A Review of “Disgrace” from the 2018 Boska Komedia Festival: Fascinating but Problematic Theatre
Hańba [Disgrace] directed by Marcin Wierzchowski. Presented at Teatr Ludowy—Scena Stolarnia for...
Read MorePosted by Rem Myers | 12th Jan 2019 | Adaptation, Divine Comedy Festival 2018, Festivals, Poland, Review
Hańba [Disgrace] directed by Marcin Wierzchowski. Presented at Teatr Ludowy—Scena Stolarnia for...
Read MorePosted by Rem Myers | 11th Jan 2019 | Divine Comedy Festival 2018, Festivals, Poland, Review, Theatre and Politics
Konformista 2029 [Conformist 2029], directed by Bartosz Szydłowski. Presented at Teatr Łaźnia...
Read MorePosted by Duška Radosavljević | 11th Jan 2019 | London, Review, United Kingdom
Dates: November 28-January 12 Writer: Ellie Kendrick Directors: Helen Goalen and Abbi...
Read MorePosted by Aleks Sierz | 10th Jan 2019 | London, Review, United Kingdom
There’s a nasty smell in the air. Something rotten. Horrible. I can’t quite put my finger on it....
Read MorePosted by Amir Al-Azraki | 7th Jan 2019 | Canada, Review
The auditorium buzzes with anticipation. It is opening night for a group of students from the...
Read MorePosted by Aleks Sierz | 5th Jan 2019 | London, Review, United Kingdom
Actor Ellie Kendrick is a familiar face on television, but it’s as a writer that she reveals the...
Read MorePosted by Emiliia Dementsova | 2nd Jan 2019 | Review, Russia
Emiliia Dementsova reports from Moscow with a review of Konstantin Bogomolov’s The Magic...
Read MorePosted by Vikram Phukan | 1st Jan 2019 | India, Review, Transmedia
For those of us that are perennially nostalgia bound—even for the sepia-tinted memories of the...
Read MorePosted by Vikram Phukan | 31st Dec 2018 | India, Review, Translation
The irreverent stage persona of Naseeruddin Shah, cocking a snook at societal mores and...
Read MorePosted by Gouri Sharma | 28th Dec 2018 | Germany, Review, Syria, Theatre and Politics
The play is based on the charges against one of France’s biggest companies, Lafarge, and how...
Read MorePosted by Jane Baldwin | 26th Dec 2018 | Nigeria, Review, Theatre and Gender, United Kingdom
Inua Ellams’ Barber Shop Chronicles, his first full-length play, was a smash-hit when it opened in...
Read MorePosted by Sarah J Culkin | 26th Dec 2018 | Canada, Review
Montreal, Québec Sarah J Culkin reviews Imago Theatre’s production of Other People’s Children by...
Read MorePosted by Abigail Weil | 21st Dec 2018 | Festivals, New York, Review, Theatre and Gender, United States of America
Jody Christopherson’s one-woman show St. Kilda, at the So-Fi Festival, gave me one of the...
Read MorePosted by Alice Jones | 20th Dec 2018 | London, Review, United Kingdom
As the speakers blasted out Ed Sheeran’s Thinking Out Loud and topless men crept out of the...
Read MorePosted by Vikram Phukan | 19th Dec 2018 | Acting, India, Review, Theatre and Science
For some years now, Mumbai-based theatre practitioner Jyoti Dogra has been regaling audiences in...
Read MorePosted by Jane Baldwin | 18th Dec 2018 | Boston, Musical Theatre, Review, United States of America
Breath And Imagination is a musical, composed and written by Daniel Beaty, largely based on the...
Read MorePosted by Juno Schwarz | 17th Dec 2018 | Adaptation, London, Review, Russian Theatre Abroad, United Kingdom
In a memorable production, Xameleon Theatre recently brought Mikhail Bulgakov’s complex novel A...
Read MorePosted by Aleks Sierz | 16th Dec 2018 | London, Review, United Kingdom
Can you really turn a three-page short story into a full-length play? What would you add, and how...
Read MorePosted by Natália Pikli | 15th Dec 2018 | Hungary, Review
Shakespeare’s history play revolves around a strange creature, the monster of power. Yet it poses...
Read MorePosted by Esplanade | 14th Dec 2018 | Israel, Puppetry, Review, Theatre for Young Audiences
How puppetry makes big issues relatable to children Their unvarying intensity of facial...
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