Plotting Yiddish Drama: A New Digital Resource
The history of Yiddish theatre is embedded – quite literally – in urban space. If you walk past...
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Transcultural Collaborations
“Passengers”: Nostalgia, Circus, and Finding Human Connection.
A train may no longer be the most novel mode of transportation, and yet it remains a powerful...
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Perceptions of Each Other’s Cultures: Open Letter to an American Theater Critic
Most theater productions will never become available again, no matter how great the quality,...
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On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
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Building Bridges To Bangkok Through Stage
Never at risk of being run of the mill, Chelfitsch — which took its name from a baby’s...
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Avignon 2019: Staging the Impossible. On Exile, Community and Hope in Christiane Jatahy’s “Le Présent Qui Déborde – Notre Odyssée II”
Exile, migration, refugee crisis, loss of home and family, and death are among many realities and...
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Theatre of Inquiry: Matei Vișniec’s “Richard III” Takes Place in Tehran – Interview With Rūhollah J’afarī
About this performance and its director also read Self-Censorship Is a Castration of Ideas: A...
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On The Magic of Cirque du Soleil: Conversation With the Members of “Corteo”
To audiences around the world, Cirque du Soleil is a must-see entertainment with mesmerizing...
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“An Enemy Is Someone Whose Story You Don’t Know”: Interview with Arab Israeli Playwright Ibrahim Miari About His Drama “In Between”
Ibrahim Miari, son of a Palestinian Muslim father and Jewish Israeli mother, grew up in Israel,...
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Keeping Faith, Spreading Hope: Rohina Malik’s “Keeping Faith: Sisters of Story”
The music was audible before I entered the theatre. As I walked down the aisle to my seat, the...
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PQ 2019: The Golden Triga
“Comrades,” said the woman in a loose zebra print dress and bright red lipstick, “this is not a...
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PQ 2019: The Nation Unto Itself
When a work of art has the word “nation” in its title, it invites you to look for the “essential”...
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On Improvisation, Soundpainting, and Artistic Community: A Conversation with Leese Walker, the Founder of the Strike Anywhere Performance Ensemble
Established in 1997 by Leese Walker, the Strike Anywhere Performance Ensemble is an...
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PQ 2019: Chaos and Kindness
The headquarters of the PQ is the Exhibition Grounds, but that’s not its boundaries. Between the...
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“Penelope Sleeps” – Mette Edvardsen & Matteo Fargion
Penelope Sleeps begins in medias res. Three performers, lying as though dead onstage, and a small...
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Toronto Laboratory Theatre: “In Sundry Languages” – Creating New Identities Through Collaborative Devising In Many Languages!
Art Babayants is a performer and the Artistic Director of the Toronto Laboratory Theatre, working...
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Review: “Scenes from 71* Years” by Hannah Khalil
Scenes from 71* Years is a play of remembrance showing a diasporic perspective on the Palestinian...
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Shakespeare and Asia
When a weary Egeon laments in the first scene of The Comedy of Errors that in quest of his lost...
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The Immigrant Dragons, Part IV: Generations United in Bendigo
Back home in Australia, the world’s largest imperial dragon joins his predecessors – and so...
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Jayachandran Palazhy on Contemporary Art Forms
International movement artist Jayachandran Palazhy feels that despite their so-called abstract...
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