Review Archives - Page 93 of 138

Speakeasy Succeeds With “Between Riverside And Crazy”

Posted by Jane Baldwin | 9th Oct 2018 | Boston, Review, United States of America

Stephen Adly Guirigis’s 2015 Pulitzer Prize winner Between Riverside And Crazy now playing at...

Sarah Kane’s “4.48 Psychosis” at New Diorama Theatre

Posted by Aleks Sierz | 9th Oct 2018 | London, Playwriting, Review, Theatre and Disability, Theatre and Gender, United Kingdom

It’s all about the casting. The paradox of playwright Sarah Kane’s short career is that while her...

“The Last Five Years”: Poignant Tale Of Failed Marriage

Posted by Iris Winston | 9th Oct 2018 | Canada, Musical Theatre, Review

From the joy of meeting to the unraveling of love and back again, The Last Five Years is a...

Too Close To Home: Stefano Massini’s “Intractable Woman”

Posted by Jonathan Kalb | 7th Oct 2018 | Italy, New York, Review, Theatre and Politics, United States of America

A week after Donald Trump was inaugurated, the atomic scientists who keep the famous Doomsday...

Hal Coase’s “Mrs. Dalloway” At The Arcola Theatre

Posted by Aleks Sierz | 6th Oct 2018 | Adaptation, London, Review, United Kingdom

Since Virginia Woolf’s Mrs. Dalloway was first published in 1925 its reputation as a brilliant...

Why Did A Russian Provincial Theater Stage A Version Of Aldous Huxley’s Dystopian Novel?

Posted by Oleg Yegorov | 5th Oct 2018 | Review, Russia, Theatre and Dance

While most regional theaters in Russia cling to traditions and go with old-school classical...

“Hamnet”: A Father/Son Play

Posted by Jane Baldwin | 5th Oct 2018 | Boston, Ireland, Review, United States of America

Hamnet, the fascinating play, created by Ireland’s Dead Centre, now at ArtsEmerson’s Paramount...

Verdi’s “Rigoletto”: The Italian Closing Of The Season At The Teatr Wielki In Lodz

Posted by Maria Pia Pagani | 4th Oct 2018 | Italy, Poland, Review, Theatre and Opera

The great success of Professor Paolo Bosisio as an opera director in Eastern Europe is confirmed...

Adapting Identities: Freya Treutmann’s “Scratches” And “Evidence Of Codes” In Edinburgh

Posted by Armando Rotondi | 3rd Oct 2018 | Adaptation, Playwriting, Review, Theatre and Art, United Kingdom

The relation between identity and performance is one of the strongest topics in the field of...

Theodoros Terzopoulos’ “Return” To Delphi

Posted by Dimitris Tsatsoulis | 3rd Oct 2018 | Festivals, Greece, Review

A big tribute to the director and Euripides’ The Trojan Women at the Ancient Theatre of Delphi. Of...

Debris Stevenson’s “Poet In Da Corner” at The Royal Court

Posted by Aleks Sierz | 3rd Oct 2018 | London, Musical Theatre, Review, United Kingdom

There was once a time when grime music was very angry and very threatening, but that seems a long...

“Swimming With Sharks”: A Horrible Boss Is Truly Universal

Posted by Nobuko Tanaka | 2nd Oct 2018 | Japan, Review

The lobby of the Setagaya Public Theatre in Tokyo teemed with women on Sept. 1, each eager to see...

“Holy Shit” at The Kiln Theatre

Posted by Aleks Sierz | 2nd Oct 2018 | London, Review, United Kingdom

Holy shit! After being closed for two long years, the old and battered Tricycle Theatre in Kilburn...

A Heart-Wrenching Saga

Posted by A. Shrikumar | 1st Oct 2018 | India, Review

The palace is shrouded in darkness, when Ferdinand, the twin brother of the Duchess of Malfi,...

The Language Of Secrecy In Brazilian Performance “Quaseilhas”

Posted by Aldri Anunciação | 30th Sep 2018 | Brazil, Dramaturgy, Review, South America, Theatre and Art

In times of cognitive arrogance in contemporary reception, Quaseilhas is guided by the language of...

“Free EU Roaming”: Adapting Catalan Referendum Into A Play

Posted by Armando Rotondi | 30th Sep 2018 | Adaptation, Devised Theatre, Festivals, Review, Theatre and Politics, United Kingdom

Presented at the Smock Alley Theatre for the last edition of the Dublin Fringe Festival, Free EU...

“Sounds And Sorcery Celebrating Disney Fantasia”: Art Installation Or Theatre?

Posted by Aida Rocci | 29th Sep 2018 | Dramaturgy, Immersive Theatre, London, Review, Theatre and Art, United Kingdom

Almost eighty years later the release of Fantasia, Sounds and Sorcery celebrates the iconic movie in an immersive production with ground-breaking technology.

Dawn King’s “Foxfinder” At The Ambassadors Theatre

Posted by Aleks Sierz | 28th Sep 2018 | London, Review, Theatre and Politics, United Kingdom

Is appearing in the West End a rite of passage for Game Of Thrones stars? In the past couple of...

“I Was Most Alive With You” Pays Proper Tribute to The D/deaf Community

Posted by Madison Parrotta | 28th Sep 2018 | New York, Review, Theatre and Disability, United States of America

Playwrights Horizons’ production of I Was Most Alive With You by Craig Lucas was otherworldly in...

“Hong Kong Cool” By Hong Kong Ballet

Posted by Clement Lee | 27th Sep 2018 | Hong Kong, Review, Theatre and Art, Theatre and Dance

Hong Kong Ballet’s Hong Kong Cool showcases seven short pieces of new ballet works by...

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Review

Speakeasy Succeeds With “Between Riverside And Crazy”

Sarah Kane’s “4.48 Psychosis” at New Diorama Theatre

“The Last Five Years”: Poignant Tale Of Failed Marriage

Too Close To Home: Stefano Massini’s “Intractable Woman”

Hal Coase’s “Mrs. Dalloway” At The Arcola Theatre

Why Did A Russian Provincial Theater Stage A Version Of Aldous Huxley’s Dystopian Novel?

“Hamnet”: A Father/Son Play

Verdi’s “Rigoletto”: The Italian Closing Of The Season At The Teatr Wielki In Lodz

Adapting Identities: Freya Treutmann’s “Scratches” And “Evidence Of Codes” In Edinburgh

Theodoros Terzopoulos’ “Return” To Delphi

Debris Stevenson’s “Poet In Da Corner” at The Royal Court

“Swimming With Sharks”: A Horrible Boss Is Truly Universal

“Holy Shit” at The Kiln Theatre

A Heart-Wrenching Saga

The Language Of Secrecy In Brazilian Performance “Quaseilhas”

“Free EU Roaming”: Adapting Catalan Referendum Into A Play

“Sounds And Sorcery Celebrating Disney Fantasia”: Art Installation Or Theatre?

Dawn King’s “Foxfinder” At The Ambassadors Theatre

“I Was Most Alive With You” Pays Proper Tribute to The D/deaf Community

“Hong Kong Cool” By Hong Kong Ballet

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