Murray Mednick’s “Mayakovsky and Stalin” At The Cherry Lane Theatre: Men With Bloody Hands
In Murray Mednick’s “Mayakovsky and Stalin”, which made its New York premiere at the Cherry Lane...
Read MorePosted by Zhe Pan | 7th Nov 2019 | New York, Review, Theatre and Politics, United States of America
In Murray Mednick’s “Mayakovsky and Stalin”, which made its New York premiere at the Cherry Lane...
Read MorePosted by Aisling Murphy | 6th Nov 2019 | Canada, Review, Theatre and Politics
Canada is built upon a core tenet of otherness; its populace is built largely upon the mosaicked...
Read MorePosted by Aisling Murphy | 6th Nov 2019 | Review, Romania, Theatre and Politics
That the hallway beside the theatre is filled to its breaking point is a good sign: artists,...
Read MorePosted by Raveeta Banger | 5th Nov 2019 | Applied Theatre, News, Theatre and Politics, Transcultural Collaborations, United Kingdom
Oxford University hosted ‘Poetry in Motion’ lin June at Wolfson College to academics, students,...
Read MorePosted by Jack Wernick | 2nd Nov 2019 | Adaptation, New York, Theatre and Politics, United States of America
Repetorio Español, in New York’s Gramercy Park neighborhood, is currently home to a new...
Read MorePosted by Ayesha Manazir Siddiqi | 1st Nov 2019 | Documentary Theatre, Essay, Theatre and Politics, Theatre and Religion, Translation, United Kingdom
In 2019, Ayesha Manazir Siddiqi was asked to translate Trojan Horse, a play by Lung Theatre based...
Read MorePosted by Aleks Sierz | 25th Oct 2019 | Adaptation, London, Review, Theatre and Politics, United Kingdom
Adaptation is too banal a word to describe the cross-fertilization of theatre and other art forms....
Read MorePosted by Abigail Weil | 24th Oct 2019 | New York, Review, Theatre and Politics, United States of America
As someone who has long been fascinated by both of the title characters, I am not sure who Murray...
Read MorePosted by Jonathan Kalb | 24th Oct 2019 | New York, Review, Theatre and Politics, United States of America
Jeremy O. Harris’s Slave Play is the New York theater’s scandal du saison. It’s a play about race...
Read MorePosted by Aleks Sierz | 23rd Oct 2019 | London, Review, Theatre and Politics, United Kingdom
Sabrina Mahfouz is a British-Egyptian writer who has explored issues of Muslim and British...
Read MorePosted by Jack Wernick | 23rd Oct 2019 | Immersive Theatre, New York, Review, Theatre and Politics, United States of America
Multi-disciplinary hothouse The Cell in New York’s Chelsea neighborhood is currently home to...
Read MorePosted by Abigail Weil | 20th Oct 2019 | Acting, New York, Review, Theatre and Politics, United States of America
Henry Naylor’s Games, now at the SoHo Playhouse, highlights those human activities that are...
Read MorePosted by Zolima Citymag | 19th Oct 2019 | China, Hong Kong, Review, Theatre and Opera, Theatre and Politics
Three years before the Xiqu Centre opened as Hong Kong’s first purpose-built center for Chinese...
Read MorePosted by James Montaño | 14th Oct 2019 | Boston, Review, Theatre and Politics, United States of America
When Audrey (Katrina Pavao) sings “Somewhere That’s Green” in Lyric Stage Company of Boston’s...
Read MorePosted by Mert Dilek | 13th Oct 2019 | London, Review, Theatre and Politics, United Kingdom
What does it really mean to do political theatre? Does the theatre even hold any potential to...
Read MorePosted by Aleks Sierz | 12th Oct 2019 | London, Review, Theatre and Politics, United Kingdom
At the age of 81, Caryl Churchill, Britain’s greatest living playwright, is still going strong....
Read MorePosted by Natasha Lomonossoff | 10th Oct 2019 | Canada, Review, Theatre and Politics
In the context of these politically divisive times, the message of Mark Crawford’s recent play,...
Read MorePosted by Jack Wernick | 4th Oct 2019 | Interview, New York, Theatre and Politics, United States of America
Emily Mann, long-time Artistic Director of the McCarter Theatre in Princeton, New Jersey is...
Read MorePosted by Marié-Heleen Coetzee | 4th Oct 2019 | Review, South Africa, Theatre and Gender, Theatre and Politics
“Venus vs Modernity” centers on South African icon Saartjie Baartman whose horrific experiences of exploitation have become a reference point for black women’s body image and representation worldwide.
Read MorePosted by Jane Baldwin | 1st Oct 2019 | Review, Theatre and Politics, United States of America
Nixon’s Nixon by Russell Lees opened on Broadway in 1996 almost two years to the day of the...
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