“A Kettle Of Fish” at The Yard Theatre
Ah. Fear of flying. Yes, this is instantly recognizable: that sense that being propelled through...
Read MorePosted by Aleks Sierz | 16th Oct 2018 | London, Review, United Kingdom
Ah. Fear of flying. Yes, this is instantly recognizable: that sense that being propelled through...
Read MorePosted by Ryan Pepper | 16th Oct 2018 | Canada, Review
Kate Hennig’s The Virgin Trial is a must-see gritty political crime drama that upends expectations...
Read MorePosted by Natasha Lomonossoff | 15th Oct 2018 | Canada, Review, Theatre and Gender
At the 1000 Islands Playhouse in Gananoque, ON. As the final play of the season, British...
Read MorePosted by Trevor Jones | 15th Oct 2018 | Australia, Festivals, Review, Theatre and Dance
According to their artistic director, Yaron Lifschitz, Circa’s En Masse “speaks of fresh starts...
Read MorePosted by Aleks Sierz | 15th Oct 2018 | LGBTQ+ Theatre, London, Playwriting, Review, Scotland, United Kingdom
English-born and Scottish-based playwright Jo Clifford has been an astonishingly energetic and...
Read MorePosted by Armando Rotondi | 14th Oct 2018 | Adaptation, Essay, Review, Theatre and Dance, United Kingdom
Choreographer Jasmin Vardimon’s new show, Medusa, is a multiple and composite piece of art that is...
Read MorePosted by Aleks Sierz | 13th Oct 2018 | London, Musical Theatre, Review, United Kingdom
If music be the food of fun, play on! In fact, give me excess of it, surfeit even. If this is how...
Read MorePosted by Aleks Sierz | 13th Oct 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Whatever you might think about Brexit, the dreaded B word, the current climate certainly seems to...
Read MorePosted by Lisa Harper Campbell | 11th Oct 2018 | Australia, Review
Performance group House of Sand, in collaboration with the State Theatre Company of South...
Read MorePosted by Jane Baldwin | 10th Oct 2018 | Boston, Review, Theatre and Gender, Theatre and Science, United States of America
Gioa De Cari’s autobiographical one-woman show Truth Values: One Girl’s Romp Through M.I.T.’s Male...
Read MorePosted by Iris Winston | 10th Oct 2018 | Canada, Review
Fierce directed by George Walker. Black Sheep Theatre and Criminal Girlfriends Two women damaged...
Read MorePosted by Nora Amin | 10th Oct 2018 | Festivals, Palestine, Review, Theatre and Politics, Transcultural Collaborations
Bahrain’s Al-Sawari International Theatre Festival took place September 1-9 in Manama, concluding...
Read MorePosted by Jane Baldwin | 9th Oct 2018 | Boston, Review, United States of America
Stephen Adly Guirigis’s 2015 Pulitzer Prize winner Between Riverside And Crazy now playing at...
Read MorePosted by Aleks Sierz | 9th Oct 2018 | London, Playwriting, Review, Theatre and Disability, Theatre and Gender, United Kingdom
It’s all about the casting. The paradox of playwright Sarah Kane’s short career is that while her...
Read MorePosted by Iris Winston | 9th Oct 2018 | Canada, Musical Theatre, Review
From the joy of meeting to the unraveling of love and back again, The Last Five Years is a...
Read MorePosted by Jonathan Kalb | 7th Oct 2018 | Italy, New York, Review, Theatre and Politics, United States of America
A week after Donald Trump was inaugurated, the atomic scientists who keep the famous Doomsday...
Read MorePosted by Aleks Sierz | 6th Oct 2018 | Adaptation, London, Review, United Kingdom
Since Virginia Woolf’s Mrs. Dalloway was first published in 1925 its reputation as a brilliant...
Read MorePosted by Oleg Yegorov | 5th Oct 2018 | Review, Russia, Theatre and Dance
While most regional theaters in Russia cling to traditions and go with old-school classical...
Read MorePosted by Jane Baldwin | 5th Oct 2018 | Boston, Ireland, Review, United States of America
Hamnet, the fascinating play, created by Ireland’s Dead Centre, now at ArtsEmerson’s Paramount...
Read MorePosted by Maria Pia Pagani | 4th Oct 2018 | Italy, Poland, Review, Theatre and Opera
The great success of Professor Paolo Bosisio as an opera director in Eastern Europe is confirmed...
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