Directing Archives - Page 12 of 12

Baryshnikov And Krymov Collaborate For The Ages

Posted by Emmanuel Grynszpan | 31st May 2012 | Directing, Review, Russia

For the first time, Mikhail Baryshnikov acts in Russian for one of Russia’s most innovative...

Polish Movie Nite Presents Marcella Faustini: An Introduction To The Theatre Of Tadeusz Kantor

Posted by Joanna Szupinska-Myers | 12th May 2012 | Directing, Essay, Poland

The following essay is the fifth in this six-part column for CR. Developed during Polish Movie...

The Impossibility Of The End: Krzysztof Warlikowski’s “Apollonia”

Posted by Ewelina Godlewska-Byliniak | 7th Nov 2011 | Directing, Poland, Review

Does the end mean a promise of fulfillment? Or is it just its illusion, a delusive prospect of...

Preaching From The Chorus – Soundscape of Marta Górnicka’s Theatre

Posted by Dara Weinberg | 7th Nov 2011 | Directing, Musical Theatre, Poland, Review

“I want to create a new kind of chorus theatre,” says Marta Górnicka. If Tu Mówi Chór…...

But Why Are They Indispensable?

Posted by Marta Bryś | 7th Nov 2011 | Directing, Poland, Review

In his latest premiere, Koprofagi, Jan Klata abandons all the strategies that secured him his...

The End Of The Line: Krystian Lupa’s “Waiting Room.o”

Posted by Pawel Soszynski | 22nd Sep 2011 | Directing, Poland, Review

What Lupa staged in Wrocław was simply a bad play. Waiting Room.0 is an intentional formal and...

Death In Wroclaw: On Grotowski’s Legacy

Posted by Pawel Soszynski | 7th Apr 2011 | Directing, News, Participatory Theatre, Poland, Polish Theatre Abroad, Theatre and Film

In her debut film, Małgorzata Dziewulska takes on a challenging task: revising Grotowski’s...

Maslowka In NYC: Virgin Seduction: Conversation With Paul Bergetto

Posted by Paul Bargetto | 22nd Feb 2011 | Directing, Interview, Playwriting, Poland, Polish Theatre Abroad

I feel there’s a straight line from Mrożek to Dorota. She’d probably kill me if she heard me say...

Interview With Krystian Lupa: Start Singing And You’ll Know What You Feel

Posted by Tomasz Cyz | 19th Jun 2010 | Directing, Interview, Poland

I’m also sometimes afraid of music in moments of depression. I feel that even very good music can...

Krystian Lupa Closely Examined: “Endgame”

Posted by Alicja Rosé | 18th Jun 2010 | Directing, Essay, Poland

Beckett would have been unhappy. Hamm’s feet sticking out from under the blanket, and in white...

Grzegorzewski’s Instrumentarium

Posted by Malgorzata Dziewulska | 7th Jun 2010 | Directing, Essay, Poland

Theatre works chiefly through temporal sequences and if Jerzy Grzegorzewski was in his artistic...

All Kinds Of Luxuries: Talk With Polish Director Jan Klata

Posted by Joanna Wichowska | 31st May 2010 | Directing, Germany, Interview

“Someone decided to combine the luxury of culture with the luxury of remorse and invited me...

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Directing

Baryshnikov And Krymov Collaborate For The Ages

Polish Movie Nite Presents Marcella Faustini: An Introduction To The Theatre Of Tadeusz Kantor

The Impossibility Of The End: Krzysztof Warlikowski’s “Apollonia”

Preaching From The Chorus – Soundscape of Marta Górnicka’s Theatre

But Why Are They Indispensable?

The End Of The Line: Krystian Lupa’s “Waiting Room.o”

Death In Wroclaw: On Grotowski’s Legacy

Maslowka In NYC: Virgin Seduction: Conversation With Paul Bergetto

Interview With Krystian Lupa: Start Singing And You’ll Know What You Feel

Krystian Lupa Closely Examined: “Endgame”

Grzegorzewski’s Instrumentarium

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