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Mala Inventura Festival: Small Inventory in Prague

Posted by Mathias Daval | 23rd Mar 2017 | Czech Republic, Festivals

A report on the 15th edition of the Mala Inventura festival in Prague

Conversation With Thomas Hampson – American Baritone

Posted by Antigoni Gaitana | 23rd Mar 2017 | Theatre and Opera

On March 16, 2017, New York City was still recovering from the last snowstorm. On this frozen...

Kama Ginkas’ “The Black Monk”

Posted by Sarah Clovis Bishop | 22nd Mar 2017 | Kama Ginkas Black Monk, Review, Russia

While at his family estate in Melikhovo in the early 1890s, Anton Chekhov dreamt of a monk...

So You Want to Go to the Edinburgh Festival?

Posted by Aida Rocci | 22nd Mar 2017 | Festivals, Scotland

If you are a performer, comedian, musician, or artist of any kind, presenting your work at the Edinburgh festival can be quite an enterprise that might only pay off in terms of experience and, if lucky, reputation.

“Prison Chronicles”: Suspending Disbelief, and How to Cliff-hang

Posted by Amatesiro Dore | 22nd Mar 2017 | Nigeria

It was a private performance at Theatre Republic, the affordable production and rehearsal space,...

Theatre Review: “The Little Prince” An Inventive Russian Take On Saint-Exupéry’s Modern Classic

Posted by Andreea Scridon | 22nd Mar 2017 | Adaptation, Review, Russia, Russian Theatre Abroad

The Little Prince–the classic novella by Antoine de Saint-Exupéry–is about a pilot stranded in the...

A Conversation With Anne Bogart: “I’m Absolutely Certain That Certainty Is Bad”

Posted by Jessica Rizzo | 21st Mar 2017 | Devised Theatre, Directing, Interview, New York, United States of America

An originator of the Viewpoints system of training for actors and founder of SITI company,...

Games And Theatre in Hybrid-Reality

Posted by Ágnes Bakk | 20th Mar 2017 | Germany, Interview, Transmedia

Professor Judith Ackermann studied media, psychology, and computer linguistics prior to taking up...

Review: “In the Steps of the Ballets Russes: Russian Ballet Icons”

Posted by Russian Art + Culture | 19th Mar 2017 | Review, Russia, Theatre and Dance

A Spectacular Celebration Of The Russian Tradition The memories of the magical evening with Moscow...

Mumbai as the City of Dreams in the Hindi Play “Andheri”

Posted by Rinky Kumar | 19th Mar 2017 | India

In Andheri, eight performers play up-and-coming actors reflecting the ruthlessness of getting into...

Roland Schimmelpfennig’s “The Golden Dragon” Staged in Hong Kong by On & On Theatre Workshop

Posted by Clement Lee | 19th Mar 2017 | Germany, Hong Kong, Theatre and Politics

Roland Schimmelpfennig ‘New Writing’ masterpiece Der Goldene Drache (The Golden Dragon) explores...

“Clara” Boasts A Closet Full Of Surprises

Posted by Victoria Eandi | 19th Mar 2017 | Argentina, LGBTQ+ Theatre

How can a play about a serious matter such as a fatal illness turn into a hilarious comedy and a...

“The Pitchfork Disney” at Shoreditch Town Hall

Posted by Aleks Sierz | 19th Mar 2017 | London, Review, United Kingdom

Playwright Philip Ridley has one of the most distinctive voices in contemporary theatre. His...

Bodyscaping Landscapes and Perceptions: An overview of South Africa’s My Body My Space Rural Arts and Culture Festival

Posted by Adrienne Sichel | 18th Mar 2017 | Festivals, South Africa, Theatre and Dance

Cows moo, cocks crow, doves coo, twigs snap, dancers dance, and choreographers dream. Personal and...

“Unknown” Polish Directors: Introducing Jacek Głomb

Posted by Kasia Lech | 18th Mar 2017 | Directing, Essay, Poland, Theatre and Politics

This series continues to introduce Polish directors recognised in Poland and relatively unknown...

“The Battle of the Oranges” for the Historical Carnival of Ivrea

Posted by Maria Pia Pagani | 18th Mar 2017 | Italy

Each year the town of Ivrea, in Piedmont, hosts a traditional celebration of Carnival with many...

“Bidehi” or Ibsen’s “Ghosts” in Bengali: A Rare Experience of Translation/Adaptation on Stage

Posted by Ketaki Datta | 17th Mar 2017 | Adaptation, India

It was a socialite evening at Uttam Manch on 14 January, while the mercury was dipping low, making...

Love Revolution: The Assembly’s “Home/Sick”

Posted by Jessica Rizzo | 17th Mar 2017 | New York, Review, Theatre and Politics, United States of America

Commitment is hard. Even within the well-defined parameters of traditional monogamy, balancing the...

Conversation With Iván Pérez, The Founder of INNE and Choreographer for Song of the Goat Theatre

Posted by Tomasz Wiśniewski | 17th Mar 2017 | Adaptation, Interview, Poland, Theatre and Dance

In 2016 Song of the Goat Theatre celebrated the twentieth anniversary of its existence. Founded by...

Masami Teraoka + Pussy Riot Choreographer Viktoria Naraxsa in Hawaii

Posted by Lauren Deutsch | 16th Mar 2017 | Hawaii, Participatory Theatre, Review, Russia, Theatre and Art, Transcultural Collaborations, United States of America

Internationally acclaimed Japanese-American visual artist Masami Teraoka invited Pussy Riot...

Latest

Mala Inventura Festival: Small Inventory in Prague

Conversation With Thomas Hampson – American Baritone

Kama Ginkas’ “The Black Monk”

So You Want to Go to the Edinburgh Festival?

“Prison Chronicles”: Suspending Disbelief, and How to Cliff-hang

Theatre Review: “The Little Prince” An Inventive Russian Take On Saint-Exupéry’s Modern Classic

A Conversation With Anne Bogart: “I’m Absolutely Certain That Certainty Is Bad”

Games And Theatre in Hybrid-Reality

Review: “In the Steps of the Ballets Russes: Russian Ballet Icons”

Mumbai as the City of Dreams in the Hindi Play “Andheri”

Roland Schimmelpfennig’s “The Golden Dragon” Staged in Hong Kong by On & On Theatre Workshop

“Clara” Boasts A Closet Full Of Surprises

“The Pitchfork Disney” at Shoreditch Town Hall

Bodyscaping Landscapes and Perceptions: An overview of South Africa’s My Body My Space Rural Arts and Culture Festival

“Unknown” Polish Directors: Introducing Jacek Głomb

“The Battle of the Oranges” for the Historical Carnival of Ivrea

“Bidehi” or Ibsen’s “Ghosts” in Bengali: A Rare Experience of Translation/Adaptation on Stage

Love Revolution: The Assembly’s “Home/Sick”

Conversation With Iván Pérez, The Founder of INNE and Choreographer for Song of the Goat Theatre

Masami Teraoka + Pussy Riot Choreographer Viktoria Naraxsa in Hawaii

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