“Sweat” at Left Edge Theatre
Sweat, by Lynn Nottage, is a cautionary tale about how the effects of poverty, or the threat of...
Read MorePosted by Heather Waters | 8th Oct 2020 | Los Angeles, Playwriting, Theatre and Politics, United States of America
Sweat, by Lynn Nottage, is a cautionary tale about how the effects of poverty, or the threat of...
Read MorePosted by Clare Cioffero | 16th Sep 2020 | Interview, New York, Playwriting, Polish Theatre Archives, United States of America
For theater, I like to give myself constraints. So for this, the constraint was that I wanted to write this for two people, partially because I love 2-person plays. There aren’t enough of them, and also, they’re so much more producible, and it’s amazing to watch two people pull something off, so I gave myself that challenge. It sort of opened up the door for me in terms of what the piece was going to be like stylistically – I wanted it to be a bunch of different genres and I wanted it to be ironic and funny and also heartfelt at the same time. That was all sort of outside-in thinking about this piece which isn’t always how it is, but helped me get into it. The more I worked on it, the more I have fallen in love with the characters and their story, but it frankly came about by thinking about the structure itself, and what I wanted to play to feel like and how I wanted it to be formed versus what it was actually going to be – form then content rather than the other way around.
Read MorePosted by Ati Metwaly | 3rd Sep 2020 | Egypt, Playwriting, Puppetry
The famous puppet and Shaker’s beloved ‘daughter’ will be part of a larger...
Read MorePosted by Jelena Gvozden | 2nd Aug 2020 | Croatia, Interview, Playwriting
We continue our conversation with Espi Tomičić, a Croatian playwright and “boy from the...
Read MorePosted by Jelena Gvozden | 31st Jul 2020 | Croatia, Interview, Playwriting
Espi Tomičić is a new playwright on the Croatian theatre scene but already garnered attention for...
Read MorePosted by Ian Kiyingi Muddu | 13th Jul 2020 | Essay, Playwriting, Uganda
If you want to understand a nation and its people, look no farther than its art. Through a...
Read MorePosted by Marjan Moosavi | 7th Jul 2020 | Canada, Interview, Playwriting, Turkey
In April 2020 Wine&Halva, a play by Turkish playwright and theater researcher Deniz Başar, had...
Read MorePosted by Marjan Moosavi | 6th Jul 2020 | Canada, Interview, Playwriting, Turkey
In April 2020 Wine&Halva, a play by Turkish playwright and theatre researcher Deniz Başar, had...
Read MorePosted by Marjan Moosavi | 4th Jul 2020 | Canada, Interview, Playwriting, Turkey
In April 2020 Wine&Halva, a play by Turkish playwright and theater researcher Deniz Başar, had...
Read MorePosted by Ian Kiyingi Muddu | 6th Jun 2020 | Interview, Playwriting, Uganda
Angella Emurwon is a playwright, theatre director and filmmaker. The name ‘Emurwon’ means seer,...
Read MorePosted by James Montaño | 4th Jun 2020 | Interview, Playwriting, Uganda
Lloyd Lutara (LL) is a multi-form storyteller writing and producing theatre, film, fiction and...
Read MorePosted by Ziming Jim Liu | 9th May 2020 | Interview, Playwriting, United States of America
Anya Richkind is an emerging Brooklyn-based playwright who has taken many different roles in...
Read MorePosted by Guillaume Clayssen | 13th Apr 2020 | France, Interview, Playwriting
Guillaume Clayssen, a fellow playwright, interviewed David Lescot on his newest piece in June 2016...
Read MorePosted by Amira El-Noshokaty | 9th Apr 2020 | Egypt, News, Playwriting, Theatre for Young Audiences
Samia Jaheen’s performance was part of the 10th Hakawy International Arts Festival for...
Read MorePosted by Mary Davies | 4th Apr 2020 | Books, Dramaturgy, Interview, Playwriting, United States of America
Mark Bly is an American dramaturg, editor, and lecturer. He was the chair of the MFA Playwriting...
Read MorePosted by Maria Delgado | 2nd Apr 2020 | Chicago, Playwriting, Review, United States of America
Tracy Letts’s Bug may be fourteen years old, but this tale of a couple convinced that they are...
Read MorePosted by Cate Cammarata | 12th Mar 2020 | Interview, New York, Playwriting, United States of America
We can’t discuss unpleasant historical events or why you or I voted for that candidate without generating anger and accusations. A society which is afraid to think and respectfully consider different points of view will inevitably degrade its ability to understand. Then what?
Read MorePosted by Trevor Boffone | 8th Mar 2020 | Chicago, Playwriting, Review, Theatre for Young Audiences, United States of America
Welcome to the Age of the Latina Nerd! Anywhere you look—on stage, on screen, on the written page,...
Read MorePosted by Ivanka Apostolova Baskar | 7th Mar 2020 | Germany, Interview, Playwriting
Ulrike Syha was born in 1976 in Wiesbaden, Germany. She studied Dramaturgy at the Hochschule für...
Read MorePosted by Aleks Sierz | 1st Feb 2020 | Nigeria, Playwriting, Review, Theatre and Politics, United Kingdom
Queen Victoria is a strong symbol of the old British Empire. For some 200 years, up to the 1950s,...
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