“These Are Not My Shoes” is Powerful Social Commentary
These Are Not My Shoes is a story about absent fathers and what happens to young men when they...
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Featured
In Photos: Large Variety of Performances in Inaugural Eazees Int’l Women’s Theatre Festival
Numerous Egyptian and international theatre plays took part in the inaugural edition of Eazees...
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Hilary Mantel and Ben Miles’s The Mirror and the Light at the Gielgud Theatre: Engaging, but Rather Low Key
This is a labor of love. Hilary Mantel has adapted The Mirror and the Light, the third novel of...
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Tang Kwong-San’s Quest to Understand Hong Kong
When Tang Kwong-san and fellow Hong Kong artist Yuen Nga-chi first visited Tung Ping Chau a few...
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Lance Weiler on the Future of Storytelling and the Film “The Last Broadcast”
A connoisseur of new art forms and emergent technology, Lance Weiler is a highly sought-after...
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Over 300 Applications Received to Perform in Sharm El-Sheikh Int’l Theatre Festival for Youth
The management of the Sharm El-Sheikh International Theatre Festival for Youth (SITFY) revealed...
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A Memory Palace on Tauris: Reprise of Gluck’s Iphégenie en Tauride at the Paris Opera
Gluck’s Iphégenie en Tauride doesn’t waste any time ushering the viewer into its mystical score....
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“3 Sopranos, 3 Tenors” to Perform in Aspendos Opera, Ballet Fest
The 28th iteration of the 28th Aspendos Opera and Ballet Festival, which kicked off on Sept. 4 in...
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Kerala-based Rangachetana Theatre Group Initiates a Unique Project to Help Artists in Need
The Thrissur-based collective has been organizing performances in the homes of artists and...
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“The Last Trial” Musical: There Once Was a Wizard, a Servant of Night
The poets say that Love will be the world’s great redeemer, But love is rarely quite as pure as...
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Campania Teatro Festival 21: A Conversation with Ruggero Cappuccio at the Real Bosco di Capodimonte
The Real Bosco di Capodimonte is more than a public park in Naples: it is a Paradise, not far from...
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“Text Me When You Arrive” is Witty, Punchy, and Hard-Hitting!
In a normal country, plays like Text Me When You Arrive, which has just ended a short run at the...
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Review: “UnTuned” (Golvareh)
It’s hard to prepare for life’s high and lows when you think too highly of yourself to expect...
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“The Time of Our Singing” Opera Tackles Racial Segregation
Based on an American novel detailing the country’s troubled 20th century, the new Belgian...
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Family Drama Hits Close to Home for Keito Okamoto
When Keito Okamoto was offered the title role in French dramatist Florian Zeller’s latest work,...
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Bess Wohl’s “Camp Siegfried” at the Old Vic: Powerfully Chilling and Resonant
Are we too obsessed with Nazism? Apart from countless television programs which revisit that grim...
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If You See a Dragon Coming, You Pull a Sword: Interview with Robert Wilson
He supports the Freeszfe Association and condemns the curtailment of artistic freedom. We asked...
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Ken Reynolds: 1938–2021. A Personal and Professional Remembrance of East European Theatre’s Finest Photographer
“Stop now! See that? You see that cloud? That beautiful shape?” That is what Ken Reynolds would...
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A Festival that We Need: FOLDA – Festival of Live Digital Arts
As the theatre world in Canada and the US anxiously expects the final re-opening of Broadway and...
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New Deal for Broadway: NYC Theater Luminaries Agree on Reforms
Following a summit of industry leaders organized by Black Theatre United earlier this year, a...
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