Is The New York Theater Scene Serving Disabled Artists And The Disabled Population?
The New York theater scene is often thought of as the pinnacle of progression, where the newest...
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Theatre and Disability
“Dear Dsylexia”: A Truthful Theatre Journey In A Dyslexic World
Dear Dsylexia–written on purpose with the wrong spelling–is a stunning piece of solo theatre,...
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Invertigo Dance Theatre Company: A Conversation With Laura Karlin And Sofia Klass
Invertigo Dance Theatre is a provocative and passionate dance company based in Los Angeles. Laura...
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“Artificial Things”: An Introduction
Artificial Things [i] (directed by Sophie Fiennes) is a re-imagination of a contemporary dance...
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Jonathan Kalb Interviews Himself On Daniel Fish’s “Oklahoma!”
Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...
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Peter Hinton’s Return To The NAC Stage
When Silence: Mabel And Alexander Graham Bell opens at the NAC, it will mark a significant...
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Sarah Kane’s “4.48 Psychosis” at New Diorama Theatre
It’s all about the casting. The paradox of playwright Sarah Kane’s short career is that while her...
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Tekki Lomnicki And Tellin’ Tales Theatre: In Discussion
Tekki Lomnicki is the artistic director of Tellin’ Tales Theatre, located in Chicago, and...
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“I Was Most Alive With You” Pays Proper Tribute to The D/deaf Community
Playwrights Horizons’ production of I Was Most Alive With You by Craig Lucas was otherworldly in...
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“Brick City” Brings A Positive Representation Of Disability To The Stage
Nicole Pandolfo’s Brick City was produced in conjunction with NJPAC and the New Jersey Theatre...
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Lost Voice Guy – Edinburgh Fringe, Review: Pointed Laughs From The Britain’s Got Talent Winner
Lost Voice Guy, who won Britain’s Got Talent earlier this year, warns us that Inspiration Porn is...
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Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
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Technology And Disability Performance: Our Shifting Perspectives.
Over the last 20 years, the development of technology in performance has made us question what is...
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Actor Cures Stroke After Setting Up Theater At Psychiatric Hospital
Have you ever watched a staging of Chekhov where all the roles are played by patients at a...
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Four Directors Give Four Reasons To Be Graeae
To mark the launch of Graeae’s new book, Reasons to Be Graeae, which charts the history of the...
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Christine Rodriguez’s “The Autism Monologues”: Imperative Stories, But With Representation Issues
Christine Rodriguez’s The Autism Monologues opens with a monologue by a woman (Julie Barbeau),...
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One Story, Two Languages: Sign And Spoken Language Share The Theatre Stage
Would you go and see a bilingual or multilingual show if you only spoke one of the languages...
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“Teenage Dick”: A Study Of The Stereotypical Villain
Produced in conjunction with Ma-Yi Theater Company, the world premiere of Teenage Dick at The...
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Reasons To Be Graeae: A Unique Insight Into Disabled-Led Theater Company Graeae
Oberon’s new book, Reasons To Be Graeae, gives a unique insight into the first 38 years of the...
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The Dramaturg Has To Be Seen And Heard: Carmen Kovacs And Jeffrey Döring
Does good dramaturgy, as it was stated by Friedrich Schirmer, really need to be invisible? Jeffrey...
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