Directing Archives - Page 12 of 13

Daring And Visually Stunning: Robert Wilson’s Take On “Pushkin”

Posted by Marina Shimadina | 10th Jul 2015 | Directing, Review, Russia

The world premiere of a groundbreaking new production by Robert Wilson took place at Moscow’s...

Staging Shakespeare’s Tragedies in Tehran: An Interview with Iranian Director Mohammad Aghebati

Posted by Jessica Rizzo | 16th Jun 2015 | Directing, Interview, Iran

An Interview with Iranian Director Mohammad Aghebati Most young Americans would be hard-pressed to...

Monique Stalens: A Life Steeped In Polish Theater

Posted by Agnieszka Tworek | 12th Jun 2015 | Directing, Essay, Poland

Today, Monique Stalens often directs her theater adaptations of Gombrowicz and Witkacy in Polish,...

50 Years with Ariane Mnouchkine’s Théâtre du Soleil

Posted by Amelia Parenteau | 23rd Dec 2014 | Directing, Essay, France

American playwright, translator, and journalist Amelia Parenteau is currently in residence in...

Yury Lyubimov, For whom History was a Home

Posted by John Freedman | 7th Oct 2014 | Directing, Essay, Russia

The death of Yury Lyubimov in Moscow on Sunday morning, October 5, 2014, at the age of 97, puts...

Belarus Free Theatre: An Interview With “Red Forest” Director Nicolai Khalezin

Posted by Molly Flynn | 30th Jul 2014 | Belarus, Directing, Interview

Nicolai Khalezin is the director of the Belarus Free Theatre’s newest production Red Forest. He...

Women Directors in Poland

Posted by Magda Romanska | 6th May 2014 | Directing, Essay, Poland

Although historically Polish theatre has gained worldwide renown predominantly thanks to its male...

Review: Love And War In “All’s Well That Ends Well”

Posted by Claire Hansen | 31st Mar 2014 | Australia, Directing, Review

Love is a battlefield. While Pat Benatar might have made this line her own in the 1980s,...

“Black Monk” Talks In Tongues

Posted by John Freedman | 30th Oct 2013 | Directing, Kama Ginkas Black Monk, Review, Russia

Of all the theatrical languages that coexist in Moscow, director Kama Ginkas is an intonation unto himself. You can hear it in his actors’ speech. “They often speak not as they do in life or even on stage for another...

There is No Single Mainstream: Conversation With Wojtek Ziemilski About Devised Theatre

Posted by Wojtek Ziemilski | 22nd Jul 2012 | Devised Theatre, Directing, Interview, Poland

Talk with Wojtek Ziemilski Look around–nowadays even ads for shoes are often bolder than the...

Baryshnikov And Krymov Collaborate For The Ages

Posted by Emmanuel Grynszpan | 31st May 2012 | Directing, Review, Russia

For the first time, Mikhail Baryshnikov acts in Russian for one of Russia’s most innovative...

Polish Movie Nite Presents Marcella Faustini: An Introduction To The Theatre Of Tadeusz Kantor

Posted by Joanna Szupinska-Myers | 12th May 2012 | Directing, Essay, Poland

The following essay is the fifth in this six-part column for CR. Developed during Polish Movie...

The Impossibility Of The End: Krzysztof Warlikowski’s “Apollonia”

Posted by Ewelina Godlewska-Byliniak | 7th Nov 2011 | Directing, Poland, Review

Does the end mean a promise of fulfillment? Or is it just its illusion, a delusive prospect of...

Preaching From The Chorus – Soundscape of Marta Górnicka’s Theatre

Posted by Dara Weinberg | 7th Nov 2011 | Directing, Musical Theatre, Poland, Review

“I want to create a new kind of chorus theatre,” says Marta Górnicka. If Tu Mówi Chór…...

But Why Are They Indispensable?

Posted by Marta Bryś | 7th Nov 2011 | Directing, Poland, Review

In his latest premiere, Koprofagi, Jan Klata abandons all the strategies that secured him his...

The End Of The Line: Krystian Lupa’s “Waiting Room.o”

Posted by Pawel Soszynski | 22nd Sep 2011 | Directing, Poland, Review

What Lupa staged in Wrocław was simply a bad play. Waiting Room.0 is an intentional formal and...

Death In Wroclaw: On Grotowski’s Legacy

Posted by Pawel Soszynski | 7th Apr 2011 | Directing, News, Participatory Theatre, Poland, Polish Theatre Abroad, Theatre and Film

In her debut film, Małgorzata Dziewulska takes on a challenging task: revising Grotowski’s...

Maslowka In NYC: Virgin Seduction: Conversation With Paul Bergetto

Posted by Paul Bargetto | 22nd Feb 2011 | Directing, Interview, Playwriting, Poland, Polish Theatre Abroad

I feel there’s a straight line from Mrożek to Dorota. She’d probably kill me if she heard me say...

Interview With Krystian Lupa: Start Singing And You’ll Know What You Feel

Posted by Tomasz Cyz | 19th Jun 2010 | Directing, Interview, Poland

I’m also sometimes afraid of music in moments of depression. I feel that even very good music can...

Krystian Lupa Closely Examined: “Endgame”

Posted by Alicja Rosé | 18th Jun 2010 | Directing, Essay, Poland

Beckett would have been unhappy. Hamm’s feet sticking out from under the blanket, and in white...

Directing

Daring And Visually Stunning: Robert Wilson’s Take On “Pushkin”

Staging Shakespeare’s Tragedies in Tehran: An Interview with Iranian Director Mohammad Aghebati

Monique Stalens: A Life Steeped In Polish Theater

50 Years with Ariane Mnouchkine’s Théâtre du Soleil

Yury Lyubimov, For whom History was a Home

Belarus Free Theatre: An Interview With “Red Forest” Director Nicolai Khalezin

Women Directors in Poland

Review: Love And War In “All’s Well That Ends Well”

“Black Monk” Talks In Tongues

Baryshnikov And Krymov Collaborate For The Ages

Polish Movie Nite Presents Marcella Faustini: An Introduction To The Theatre Of Tadeusz Kantor

The Impossibility Of The End: Krzysztof Warlikowski’s “Apollonia”

Preaching From The Chorus – Soundscape of Marta Górnicka’s Theatre

But Why Are They Indispensable?

The End Of The Line: Krystian Lupa’s “Waiting Room.o”

Death In Wroclaw: On Grotowski’s Legacy

Maslowka In NYC: Virgin Seduction: Conversation With Paul Bergetto

Interview With Krystian Lupa: Start Singing And You’ll Know What You Feel

Krystian Lupa Closely Examined: “Endgame”

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