“Trojan Horse” at the Battersea Arts Centre
Media hysteria needs good branding. So when in March 2014 an email letter was leaked to the press,...
Read MorePosted by Aleks Sierz | 10th Jan 2020 | Adaptation, Review, Theatre and Politics, United Kingdom
Media hysteria needs good branding. So when in March 2014 an email letter was leaked to the press,...
Read MorePosted by James Montaño | 8th Jan 2020 | Adaptation, Boston, Review, United States of America
Moby-Dick at the American Repertory Theater in Cambridge, MA For those who are not familiar with...
Read MorePosted by Kennedy Fiorella | 8th Jan 2020 | Adaptation, Canada, Review
Gone are the days when, on a cold winter night, the family gathered around a fire to listen to the...
Read MorePosted by Aleks Sierz | 7th Jan 2020 | London, Review, United Kingdom
Family dramas are a staple of British new writing, but as well as talking about our nearest and...
Read MorePosted by Darie Ducan | 5th Jan 2020 | Adaptation, France, Review
Rhinoceros (1959) is one of Eugène Ionesco’s best-known plays, one of the plays with which the...
Read MorePosted by Aprameya Manthena | 5th Jan 2020 | India, LGBTQ+ Theatre, Review, Theatre and Dance
Single Performance: Queen-Size, by Sandbox Collective, a dance-performance at Spaces, Chennai,...
Read MorePosted by Victoria Zavyalova | 4th Jan 2020 | Adaptation, New York, Review, Russian Theatre Abroad, Transcultural Collaborations, United States of America
A thread of life and blood, unconditional love and death, incest and destiny all interconnect in...
Read MorePosted by Sarah Magill | 3rd Jan 2020 | Devised Theatre, Poland, Review
In the main Sala of the Vorpommen Theater in Greifswald, northern Germany, a row of bare-footed...
Read MorePosted by David O'Donnell | 3rd Jan 2020 | Adaptation, LGBTQ+ Theatre, New Zealand, Review
Uma Lava by Victor Rodger, Circa Theatre, Wellington. 23 November – 7 December 2019. Directed by...
Read MorePosted by Wendy Arons | 2nd Jan 2020 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
When William Shakespeare died in 1616, he left behind dozens of plays and hundreds of poems, but...
Read MorePosted by Alastair Blanshard | 30th Dec 2019 | Australia, Review, Theatre and Opera
Orpheus and Eurydice, directed by Yaron Lifschitz, Queensland Performing Arts Centre. The story of...
Read MorePosted by Gowri S | 30th Dec 2019 | India, Review, Theatre and Politics
Animal characters are protagonists in Crea-Shakthi’s latest take on The Ramayana. Nala and Nila,...
Read MorePosted by Sandra D'urso | 29th Dec 2019 | Australia, Melbourne, Review
To perform an exit is not as simple as it sounds. In fact, exiting a situation can be almost...
Read MorePosted by Nobuko Tanaka | 28th Dec 2019 | Adaptation, Japan, Review
What is it about stories from the ancient world that attracts contemporary dramatists? One person...
Read MorePosted by James Montaño | 28th Dec 2019 | Boston, Musical Theatre, Review, United States of America
When the full company of the touring cast of Irving Berlin’s White Christmas bursts into the...
Read MorePosted by Jack Wernick | 27th Dec 2019 | New York, Review, United States of America
The ghost of David Bowie is alive and well and residing in the basement of La MaMa’s...
Read MorePosted by Waldemar Raźniak | 27th Dec 2019 | Festivals, Review, Russia
It’s in our laugh and in our tears And in the pulsation of our veins Change! We are longing...
Read MorePosted by Katarzyna Waligóra | 25th Dec 2019 | Acting, Poland, Puppetry, Review
The play begins with an entrance exam. Clad in suit jackets, a group of women and men sit onstage...
Read MorePosted by Wendy Arons | 25th Dec 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
The title of Jocelyn Bioh’s School Girls; or, The African Mean Girls Play tells you a certain...
Read MorePosted by Wendy Arons | 24th Dec 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Allow me to introduce you to the fierce yet fragile preteens who populate Clare Barron’s savagely...
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