Adapting Identities: Freya Treutmann’s “Scratches” And “Evidence Of Codes” In Edinburgh
The relation between identity and performance is one of the strongest topics in the field of...
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Review
Theodoros Terzopoulos’ “Return” To Delphi
A big tribute to the director and Euripides’ The Trojan Women at the Ancient Theatre of Delphi. Of...
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Debris Stevenson’s “Poet In Da Corner” at The Royal Court
There was once a time when grime music was very angry and very threatening, but that seems a long...
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“Swimming With Sharks”: A Horrible Boss Is Truly Universal
The lobby of the Setagaya Public Theatre in Tokyo teemed with women on Sept. 1, each eager to see...
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“Holy Shit” at The Kiln Theatre
Holy shit! After being closed for two long years, the old and battered Tricycle Theatre in Kilburn...
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A Heart-Wrenching Saga
The palace is shrouded in darkness, when Ferdinand, the twin brother of the Duchess of Malfi,...
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The Language Of Secrecy In Brazilian Performance “Quaseilhas”
In times of cognitive arrogance in contemporary reception, Quaseilhas is guided by the language of...
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“Free EU Roaming”: Adapting Catalan Referendum Into A Play
Presented at the Smock Alley Theatre for the last edition of the Dublin Fringe Festival, Free EU...
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“Sounds And Sorcery Celebrating Disney Fantasia”: Art Installation Or Theatre?
Almost eighty years later the release of Fantasia, Sounds and Sorcery celebrates the iconic movie in an immersive production with ground-breaking technology.
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Dawn King’s “Foxfinder” At The Ambassadors Theatre
Is appearing in the West End a rite of passage for Game Of Thrones stars? In the past couple of...
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“I Was Most Alive With You” Pays Proper Tribute to The D/deaf Community
Playwrights Horizons’ production of I Was Most Alive With You by Craig Lucas was otherworldly in...
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“Hong Kong Cool” By Hong Kong Ballet
Hong Kong Ballet’s Hong Kong Cool showcases seven short pieces of new ballet works by...
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Out Of The Extraordinary: Women-Centered New Plays From India
The characteristic middle-of-the-road sensibility of Akvarious Productions has found an outlet in...
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“Heathers The Musical” Wildly Funny And In Deliciously Bad Taste
Heathers The Musical Theatre Royal Haymarket, London ★★★ On its release in 1989, Heathers was an...
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Stratford’s Production Of “Paradise Lost” Is A Stellar Achievement!
STRATFORD, Ont. — That could well be a white lab coat that Lucy Peacock is wearing when she first...
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B+ For Broadway Across Canada’s “School Of Rock”
The great pity is that this high-energy rock musical is largely unintelligible. From flashing...
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“Upstart Crow”: Shakespeare Sitcom Is Really Quite Educational
Making Shakespeare relevant for contemporary society is often the work of theatre directors,...
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“Abi” at The Queen’s Theatre Hornchurch
A couple of nights ago, I went, for the first time, to the Queen’s Theatre in Hornchurch, which is...
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GCTC: Playwright Tracks The Tudors And Our Fascination With Sexual Power
We can’t get enough of the Tudors, can we? From movies and historical fiction to the television...
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Sarah Kane’s Controversial 1990s Play “Blasted” Feels Prescient In The #MeToo Era
Playwright Sarah Kane was an “honorary lad” in in-yer-face drama that dominated the 1990s in...
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