The Gaze Of The Robot: Oriza Hirata’s Robot Theatre
Ten Years of Robot Theatre Directed by Oriza Hirata In Japan, the development of humanoid robots...
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Transmedia
“Privacy:” The Impact Of The Digital Revolution On Private Life
Inspired by the Edward Snowden case, James Graham’s Privacy shows us the consequences of...
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Looking Within With “Attempts: Singapore”
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore,...
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“Black Inscription” – A New Multimedia Love Song Cycle Premieres at Prototype
“To dive we must forget the surface fuss… Ignore all surface fuss.. Ignore the surface…” -From...
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Performing Arts Join Digital Forces To Celebrate Cultural Heritage On Stage
2018 is the European Year of Cultural Heritage. To bring awareness to the wealth and contribution...
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Sculptures Reflect On The Space They Occupy In “Ten Years, Please”
In 2007, visual artist Jewyo Rhii and curator Hyunjin Kim held an unusual exhibition titled Ten...
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Theatre Is Not Happy Any More In Crisis: The Internet and Performing Arts
It’s often stated that performing arts reflect changes in society. But how does this look when we...
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Newborn: Talk with Wojtek Markowski
With the team of Polski Theater in the underground we streamed 360-degree video from the container...
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Homo Digitalis Meets Zigmagora
What’s the digital revolution doing to us? A web series, a book and one of our theatre projects...
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“One The Bear” (La Boite) New Transmedia Storytelling
In true international award-winning Black Honey Company style, One The Bear bursts on the...
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Is VR the Future Of Live Performance?
What do Coldplay, Stevie Wonder, and the Imagine Dragons all have in common? The answer, and well...
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West Coast Premiere – “Please Excuse My Dear Aunt Sally” At The Odyssey Theatre
Founded in 1969 by Artistic Director Ron Sossi, The Odyssey Theatre Ensemble is Los Angeles’...
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Algorithm, Composition, And Metaphor
What is algorithmic theatre? For the last several years, I’ve been using the term...
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Analog Virtual Reality Worlds of SIGNA Performance Group
Signa and Arthur Köstler are the creative directors of SIGNA, the well-known performance...
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Foreign Radical: The Intimate Power of Interactivity
Please, take your laptops out of the suitcase. Liquids in a plastic bag. No belts. No shoes....
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How Virtual Reality is Changing the Way We Experience Stage Shows
When the legends of opera were composing their works, it is unlikely they ever envisaged a time...
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What (Good) Examples Of Digital Technology In Theatre Do You Know?
The Field Survey, Part 1: Seeing Summarizing the answers of the playful poll done at the...
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How Does The (Digital) Theatre Of The Future Look Like?
The Field Survey, Part 4: Dreaming What would you like to happen in the (near) future in relation...
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“End of Imitation 2.0”: A Digital And Documentary Look At Humanity
Work on a documentary performance called End of Imitation started last autumn. It was shaped by...
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Fuerza Bruta Re-Interprets a Night Out at The Theater
Since Argentinian physical theater troupe Fuerza Bruta burst onto the scene in Buenos Aires in...
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