Dramaturgs Reflect on the ATHE Dramaturgy Focus Group (DRFG) Part I: The Foundation
Originally, this article was conceived as a section of an extended piece called, “Dramaturgs...
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Dramaturgy
The Dramaturgy of “The Banquet at elBulli”
This excerpt of the article is originally written in Chinese by the author. Full article will be...
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Contemporary Dramaturgies in the Performing Arts in Denmark: Report from a Conference Celebrating 60 Years of Dramaturgy at Aarhus University, Denmark
In The Routledge Companion to Dramaturgy (2016), Magda Romanska argues that if the twentieth...
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Celebrating Dramaturgy in the UK: The 2019 Kenneth Tynan Award
Founded in 2001, the Dramaturgs’ Network is the only organization in the United Kingdom solely...
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Shakespeare’s “The Tempest” Explores Colonialism, Resistance and Liberation
Last winter, at the Studio Theatre at Ryerson University in downtown Toronto, Canadian actor...
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Thrown into the Deep End! A Participant’s Perspective from The Kennedy Center New Play Dramaturgy Intensive 2019
Students and early career dramaturgs were invited to The John F. Kennedy Center for Performing...
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Playing the Family: Dramaturgy in Peeping Tom’s Family Trilogy
Peeping Tom is a theatre company founded in 2000 in Brussels by Gabriela Carrizo and Franck...
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In Memoriam Michael Lupu (1930-2019), Dramaturg of Another Dimension
Brian Greene, the theoretical physicist and author of The Elegant Universe, once wrote, “Some...
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Kai Tuchmann on Dramaturgy and Digital Realities
Creativity is mostly regarded as one of the last domains of the human species and it serves as a...
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In Memoriam: Robert Blacker Looks at the Past And Future of American Dramaturgy
Robert Blacker, Interviewed by Jacob Gallagher-Ross This interview was originally published in...
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Edinburgh Fringe 2019: Gig Theatre
The official stats have it that in its 73rd year of existence, the Edinburgh Fringe Festival 2019...
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Force Decisions: A Citizen’s Guide to How Police Determine Appropriate Use of Force by Rory Miller – A Book Review from a Fightaturgy Perspective
I have written elsewhere on recommended reading for early-career fight directors, and I would like...
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Probing Tom Stoppard on Russia: Part of The Legacy of Theater Critic and Educator J. Cooper Robb
Cooper Robb, an immensely knowledgeable and prolific American theater critic, who recently passed...
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Samuel Beckett’s “Waiting for Godot” Is Brought into the Reiwa Era
Why are thespians the world over so drawn to Waiting for Godot, that for many older actors playing...
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Translating Shakespeare
Translation of Shakespeare’s works is almost as old as Shakespeare himself; the first German...
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Co-Translating Hanoch Levin, The “Beckett of Israel”: A Conversation With Jessica Cohen & Evan Fallenberg
Although Hanoch Levin (1943–1999) is arguably Israel’s most important playwright, his work is...
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Shakespeare’s Globe Touring Ensemble Will Return To Hong Kong
One of the world’s most established Shakespearean theatre groups from London puts on The Comedy of...
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Herta Müller’s “Niederungen” and The Dramaturgy of The Body
The talented Romanian director Mihaela Panainte adapts Nobel laureate Herta Müller’s visceral...
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“We Understand Our Culture Better Through The Other’s”: Interview With Dramaturg And Theatre Historian Nina Király (1940–2018)
Last year Nina Király, dramaturg, theatre scholar, and regional editor for The Theatre Times...
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Care To Dance Dramaturg? The Invention Of A New Craft
A Foreword by the Editor Thirty years ago an essay was published in the Canadian journal Theatrum...
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