Bryony Kimmings’ “I Am A Phoenix, Bitch”
On Friday, March 13, 2015, the Grand Hall at Battersea Arts Centre in South London went up in...
Read MorePosted by Duška Radosavljević | 28th Oct 2018 | London, Review, Theatre and Gender, United Kingdom
On Friday, March 13, 2015, the Grand Hall at Battersea Arts Centre in South London went up in...
Read MorePosted by Harry Hoke | 28th Oct 2018 | Boston, Review, Russia, Russian Theatre Abroad, Theatre and Gender, Theatre and Politics
Authority. Surveillance. Enforcement. Confession. These are the tools of the state brought to life...
Read MorePosted by Aleks Sierz | 28th Oct 2018 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Playwright David Edgar is lucky. To begin with, he appreciates his luck in having been born in...
Read MorePosted by Duška Radosavljević | 27th Oct 2018 | London, Review, United Kingdom
Part of the Phoenix Season at the newly re-opened Grand Hall at Battersea Arts Centre is also BAC...
Read MorePosted by Abigail Weil | 27th Oct 2018 | Boston, Review, Russia, Russian Theatre Abroad, Theatre and Gender
Cheek by Jowl’s production of Shakespeare’s Measure For Measure, performed in Russian by actors...
Read MorePosted by Aleks Sierz | 27th Oct 2018 | London, Review, United Kingdom
It’s all in the title, isn’t it? Martin McDonagh’s surreal new play comes with a warning that not...
Read MorePosted by Marcina Zaccaria | 26th Oct 2018 | New York, Review, Theatre and Art, Theatre and Gender, United States of America
The Anthropologists reach deep into their own doctrine to discover the depth behind the classic...
Read MorePosted by Jack Wernick | 25th Oct 2018 | New York, Review, Theatre and Dance, United States of America
M-34 Productions and FringeNYC present a dazzling new production of Salome at the Irondale Center...
Read MorePosted by Iris Winston | 24th Oct 2018 | Canada, Directing, Review
This Flight Tonight, Songs Of Joni Mitchell, Bear & Co. Directed by Eleanor Crowder The single...
Read MorePosted by Aleks Sierz | 24th Oct 2018 | London, Review, Theatre and Gender, United Kingdom
There are not that many plays about sport, but, whether you gamble on results or not, you can bet...
Read MorePosted by Sandra D'urso | 24th Oct 2018 | Australia, Belarus, Festivals, Melbourne, Participatory Theatre, Review, Theatre and Politics, Transcultural Collaborations
The Belarus Free Theatre, exiled from their home nation, has returned to Australia to collaborate...
Read MorePosted by Vikram Phukan | 23rd Oct 2018 | India, Review
This weekend see a play about the Internet age with Orwellian subtexts and an experimental...
Read MorePosted by Lisa Marie Bowler | 23rd Oct 2018 | Dance Umbrella 2018, Festivals, London, Review, South Africa, Theatre and Dance, United Kingdom
The platform stage erected in Shoreditch Town Hall’s grand Victorian assembly room is receiving a...
Read MorePosted by Aleks Sierz | 22nd Oct 2018 | London, Review, United Kingdom
We do love our spy stories, don’t we? The idea of betrayal, both political and personal, seems to...
Read MorePosted by Aleks Sierz | 21st Oct 2018 | Boston, LGBTQ+ Theatre, London, Review, United Kingdom, United States of America
If we call a long journey home an Odyssey, what do you call a journey which is doing everything it...
Read MorePosted by Sarah Balkin | 20th Oct 2018 | Adaptation, Festivals, Ireland, Melbourne, Review
It resembled a pot, it was almost a pot, but it was not a pot of which one could say, Pot, pot,...
Read MorePosted by Patrick Langston | 18th Oct 2018 | Canada, Review
Ultimately, we’re all orphans, aren’t we? Sure, we carve out a place in the world, cultivate...
Read MorePosted by Aleks Sierz | 18th Oct 2018 | Acting, London, Playwriting, Review, United Kingdom
Blackout. Dark, the color of childhood fear. Black, the color of despair. Black. No light visible;...
Read MorePosted by Lisa Marie Bowler | 17th Oct 2018 | Dance Umbrella 2018, Festivals, London, New York, Review, United Kingdom, United States of America
As a passionate Londoner, I cannot help but be intrigued: a group of Americans is here to present...
Read MorePosted by Aleks Sierz | 17th Oct 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Director Madani Younis, who since 2011 has transformed the Bush Theatre in West London into one of...
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