“As Soon As Impossible”: An Arab-American Comedy of Errors
Where and when: Harry J. Elam, Jr. Theater at Stanford University from November 11, 12, 13, 18,...
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Review
Zadie Smith: How “The Wife of Willesden” Brings to Life Chaucer’s Tale of Sex and Power
It could be easy to assume that The Canterbury Tales, a collection of stories written in Middle...
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Realities Blend Together in Arlekin Players’ “Witness”
A daring and nuanced documentary virtual theatre piece about Jewish refugees fleeing Nazi Germany...
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“Dance Like a Man” Keeps Time to Inherent Family Tunes
The classic play ‘Dance Like a Man’ captures the subtle undertones found in familial...
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“Metsi”: A Tapestry of Creativity
Metsi, staged at the State Theatre is a daring and brave production in how it includes elements of...
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About “Milk and Gall”
A couple of days ago, I watched a live stream of Milk and Gall, an American-based playwright and...
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“You Will Never Walk Alone”: A Story of Resilience and Hope
Ten mentor Mothers and one Father, devised theatre, drama therapy, healing, and community...
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“Old Bridge”, Bush Theatre
Is the Bosnian conflict of 1992–95 the war that Europe forgot? Maybe, although most fans of new...
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In “Shaka Zulu: The Gaping Wound”, the Past is Present
Shaka Zulu: The Gaping Wound currently running at the South African State Theatre in Pretoria, and...
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“Sessions”, Soho Theatre
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
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Little Things We Do Together—Marianne Elliott’s “Company”
As most people reading this will already know, Company was first reworked for a female Bobbie...
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“Trouble in Mind”, National Theatre
The National Theatre has a good record in staging classic American drama by black playwrights....
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“Sparky”: Engaging Theatre for Children and Young Adults
A day at the National Children’s Theatre in the magical IMAGINATION Outdoor Theatre is a day like...
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The Music of Words: The Metropolitan Opera’s “Eurydice”
If you’ve never seen an opera before, start here. If you’ve seen a ton of opera before, re-start...
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(Not) Adapting to the French Stage: “Les Producteurs”, Directed by Alexis Michalik, at the Théâtre de Paris
A week after Josephine Baker posthumously entered the French Panthéon, a musical about two...
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“Cabaret” at the Playhouse Theatre
Willkommen, bienvenue, welcome! Come on in: we need, after all, some respite from a world in...
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“Krotoa Eva Van De Kaap”: Artscape
Krotoa Eva van de Kaap is a moving music theatre production that was first performed in The...
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“Bedside Manner” Review: Milnerton Players
Opposite to “all good things come to an end” is “so do all bad things.” And while it’s...
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Five Plays about Enslavement by Black British Women Playwrights
“There’s a sidestep that Europe does where it takes itself out of the triangle… I’m never quite...
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New Opera “Yuzuru” Cautions Against the Dangers of Capitalism
For his first foray into the realm of opera, dramatist Toshiki Okada is tackling Ikuma Dan’s...
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