“Cloudburst”: The Arrival Of A Bright New Actor On The Ottawa Scene
My colleagues have already expressed their admiration for this production and I can only agree...
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Review
“Białoszewski/Ginsberg VR” At Performing Garage
Soho’s Performing Garage is the setting of a brief engagement from Poland called...
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How “Possessed” Is The Audience?
What is expected from theatrical adaptations of literature? Why have they become so popular...
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Review: “The Rocky Horror Show” At The Stratford Festival
Initially, I wasn’t too sure if I really wanted to see Rocky Horror again as I felt I had seen it...
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Review: “Julius Caesar” At The Stratford Festival
The world of political machinations took a precarious turn of events at the opening night...
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“Blackthorn,” Edinburgh Fringe–Review: “Like One Day Set In A Yorkshire Farming Community”
Charley Miles’s brilliant debut play is as interwoven as the thorny bush of its title Blackthorn...
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Review: “Napoli Milionaria!” At The Stratford Festival
There’s a lot happening in Napoli Milionaria! and I found it beneficial to read as much of the...
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Review: “Sisters” At Soulpepper Theatre
Nicole Power (who plays Evelina) writes in her Soulpepper Artist Program Note that she is grateful...
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Young Work At TAZ #2018: Alice Bogaerts And Ingrid Berger Myhre
At their first encounter with director Alice Bogaerts’s and dramaturg Marleen Ilg’s stage...
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Toto Too’s “Cloudburst” Is Rich In Truth And Humanity
Cloudburst, Toto Too Theatre’s latest offering is a funny, profane, warm-hearted play about the...
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Oladipo Agboluaje’s “New Nigerians” At The Arcola Theatre
With Prime Minister Theresa May visiting Nigeria last week, trying to stump up some post-Brexit...
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“The Tempest” At The Stratford Festival
Purported to be the last play the Bard had written alone, Stratford’s version of The...
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The Most Unusual Comedy Shows At The Edinburgh Fringe 2018
From shows you control with your phone to tap-dancing economics lessons, these comedians do things...
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Aiming The Guts
It is true of all of the FC Bergman collective’s productions, but 300 el x 50 el x 30 el is...
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“Angry Alan” – Edinburgh Fringe Review: An Open Examination Of The Men’s Rights Movement
Angry Alan Underbelly Cowgate, Edinburgh ★★★★★ Playwright Penelope Skinner’s new work, Angry Alan,...
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Nine Years Theatre’s “Pissed Julie 茱莉小解”: Third Wheelings
In Pissed Julie, the magic number is three. The play begins with a row of three chairs, dwarfed by...
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“Jayde Adams” at Edinburgh Fringe, Review: A Rafter-Rattling Hour From The Bristolian Diva
Jayde Adams Pleasance Courtyard, Edinburgh ★★★ Jayde Adams is playing the Edinburgh Fringe in a...
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“Status” by The Summerhall: “It’s Not Another Brexit Show,”
“It’s not another Brexit show,” Chris Thorpe declares as he embarks on his...
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Marguerite Duras’ “La Maladie De La Mort”: Katie Mitchell and Alice Birch Collaboration
As its title suggests, La Maladie De La Mort is not exactly an uplifting piece of theatre. In...
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Denim And Revolution: Belarus Free Theatre’s “Generation Jeans” Resonates
Review: Generation Jeans in Melbourne. With two of their founding members in exile, it is little...
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