Homegrown: Occupy Festival
Homegrown: Occupy Festival Battersea Arts Centre March 18 – April 12 When it comes to arts venues,...
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Participatory Theatre
Using Art To Tackle Air Pollution: A Story From A Nairobi Slum
Air pollution is recognized as a major threat to human health worldwide. Nine out of ten people...
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The Presence Of Others In A World Without Boundaries: An Interview With teamLab
teamLab, founded by Toshiyuki Inoko and several of his friends in 2001, is an art collective, an...
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Get Out Of The Box: New Business Models And International Co-Operation
The European Theatre Lab (ETL) is an international co-operation that brings together several...
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“The Justice Syndicate”: How Do You Make Decisions? Immersive Theatre and Jury Duty
An empty room. A large table. 12 iPads, 12 note pads, and 12 name desk holders that designate “Juror” along with a number. That is the simple setting for The Justice Syndicate, a new piece by fanSHEN. This interactive play revolves around a jury deliberation on a high-profile sexual assault case.
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Kankurang Festival 2019: The Gambia
In 2005, Kankurang was inscribed by UNESCO as an intangible cultural heritage of humanity. The...
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Making And Knowing: How Theatre Helps To Explore A City’s Identity
What gives an urban area a particular quality? What is the mood, feeling or atmosphere that makes...
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Interview With Clara Fernandez-Vara: “Your Spectator Is Also Your Player”
Clara Fernandez-Vara is an Associate Arts Professor at New York University. Her background is in...
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“Dysconnect” – Towards A Digital Political Dramaturgy: Re-Humanizing Agency In The Age Of Algorithms
In 2011, a woman stood outside an abortion clinic in Manhattan and asked...
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In “Trustees,” Belarus Free Theatre Mercilessly Demolishes Australia’s Cultural Debate
The Belarus Free Theatre, exiled from their home nation, has returned to Australia to collaborate...
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A Tribute to Winston Ntshona: A Pioneer of Storytelling and Activism in South Africa
A slim, well-thumbed paperback volume occupies a special place on my bookshelf. Its spine is torn...
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Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
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Automatism, Autonomy, And Aesthetics In Performing Arts
Artists in the performing and theatrical arts currently have access to technology of an...
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Contemporary Performing Arts In Portugal: An Overview Pt. 2
This is Part 2 of a 2 part article. Read Part 1 here. The contemporary performing arts scene As...
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Practiced Empathy and Awareness with Atlantic Pacific Theatre
Atlantic Pacific Theatre challenged their regular audience with a diptych, part process theater,...
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“Quiz” at Noël Coward Theatre: Towards Participatory Theatre
It’s been a golden week for James Graham, British theatre’s wonder boy. After winning an Olivier...
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Secret Cinema’s Most Recent Production: A Recreated World Of Ridley Scott’s Classic Film “Blade Runner: The Final Cut”
Creating large-scale cultural experiences in abandoned spaces, Secret Cinema fuses film, music,...
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When It’s Written On Your Face: Teatr 21 And The Paradox Of Invisibility
The discussions framing social theatre are all too often carried out in the language of public...
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How Can We Transform The World Through One’s Self? Amsterdam’s Butoh Festival
In Waves: Transforming The World Through One’s Self At Amsterdam’s Butoh Festival In...
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Warsaw’s Teatr 21 At POLIN: Passover Is A Celebration Of Freedom
Pesach or Passover is the most widely observed Jewish holiday and arguably the most joyful....
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