What It’s Like To Be A Theatre Director in Australia
For a theatre director, plays are like bulls: it doesn’t matter how fancy your cape work is, any...
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Directing
A Dark Christmas to Rethink Realistic Theatre: Antonio Latella
In the last twenty years, Antonio Latella has made a name of relevance for himself in Italy as an...
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Inside Preparations for the New York Chekhov Festival
On March 24, The Russian Arts Theater and Studio will launch its first annual New York Chekhov...
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Emma Dante Renews the Italian Teatro di Regia (Director-led Theatre)
Teatro Argentina in Rome is currently sold out for the run of Odissea a/r, the new show by Palermo...
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Theatre: Moscow’s Acclaimed Sovremennik Theatre Returns To London
Sovremennik Theatre (Russia’s oldest theatre company) makes a welcome return to London this May,...
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Karna is Not Black or White but a Mortal: Interview with Bangladeshi director Jayita Mahahlanobish
Showing Kunti’s first born in a different light, young Bangladeshi director Jayita Mahahlanobish...
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“Unknown” Polish Directors: Anna Augustynowicz
This series will introduce Polish directors whose work is recognised in Poland, but they are...
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Anna Smolar Awarded the Passport Prize in Theatre
The French-Polish director Anna Smolar, born in 1980, was awarded the 2016 Polityka Passport in...
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“Bat Out of Hell”—The Musical Opens in Manchester. Interview With Director Jay Scheib
Jim Steinman’s Bat Out of Hell – The Musical is opening with a burst of energy at the...
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“Synaesthetics”: Gopala Davies’ Explorations In Intermediality
South African Indian actor and director Gopala Davies’s production of Les Cenci: A Story About...
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Mobile Opera “Hopscotch” in Concert and Conversation
Yuval Sharon took a moment while driving to discuss the January 13 release of his mobile opera,...
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Romeo Castellucci: Theatre’s Childhood Rediscovered
The Socìetas Raffaello Sanzio is well known by its iconoclastic profile that renovates the...
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“Short-Term” Visitor To Japan Serves Up A Rare Shakespeare Treat After Only 20 Years
When Peter Goessner’s wife got a contract to teach at a university in the city of Kitakyushu,...
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In “887,” Robert Lepage Has Built a Memory Palace Out of Theatre
Robert Lepage’s autobiographical show at the Melbourne Festival, 887, is named for his childhood...
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Interview With João Garcia Miguel, Acclaimed Portuguese Director
The interview was conducted in Guimarães, Portugal, on October 8, 2016, after I saw his play Nós...
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Iraqi-Swedish Theatre Director Anmar Taha Explores Nightmares, Searches for Peace
Pillars of Blood is a performance focusing on memories of the Iraqi crisis as captured by Anmar...
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Remembering Andrzej Wajda (1926-2016) The Iconic Polish Theatre and Film Director
Andrzej Wajda, the internationally renowned Polish film and theatre director and icon of the...
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Jan Fabre/Troubleyn – “Mount Olympus”
On Mount Olympus (Jan Fabre/Troubleyn): To glorify the cult of tragedy ‘Breathe, just breathe....
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Chinese Theatre-Maker Lu Ang on Bridging Past and Present, East and West
Lu Ang is a theatre director, playwright, professor and the dean of the directing department at...
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Robert Wilson’s 75th Birthday Season
The Byrd Hoffman Water Mill Foundation, and its European partner, the Robert Wilson Stiftung, will...
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