An Interview with Alexander Schroeder OnTheatre and the Refugee Crisis in Berlin
Alexander Schroeder has been working for the last fifteen years in the acting department at the...
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Understated Risk-Taking in Beckettian “Wakey, Wakey”
Audacious risk-taking in the theater comes in many colors, most of them loud. You can defy a...
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The Great Australian Plays: “The Front Room Boys” and New Wave Theatre
“Fucken boong”. With these words Australian theatre entered the swinging sixties – eight years...
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Nowy Teatr’s “Generation After” Showcases “New School” of Polish Dance and Theatre
From March 23 to 25, Warsaw’s Nowy Teatr, together with the Adam Mickiewicz Institute, presented...
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“Anzac Eve”: A Profoundly Insightful Enriching Experience
“Afghanistan is exactly like Gallipoli!” shouts Ben, well into the action of Anzac Eve. “All the...
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Samurai Drama to Put Unique Spin On Evolution of Theater
Japanese audiences will soon join those in Holland as the only people in the world with access to...
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Mala Inventura Festival: Small Inventory in Prague
A report on the 15th edition of the Mala Inventura festival in Prague
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Conversation With Thomas Hampson – American Baritone
On March 16, 2017, New York City was still recovering from the last snowstorm. On this frozen...
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Kama Ginkas’ “The Black Monk”
While at his family estate in Melikhovo in the early 1890s, Anton Chekhov dreamt of a monk...
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So You Want to Go to the Edinburgh Festival?
If you are a performer, comedian, musician, or artist of any kind, presenting your work at the Edinburgh festival can be quite an enterprise that might only pay off in terms of experience and, if lucky, reputation.
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“Prison Chronicles”: Suspending Disbelief, and How to Cliff-hang
It was a private performance at Theatre Republic, the affordable production and rehearsal space,...
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Theatre Review: “The Little Prince” An Inventive Russian Take On Saint-Exupéry’s Modern Classic
The Little Prince–the classic novella by Antoine de Saint-Exupéry–is about a pilot stranded in the...
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A Conversation With Anne Bogart: “I’m Absolutely Certain That Certainty Is Bad”
An originator of the Viewpoints system of training for actors and founder of SITI company,...
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Games And Theatre in Hybrid-Reality
Professor Judith Ackermann studied media, psychology, and computer linguistics prior to taking up...
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Review: “In the Steps of the Ballets Russes: Russian Ballet Icons”
A Spectacular Celebration Of The Russian Tradition The memories of the magical evening with Moscow...
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Mumbai as the City of Dreams in the Hindi Play “Andheri”
In Andheri, eight performers play up-and-coming actors reflecting the ruthlessness of getting into...
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Roland Schimmelpfennig’s “The Golden Dragon” Staged in Hong Kong by On & On Theatre Workshop
Roland Schimmelpfennig ‘New Writing’ masterpiece Der Goldene Drache (The Golden Dragon) explores...
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“Clara” Boasts A Closet Full Of Surprises
How can a play about a serious matter such as a fatal illness turn into a hilarious comedy and a...
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“The Pitchfork Disney” at Shoreditch Town Hall
Playwright Philip Ridley has one of the most distinctive voices in contemporary theatre. His...
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Bodyscaping Landscapes and Perceptions: An overview of South Africa’s My Body My Space Rural Arts and Culture Festival
Cows moo, cocks crow, doves coo, twigs snap, dancers dance, and choreographers dream. Personal and...
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