Dramaturgs Reflect on the ATHE Dramaturgy Focus Group (DRFG) Part I: The Foundation
Originally, this article was conceived as a section of an extended piece called, “Dramaturgs...
Read MorePosted by Walter Byongsok Chon | 15th Jan 2020 | Dramaturgy, Interview, United States of America
Originally, this article was conceived as a section of an extended piece called, “Dramaturgs...
Read MorePosted by Clement Lee | 6th Jan 2020 | Adaptation, Dramaturgy, Essay, Hong Kong, Theatre and Opera
This excerpt of the article is originally written in Chinese by the author. Full article will be...
Read MorePosted by Ida Krøgholt | 13th Dec 2019 | Denmark, Dramaturgy, Essay
In The Routledge Companion to Dramaturgy (2016), Magda Romanska argues that if the twentieth...
Read MorePosted by Mert Dilek | 26th Nov 2019 | Dramaturgy, News, United Kingdom
Founded in 2001, the Dramaturgs’ Network is the only organization in the United Kingdom solely...
Read MorePosted by Paul Yachnin Hannah Korell | 20th Nov 2019 | Canada, Dramaturgy, Essay, Theatre and Decolonization
Last winter, at the Studio Theatre at Ryerson University in downtown Toronto, Canadian actor...
Read MorePosted by Elizabeth Leemann | 25th Oct 2019 | Dramaturgy, Essay, United States of America
Students and early career dramaturgs were invited to The John F. Kennedy Center for Performing...
Read MorePosted by Zhanna Chernenko | 21st Oct 2019 | Belgium, Dramaturgy, Essay, Theatre and Dance
Peeping Tom is a theatre company founded in 2000 in Brussels by Gabriela Carrizo and Franck...
Read MorePosted by Mark Bly | 13th Oct 2019 | Dramaturgy, News, United States of America
Brian Greene, the theoretical physicist and author of The Elegant Universe, once wrote, “Some...
Read MorePosted by Kai Tuchmann | 8th Oct 2019 | Dramaturgy, Essay, Theatre and AI, Transmedia
Creativity is mostly regarded as one of the last domains of the human species and it serves as a...
Read MorePosted by Jacob Gallagher-Ross | 6th Sep 2019 | Dramaturgy, Interview, United States of America
Robert Blacker, Interviewed by Jacob Gallagher-Ross This interview was originally published in...
Read MorePosted by Duška Radosavljević | 18th Aug 2019 | Dramaturgy, Edinburgh 2019, Essay, Scotland, United Kingdom
The official stats have it that in its 73rd year of existence, the Edinburgh Fringe Festival 2019...
Read MorePosted by Meron Langsner | 14th Aug 2019 | Books, Dramaturgy, Stage Combat
I have written elsewhere on recommended reading for early-career fight directors, and I would like...
Read MorePosted by Henrik Eger | 4th Aug 2019 | Czech Republic, Documentary Theatre, Dramaturgy, Interview, News, Russia
Cooper Robb, an immensely knowledgeable and prolific American theater critic, who recently passed...
Read MorePosted by Nobuko Tanaka | 14th Jul 2019 | Adaptation, Dramaturgy, Ireland, Japan, News
Why are thespians the world over so drawn to Waiting for Godot, that for many older actors playing...
Read MorePosted by Alexa Huang | 12th Jul 2019 | Dramaturgy, Japan, Playwriting, Translation
Translation of Shakespeare’s works is almost as old as Shakespeare himself; the first German...
Read MorePosted by Janice Weizman | 11th Jul 2019 | Dramaturgy, Interview, Israel, Theatre and Politics, Translation
Although Hanoch Levin (1943–1999) is arguably Israel’s most important playwright, his work is...
Read MorePosted by Zolima Citymag | 13th Jun 2019 | Acting, Dramaturgy, Hong Kong, News
One of the world’s most established Shakespearean theatre groups from London puts on The Comedy of...
Read MorePosted by Jozefina Komporaly | 25th May 2019 | Dramaturgy, Review, Romania
The talented Romanian director Mihaela Panainte adapts Nobel laureate Herta Müller’s visceral...
Read MorePosted by Zsolt Szász | 5th Apr 2019 | Dramaturgy, Hungary, Interview
Last year Nina Király, dramaturg, theatre scholar, and regional editor for The Theatre Times...
Read MorePosted by Denise Fujiwara, DD Kugler, and Tama Soble | 9th Jan 2019 | Canada, Dramaturgy, Essay, Theatre and Dance
A Foreword by the Editor Thirty years ago an essay was published in the Canadian journal Theatrum...
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 