“Red”: Using the Body to Touch The Contemporaneity of the Past
Red, a documentary play created by Wen Hui’s Living Dance Studio, is based on Red Detachment of...
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Theatre and Dance
Fusions, Explorations and Making It Make Sense: Talking Dramaturgy with Flavia D’Avila
An interview with Edinburgh-based theatre-maker Flavia D’Avilia about dramaturgy and...
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The Future of Dance Is Underwater: A Review of Eko Supriyanto’s Indonesian Contemporary Dance
Mindful that the adrenaline coursing through your veins must not disturb the rhythm of your...
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Innovative Kathakali Artists Take the Stage in Palakkad
The staging of Nalacharitham Onnam Divasam in Palakkad had some pleasant surprises in store for...
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Home Is where the He(art) Is: Flatfoot Dance Company’s “Home” Trilogy
Durban, South Africa. Flatfoot Dance Company’s Home trilogy created and presented at different...
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OzAsia Festival Brings A Global Perspective To Australia With Theatre And Dance
Sometimes the weather simply won’t cooperate. Between a state-wide blackout, monsoonal rain, and...
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Interview: Evgeny Goremykin Of London Russian Ballet School
The London Russian Ballet School is unique in its offer of an authentically Russian ballet...
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Contemporary Dance in Belarus in the Early 21st Century: “Waiting for Godot”
During the last decade, two interconnected processes of legalization and professionalization have...
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Taiwan’s National Taichung Theater Celebrates Its Soft Launch through Epic, Ritualistic and Environmental Performances
As the darkness creeps in, the already crowded plaza in front of the National Taichung Theater...
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The Union of Sicilian Puppetry and Contemporary Dance: Virgilio Sieni and Mimmo Cuticchio in Palermo
Virgilio Sieni is one of the most important Italian dancers and choreographers, and Mimmo...
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Open Online Theatre Invites Its Audience to “Walk Into Space”
IJAD Dance Company begins 2017 with two firsts: the launch of its pioneering new digital platform...
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For The New Year: The Overview of Polish Dance Scene
The end of the year is an excellent opportunity for all kinds of summaries and predictions for the...
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Performances of Philippine Folk Stories in UP Diliman for the National Arts Month in February
In celebration of the National Arts Month in February 2017, the University of the Philippines...
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Yury Grigorovich, A Living Symbol of the Bolshoi
As Yury Grigorovich, one of Soviet ballet’s greatest figures, turns 90 on Jan. 2, the Bolshoi and...
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An Interview With Contemporary Dance Artist David Hernandez: ‘Doing What You Want Is a Privilege, and a Nightmare’
In her research, theatre scholar Annelies Van Assche investigates the working and living...
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Traditional Arts Master Brings A Mixture Of Theatrical Elements In “Sacred Sita”
Gamelan Sekar Laras (GSL) is an Adelaide-based community gamelan group that has been playing...
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Dramaturgies of Generosity: The Theatre of BADco.
BAD co.- is one of the most interesting theatre groups from Croatia. The ensemble, lead by stage...
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Swedstage: A Showcase of Swedish Theatre
Four degrees Celsius, a thin rain and low clouds: instead of letting ourselves overwhelmed by...
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A New Form Of Classical Indian Dance
That Bharatanatyam is presented as dance drama is not new. Usage of props and costumes like in...
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“The Nutcracker”: 10 Facts About Russia’s Most Magical Ballet
The original story of The Nutcracker was part of a group of fairytales written by the German...
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