago Halloween Tradition with an Online Audience
While theaters around the United States typically produce The Rocky Horror Picture Show around...
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Mumbai’s The Company Theatre Finds Innovative Ways to Navigate Theatre Digitally
Actor and artistic director Atul Kumar speaks on the need to experiment with ‘form’ to make...
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Shernaz Patel on the Changing Landscape of Theatre from Stage to Screen
Actor Shernaz Patel speaks about supervising the transition of theatre to benefit an online...
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Fariña: Cocaine Coast Docks in Madrid
Madrid is the European capital worst hit by COVID-19. There nevertheless remains more theatrical...
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Kerala’s ‘Tholpavakoothu’ as a Modern Avatar in a Music Video
“The use of Kerala’s traditional puppetry in a music video by director Emcy Joseph throws...
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“The House of Sorrow” – Jisun Kim
Consciousness, cognition, and perception have fascinated Jisun Kim and The House of Sorrow is a...
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From Social Theatricality To Stage Theatricality: A Continuous Pandemic Script
The pandemic, like the tragedy of the 21st century, has a theatrical mode, and the social response...
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The Story Behind “LILIAN”: Interview with Kasia Głowicka
LILIAN, the debut radio play from award-winning composer Kasia Głowicka, will premiere Friday,...
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“Generation After 4”: Connecting Above Borders With The Most Radical Stages Of Polish New Theatre
Cursed problems often require unorthodox solutions, ones that transgress or delineate anew...
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Chinese Director Wang Chong Publishes “Online Theatre Manifesto”
The Lunar New Year of 2020 struck Chinese people as unprecedented as Coronavirus forced Wuhan to...
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Reach Out And Touch Faith: “Guru Of Touch” By This Is Not A Theatre Company
After nearly half a year in quarantine, many artists still wrestle with the conundrum of COVID-era...
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“Different Stars:” A Song Cycle in Digital Form
Beginning with the erecting of a green screen and ending with its dismantling, Different Stars: A...
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Zoom Theatre But Make It Immersive: Strange Bird’s “The Strange Secret of Mr. Adrian Rook”
Strange Bird Immersive premieres its all-new immersive, virtual theatrical experience “The Strange Secret of Mr. Adrian Rook,” playing through October 10, 2020 on Zoom.
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Embodying Inclusion Through Vulnerability Of Dance And Multimedia Performance: Heidi Latsky Dance Company
Heidi Latsky is a dancer and a choreographer who puts her vision of an inclusive integrated world...
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Rock, Theatre and Human Rights Come Together at this Online Event
ArtAloneTogether is a mix of dance, theatre, magic and music performances, in addition to...
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“corkscrew 4.0:” Eight Plays, Eight Reimaginings, One Early 2000s Website
With the coronavirus pandemic still running rampant and limiting in-person gatherings, theatre...
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