Review Archives - Page 97 of 138

Total Eclipse Of The Moon: Viktor Bodó’s “Operation Krakken”

Posted by Tamás Jászay | 29th Jul 2018 | Hungary, Review

Imre Mózsik–Viktor Bodó: Operation Krakken / Átrium, Kultúrbrigád Good news: Viktor Bodó is back!...

Ivo van Hove’s “The Damned” at Park Avenue Armory

Posted by Jack Wernick | 28th Jul 2018 | Belgium, Review, Theatre and Politics, United States of America

Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the...

“Linger” Brings Dark Subject Matter Into The Light

Posted by Madison Parrotta | 27th Jul 2018 | New York, Review, United States of America

Linger is a fitting title for a play that navigates the lasting implications of wrong choices on...

I Saw The Most Remarkable Production Of “Hamlet” I’ve Ever Seen And Did Not Understand A Word Of It

Posted by Sarah Kornfeld | 26th Jul 2018 | Review, Romania, Translation

Hamlet And Us was developed by Laboratorul de Arta, a collective within Bucharest of dancers,...

Rory Mullarkey’s “Pity” At The Royal Court

Posted by Aleks Sierz | 26th Jul 2018 | London, Review, Theatre and Politics, United Kingdom

London’s Royal Court theatre, which proudly boast of being “a leading force in world theatre for...

“Allelujah!” at The Bridge Theatre

Posted by Aleks Sierz | 25th Jul 2018 | London, Review, Theatre and Age, Theatre and Politics, United Kingdom

The NHS is us. For decades our national identity has been bandaged together with the idea, and...

Subverting The Idea Of Nationalism

Posted by Vikram Phukan | 24th Jul 2018 | Festivals, India, Poland, Review, Theatre and Politics

In one of Kraków’s many open-air spaces, the orchestral strains of Muhammad Iqbal’s Sare Jahan Se...

“Me And My Girl,” Review: Matt Lucas’ Stand-In Provokes Frenzied Standing Ovation

Posted by Gary Shipton | 24th Jul 2018 | Festivals, Musical Theatre, Review, United Kingdom

When the first person to appear on stage is director Daniel Evans with a microphone in hand and...

“Orlando” At Soulpepper Theatre

Posted by Joe Szekeres | 23rd Jul 2018 | Adaptation, Canada, Review, Theatre and Gender

To see actors who have received proper professional training in the use of two core...

“Upstream Downtown” by Animacy Theatre Collective: The Story of Two Salmons

Posted by Kate Croome | 23rd Jul 2018 | Canada, Festivals, Review, Theatre and Gender, Theatre and Science

Review of Upstream Downtown by Animacy Theatre Collective, in co-production with Common Boots...

Ken Cameron’s “Harvest”: A Funny And Perseverant Take On The Shocking And Unexpected

Posted by Natasha Lomonossoff | 22nd Jul 2018 | Acting, Canada, Review

Harvest performed at the 1000 Islands Playhouse in Gananoque, Ontario A play that is inspired by a...

Jen Silverman’s “The Roommate” Updates The Narrative For Middle-Aged Women

Posted by Trevor Boffone | 20th Jul 2018 | Chicago, Review, United States of America

Everyone has a bad roommate story. Whether it was your college roommate or your little sister...

Sally Cookson’s “A Monster Calls” At The Old Vic

Posted by Aleks Sierz | 20th Jul 2018 | Adaptation, London, Review, Theatre for Young Audiences, United Kingdom

There are few subjects as emotionally fraught as the relationship between childhood and death. How...

Stefano Massini’s “The Lehman Trilogy” At The National Theatre

Posted by Aleks Sierz | 19th Jul 2018 | Italy, Kosovo, London, Review, United Kingdom

Images are what make abstract crises concrete. And who can forget the image of the bankrupt Lehman...

“Alkaline” at The Park Theatre

Posted by Aleks Sierz | 19th Jul 2018 | London, Playwriting, Review, United Kingdom

Britain is rightly proud of its record on multiculturalism, but whenever cross-cultural couples...

Christine Rodriguez’s “The Autism Monologues”: Imperative Stories, But With Representation Issues

Posted by Kelann Currie-Williams | 19th Jul 2018 | Canada, Festivals, Review, Theatre and Disability

Christine Rodriguez’s The Autism Monologues opens with a monologue by a woman (Julie Barbeau),...

“Red” – An Artist’s Mindmap

Posted by Irene Kukota | 18th Jul 2018 | London, Review, United Kingdom

When looking forward to seeing a work of art, a certain play or a performance what is our feeling...

Vicky Jones On Life After “Fleabag” And “The One”: “It’s Based On Something That Happened To Me”

Posted by Deborah Orr | 16th Jul 2018 | Essay, London, Review, Theatre and Gender, United Kingdom

Bret Yount is choreographing. But there isn’t any dancing. Nor, for the moment, is there...

“Don’t Read The Comments” (Montreal Fringe)

Posted by Leah Jane Esau | 16th Jul 2018 | Canada, Review, Theatre and Politics

Montreal, Québec Kelann Currie-Williams reviews Sermo Scomber Theatre’s Don’t Read The...

“One Small Step” At Ice Factory Festival

Posted by Jack Wernick | 13th Jul 2018 | Festivals, New York, Review, United States of America

Downtown theater pioneer the New Ohio Theatre has emerged with its annual summer festival called...

Review

Total Eclipse Of The Moon: Viktor Bodó’s “Operation Krakken”

Ivo van Hove’s “The Damned” at Park Avenue Armory

“Linger” Brings Dark Subject Matter Into The Light

I Saw The Most Remarkable Production Of “Hamlet” I’ve Ever Seen And Did Not Understand A Word Of It

Rory Mullarkey’s “Pity” At The Royal Court

Subverting The Idea Of Nationalism

“Me And My Girl,” Review: Matt Lucas’ Stand-In Provokes Frenzied Standing Ovation

“Orlando” At Soulpepper Theatre

“Upstream Downtown” by Animacy Theatre Collective: The Story of Two Salmons

Ken Cameron’s “Harvest”: A Funny And Perseverant Take On The Shocking And Unexpected

Jen Silverman’s “The Roommate” Updates The Narrative For Middle-Aged Women

Sally Cookson’s “A Monster Calls” At The Old Vic

Stefano Massini’s “The Lehman Trilogy” At The National Theatre

“Alkaline” at The Park Theatre

Christine Rodriguez’s “The Autism Monologues”: Imperative Stories, But With Representation Issues

“Red” – An Artist’s Mindmap

“Don’t Read The Comments” (Montreal Fringe)

“One Small Step” At Ice Factory Festival

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