The Sphinx’s Riddle Remains Unsolved. Scattering Chinese Art with “The First-Ever Metaverse Theatre Festival”
Even though for the last decade there have been numerous attempts to unleash Chinese theatre’s...
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“Further Than the Furthest Thing” at the Young Vic
Some plays are instantly forgettable, others leave a tender fold in the memory. I well remember...
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“The Winter’s Tale” Review: Jarring Shakespeare’s Globe Production Lacks Warmth
The Winter’s Tale is one of Shakespeare’s great “hospitality plays” — a tragicomedy about what...
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Exploring Palestinian Allyship in “Decolonizing Sarah”
Hummus is not appropriated hipster dip, it’s Palestinian food. So argues Wally, a...
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Arden of Faversham: A True Crime Thriller
A small boat sails the stage while a trap door serves as the river depths for one of the characters to sink beneath the waves. And as the story reaches its inevitable conclusion, a snowstorm complete with snow drifts – an element taken directly from the origin story of Arden.
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IOTF 2023: INTERNATIONAL ONLINE THEATRE FESTIVAL – “Theatre and Its Others” – Launches April 17-30
IOTF 2023: International Online Theatre Festival will launch April 17 – 30. Now in its...
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Ryan Calais Cameron’s “For Black Boys…” at the Apollo Theatre
Contemporary Black British theatre is admirably adamant about pushing its own boundaries and...
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“The Iliad” at Betty Nansen Theatre, Copenhagen
It’s about two years since I moved to the Oresund region, the liminal place between southern...
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“Love”—A Dissenting View
Alexander Zeldin’s Love— a much-celebrated, quietly confrontational, British-devised piece from...
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Theater, A Major Job Sector
That AI is poised to take over countless jobs, wipe out entire job sectors, is all over the news...
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The House Where Phantom Lived. Part II – Her Majesty’s Theatre, London.
Аn Exclusive Interview with James Paterson who was part of the original cast of the legendary...
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“TRACES:” An Interview With Co-Creators James Clements and Sam Hood Adrain of What Will the Neighbors Say?
TRACES is a new devised documentary theater piece presented by the investigative theatre group...
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“Lemons Lemons Lemons Lemons Lemons” Play – How Silence and Body Language Can Communicate as Much as Words
When we talk to each other, there’s what we say out loud, what we wish we could say, and what...
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“All Night Long” by Chantal Akerman
Dance, the maternal and the push and pull against the form. The feature length film Toute une nuit...
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With Faith and Trust into the Future: The 10th International Theatre Olympics in Hungary
When the world is engulfed in flames of enmity, would another flame be superfluous? Not if it is...
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The Envy of Baz Luhrmann: A Parkside “Romeo + Juliet” to Remember
It can be difficult to gain contemporary audience for Shakespearean performance. Though the Bard’s...
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“Sex Magick”: This Gender-Bending, Time-Traveling Play Invites You to Detangle Love and Sex
Boy meets girl. Boy falls in love with girl and follows her to India. Boy has a transformative...
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Interview: The “Best Time to Be Alive” and The Reclamation of Identity
On March 17, 2023, New York City’s Bedlam hosted the first industry reading of Best Time to Be...
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Touching the Azerbaijani Theatre: From Ritual to Spontaneity
The term of ritual has always been an object for endless discussions amongst theologians, cultural...
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“Theatre Is King”: The 2023 Kenya Theatre Awards
The second edition of the Kenya Theatre Awards took place on 23rd February 2023 at the Kenya...
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