“New Dramaturgies:” Insights Into Mark Bly’s Playwriting Exercises. Interview with Mark Bly
Mark Bly is an American dramaturg, editor, and lecturer. He was the chair of the MFA Playwriting...
Read MorePosted by Mary Davies | 4th Apr 2020 | Books, Dramaturgy, Interview, Playwriting, United States of America
Mark Bly is an American dramaturg, editor, and lecturer. He was the chair of the MFA Playwriting...
Read MorePosted by Maria Delgado | 2nd Apr 2020 | Chicago, Playwriting, Review, United States of America
Tracy Letts’s Bug may be fourteen years old, but this tale of a couple convinced that they are...
Read MorePosted by Cate Cammarata | 12th Mar 2020 | Interview, New York, Playwriting, United States of America
We can’t discuss unpleasant historical events or why you or I voted for that candidate without generating anger and accusations. A society which is afraid to think and respectfully consider different points of view will inevitably degrade its ability to understand. Then what?
Read MorePosted by Trevor Boffone | 8th Mar 2020 | Chicago, Playwriting, Review, Theatre for Young Audiences, United States of America
Welcome to the Age of the Latina Nerd! Anywhere you look—on stage, on screen, on the written page,...
Read MorePosted by Ivanka Apostolova Baskar | 7th Mar 2020 | Germany, Interview, Playwriting
Ulrike Syha was born in 1976 in Wiesbaden, Germany. She studied Dramaturgy at the Hochschule für...
Read MorePosted by Aleks Sierz | 1st Feb 2020 | Nigeria, Playwriting, Review, Theatre and Politics, United Kingdom
Queen Victoria is a strong symbol of the old British Empire. For some 200 years, up to the 1950s,...
Read MorePosted by Aleks Sierz | 16th Jan 2020 | Acting, Playwriting, Review, Theatre and Gender, United Kingdom
What has Saint Augustine of Hippo got to do with new writing? At first sight, not very much. That...
Read MorePosted by Aleks Sierz | 8th Dec 2019 | Documentary Theatre, Playwriting, Review, United Kingdom, United States of America
Today, we call it soft power. During the Cold War it was more like success at any cost—and by any...
Read MorePosted by Aleks Sierz | 1st Dec 2019 | London, Playwriting, Review, United Kingdom
Naturalism is both the best thing about British theatre, being democratic and comprehensible by...
Read MorePosted by Aleks Sierz | 9th Nov 2019 | Playwriting, Review, Theatre and Religion, Theatre and Science, United Kingdom
One of the great cultural divides is that between religion and science. Of course, as novels such...
Read MorePosted by Aleks Sierz | 26th Oct 2019 | London, Playwriting, Review, Theatre and Age, United Kingdom
Wow. Just wow. The moment you enter the auditorium of this venue it’s immediately obvious that...
Read MorePosted by Anuj Kumar | 12th Oct 2019 | India, Playwriting, Review
Ahead of the première of Dastaan-e-Ram, writer Danish Iqbal discusses the joys and challenges of...
Read MorePosted by Síofra Ní Shluaghadháin | 10th Oct 2019 | Festivals, Ireland, News, Playwriting, Theatre and Gender
The Dublin Fringe Festival celebrates its 25th year this year and duly provided the Irish capital its characteristic combination of artistry, controlled chaos and thought-provoking content. The stated theme of Dublin Fringe 25,...
Read MorePosted by Samuel Ravengai | 22nd Sep 2019 | Playwriting, Review, Theatre and Gender, Zimbabwe
The late Stephen Chifunyise rarely wrote about politics. He was more fascinated with social issues...
Read MorePosted by Kee-Yoon Nahm | 15th Sep 2019 | Adaptation, Interview, Playwriting, South Korea, Theatre and Politics, Translation
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
Read MorePosted by Kee-Yoon Nahm | 15th Sep 2019 | Adaptation, Interview, Playwriting, South Korea, Theatre and Politics, Translation
Interview and translation by Kee-Yoon Nahm with contributions from Laura Gisondi. Lee Kang-baek is...
Read MorePosted by Sweta Akundi | 4th Sep 2019 | India, Interview, Playwriting
In his play Azad Theatre, Deepro Roy uses a singular set as the backdrop to spar a debate on two...
Read MorePosted by Daniel Teo | 21st Aug 2019 | India, Interview, Playwriting, Singapore
Playwriting can be a lonely career. For the independent playwright, creating work and searching...
Read MorePosted by Samuel Ravengai | 10th Aug 2019 | News, Playwriting, Zambia, Zimbabwe
Stephen Chifunyise’s death At about 1830hrs on Monday, 5 August 2019, Stephen Joel Chifunyise...
Read MorePosted by Nobuko Tanaka | 21st Jul 2019 | Japan, Playwriting, Review
Tokyo’s cozy 60-odd-seat Komaba Agora Theater isn’t perhaps where you would expect a cutting-edge...
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