“La realidad”, Or How to Build Fake News
The premiere of La realidad, the new play by Darío Facal and Pedro Cantalejo, was in March at the...
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Transmedia
Spotlight on “Pale Sister”: On Lighting in Digital Theatre
Pale Sister is the latest adaptation of the Sophoclean tragedy, Antigone (c. 441 BC), written by...
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Be Creative with Your Videoconferencing, Make it Memorable, Make a Difference
On the 21st March 2020, I put out a simple message on my Facebook profile in response to the...
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Waking Up in the Morning, Thinking About “This American Wife”
“Waking up in the morning, thinking about so many things, I just wish things would get...
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Our Experiments: Democratizing The Creative Process
In December 2020, Teatro Stabile di Torino worked with 63 theatre artists on seven radical,...
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Experimenting with Virtual Theatre: An Interview with Igor Golyak
Igor Golyak is the Artistic Director of Arlekin Players Theatre. Arlekin Players Theatre has...
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XR | AR | VR: CultureHub on La MaMa’s Coffeehouse Aesthetic, Immersive Art, and Tech-Integrated Theatre
Located in graffiti-laden downtown Manhattan where the East Village and NoHo meet at 47 Great...
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Immersive Opera “Laila” at the 50th Hong Kong Arts Festival
Laila, a special co-production by the Hong Kong Arts Festival (HKAF) and the Finnish National...
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About “The Separation”
The camera can take you to places where the naked eye rarely goes. Like close. Very close. Close...
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The Pandemic Made Their Women’s Suffrage Play Impossible. But the Show Went On — Virtually
Leaders of the women’s suffrage movement relied on public performance to promote their cause. They...
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A Conversation with Director Ashley Tata
Ashley Tata is a Brooklyn-based director and maker of multimedia works. I had the pleasure of...
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“The Empire Builders:” A Bold Experiment in Alternative Theatre
An intimate listening party of The Empire Builders, an immersive audio production performed by the...
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About “Mum. Can You Hear Me?”
Over the past year we’ve become used to a variety of home theatre: recordings of live...
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Mark Ravenhill’s “Angela” on The Sound Stage
Does a subjective theatre piece encourage a subjective critical response? I think it might,...
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“The Other Solos, Shakespeare:” Brexit, Shakespeare, and Foreign Voices
Today, 23rd of April 2021, is the 405 anniversary of Shakespeare’s death. In two months, on...
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“From the Fishbowl”: Devising Theatre in a World Interrupted
This year, the University of Arizona School of Theatre, Film & Television partnered with The...
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The Social Theater of Ambulatory Care in Poland. Part 3.
For Part 1 and 2 go here. Revolution: A Response to a Systemic Crisis Those theaters of ambulatory...
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Making Live Theatre Limitless Through Film and Digital Access: Conversation with the Founder of Stage Russia, Eddie Aronoff.
Stage Russia is an international Theatre HD project formed by Eddie Aronoff, an American producer...
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“Manimals” and the Exploration of Digital Liveness
Manimals, created by Michelle Hudson and her team, shines as a piece that accomplishes the difficult taste of engaging audiences across the computer screen.
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5 Reasons Why Verse Is the Language for Theatre in 2020s
While theatre in its early days existed in a strong relationship with verse, the social, cultural,...
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