Performing Arts Conference Sets the Pace for Future Theatrical Discourse
‘Whatever you teach action, it out. If you teach music, sing. If you teach language, write a novel. If you teach drama, act.’
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Featured
“The Smallest Stage” is an Intricately-Crafted Play for Families about Incarceration – And The Power of Stories
Review: The Smallest Stage, by Kim Crotty for Perth Festival A small, white rectangle taped onto...
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ProEnglish Theatre in Kyiv: It’s Important that Art Doesn’t Stop during War
On the first day of the Russian invasion, the ProEnglish Theatre in Kyiv, the only...
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“The Forest,” Hampstead Theatre
Let’s start with stereotypes: British theater is naturalistic, down-to-earth and explains...
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“Shirley Valentine” Review: TOTB
SHIRLEY VALENTINE. Director: Gina Shmukler. Cast: Natasha Sutherland. Theatre on the Bay. Astute...
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“Fever,” Mladinsko Theatre
Mladinsko Theatre, premiered on 12th October 2021 At the beginning of the second decade of the...
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The Pandemic Nearly Killed Theatre — The Creative Way It Fought Back Could Leave It Stronger
When the UK went into lockdown in 2020, its multibillion-pound theatre industry could have ceased...
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Musical Theatre Actors of Ukraine in War
Kiev National Academic Operetta’s Theater actors are speaking from the epicenter of war in...
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“Clouds Like Waves” Review
CLOUDS LIKE WAVES. Written by Megan Choritz. Directed by Megan Choritz and Rudy Nadler-Nir. With...
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Editorial for International Online Theatre Festival (IOTF)
Having been trained as a theater actor and director, I have been engaged with many kinds of...
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Medical Science and the Irony of Sex Education
The Amazing Flabby-Breasted Virgin shows the poor light in which women’s bodies are seen in the...
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“One Arm” Review: Artscape
ONE ARM. Adaptation: Fred Abrahamse and Marcel Meyer. Director: Fred Abrahamse. Cast: Marcel Meyer...
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Still a Bitter Pill: An Involving Play of Love and Loss
At TheaterWorks Hartford, Connecticut, This Bitter Earth, Harrison David Rivers’ drama of love,...
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Mariana Bodnar from Ukrainian Musical Theatre: We Woke Up in the New Reality
This conversation with Mariana Bodnar – Ukrainian singer (soprano), musical theater...
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Nicoleta Esinencu: On Making Enemies and Creating Communities
Moldovan playwright and director Nicoleta Esinencu is known for her provocative monologue FUCK...
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“The Double Life”
Teatri Oda, Prishtina (part of the Kosovo Theatre Showcase) There are more people in the world who...
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Free Performance: A Response to metaLAB’s futureStage Manifesto
On November 20, 2021, TheTheatreTimes.com published futureStage Manifesto, developed by...
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“The Chairs” at The Almeida Theatre
Eugene Ionesco’s 1952 play The Chairs belongs to the moment of post-second world war European...
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“Uncanny Valley” at The Battersea Arts Centre
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
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Bonnie Marranca: “The Divisiveness of Contemporary American Society Impacts All Aspects of Theatre”
Cristina Modreanu: Your new book, Timelines. writings and conversations, maps out recent...
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