Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
Read MorePosted by Colin Hambrook | 11th Aug 2018 | Essay, Immersive Theatre, LGBTQ+ Theatre, Participatory Theatre, Theatre and Disability, Transmedia, United Kingdom
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
Read MorePosted by Philip Auslander | 4th Aug 2018 | Acting, Essay, Transmedia
Since 2002, every time Academy Award nominating season rolls around, it is guaranteed that...
Read MorePosted by Edmond Couchot | 1st Aug 2018 | Essay, Participatory Theatre, Theatre and AI, Transmedia
Artists in the performing and theatrical arts currently have access to technology of an...
Read MorePosted by culture.pl | 29th Jul 2018 | News, Poland, Transmedia
Polish theatre artists have recently been experimenting with Virtual Reality (VR). What is it, and...
Read MorePosted by Willow White | 29th Jun 2018 | Canada, Festivals, LGBTQ+ Theatre, Review, Transmedia
Montreal, Québec Willow Whitereviews Daughter Product’s production of A Dyke’s Guide To Fair...
Read MorePosted by Alvina Ruprecht | 26th Jun 2018 | Adaptation, Canada, Festivals, Review, Transmedia
In a small empty space illuminated by several enlarged computer screens, a shadowy figure sits...
Read MorePosted by Laurie Fyffe | 26th Jun 2018 | Canada, Festivals, Review, Transmedia
The first shock that lands from #Faustus is the language. Against the backdrop of a visual barrage...
Read MorePosted by Claire Swyzen | 16th Jun 2018 | Directing, Review, South Korea, Theatre and AI, Transmedia
A shallow learning-play In Deep Present (2018) Seoul-based director Jisun Kim stages four...
Read MorePosted by Jessica Rizzo | 15th Jun 2018 | New York, Review, Russian Theatre Abroad, Transmedia, United States of America
An assemblage of intriguing aesthetic strategies, what Mallory Catlett’s This Was The End lacks in...
Read MorePosted by The Theatre Times | 15th May 2018 | Devised Theatre, New York, Review, Transmedia, United States of America
There is a rather iconic scene in The Devil Wears Prada where Miranda (played by Meryl Streep)...
Read MorePosted by Beatriz Cabur | 20th Apr 2018 | Immersive Theatre, London, Participatory Theatre, Review, Transmedia, United Kingdom
Creating large-scale cultural experiences in abandoned spaces, Secret Cinema fuses film, music,...
Read MorePosted by Hilary Halba | 14th Apr 2018 | Festivals, Immersive Theatre, New Zealand, Review, Transmedia
An audience assembles on the grassy margins of Prospect Park in Ōtepoti/Dunedin, New Zealand, on a...
Read MorePosted by Mara Valderrama | 29th Mar 2018 | Japan, Spain, Theatre and Opera, Transmedia
Hatsune Miku, the most famous non-human pop singer in the world, will visit Spain for the first...
Read MorePosted by Michał Krawczak | 25th Mar 2018 | Dramaturgy, News, Poland, Theatre and Opera, Transmedia
In 2016 the art & science collective Dæd Baitz (Agnieszka Jelewska, Michał Krawczak, Paweł...
Read MorePosted by Michał Krawczak | 25th Mar 2018 | Essay, Poland, Theatre and Art, Theatre and Science, Transmedia
The interactive installation Post-Apocalypsis was designed as part of the Polish pavilion at the...
Read MorePosted by Michał Krawczak and Agnieszka Jelewska | 25th Mar 2018 | News, Poland, Theatre and Art, Theatre and Science, Transmedia
The Humanities/Art/Technology Research Center was founded in 2011 at Adam Mickiewicz University in...
Read MorePosted by Ágnes Bakk | 17th Mar 2018 | Germany, Immersive Theatre, Interview, Transmedia
Interview with Dr. Robin Curtis, professor of media studies at Albert-Ludwigs-Universität...
Read MorePosted by Krisztina Rosner | 11th Mar 2018 | Acting, Essay, Japan, Theatre and Science, Transmedia
Ten Years of Robot Theatre Directed by Oriza Hirata In Japan, the development of humanoid robots...
Read MorePosted by Lorena Meeser | 14th Feb 2018 | Immersive Theatre, Mexico, Playwriting, Review, Transmedia, United Kingdom
Inspired by the Edward Snowden case, James Graham’s Privacy shows us the consequences of...
Read MorePosted by Patricia Tobin | 13th Feb 2018 | Immersive Theatre, Review, Singapore, Transmedia
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore,...
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