A Few Minor Subjects: An Interview with Mikołaj Mikołajczyk
What is a classical approach for you? Thinking. Position. Discipline in my daily routine,...
Read MorePosted by Marta Michalak | 4th Sep 2012 | Interview, Poland, Polish Theatre and Dance
What is a classical approach for you? Thinking. Position. Discipline in my daily routine,...
Read MorePosted by Joanna Jopek | 26th Aug 2012 | Essay, LGBTQ+ Theatre, Poland
In an interview following Strzępka and Demirski’s receipt of the Polityka Passport Pawel Demirski...
Read MorePosted by Wojtek Ziemilski | 22nd Jul 2012 | Devised Theatre, Directing, Interview, Poland
Talk with Wojtek Ziemilski Look around–nowadays even ads for shoes are often bolder than the...
Read MorePosted by Dorota Kowalkowska | 11th Jul 2012 | Essay, Poland, Theatre and Politics
The last piece written by Demirski and directed by Strzępka brings a simple, and yet a very...
Read MorePosted by Agnieszka Kochanowska | 21st Jun 2012 | Festivals, Poland, Review, Theatre and Politics
This year, the plays staged at the festival spoke about distrust of authority and suspicion of the...
Read MorePosted by Emmanuel Grynszpan | 31st May 2012 | Directing, Review, Russia
For the first time, Mikhail Baryshnikov acts in Russian for one of Russia’s most innovative...
Read MorePosted by Joanna Szupinska-Myers | 12th May 2012 | Directing, Essay, Poland
The following essay is the fifth in this six-part column for CR. Developed during Polish Movie...
Read MorePosted by Nora Fitzgerald | 7th May 2012 | Acting, Interview, Russian Theatre Abroad, United States of America
Irina Koval, who was raised in St. Petersburg, brings her training from Lenfilm Studios and a...
Read MorePosted by Iryna Chuzhynova | 12th Apr 2012 | Festivals, News, Russia
Modern and avant-guard as an extreme attempt of national revival. Large-scale international...
Read MorePosted by Iryna Chuzhynova | 29th Mar 2012 | Festivals, News, Ukraine
Unfortunately, the 20th anniversary of Ukraine’s only professional theater award failed to become...
Read MorePosted by Magda Romanska | 19th Feb 2012 | Essay, Poland, Transmedia
Polish theatre has gained world renown thanks to its innovative and bold experimental style. In...
Read MorePosted by Piotr Gruszczynski | 22nd Jan 2012 | Poland, Review, Theatre and Politics
Artur Żmijewski did something seemingly simple, something which should’ve been done a long time...
Read MorePosted by Dara Weinberg | 28th Dec 2011 | Essay, Poland, Theatre and Dance
Theatre Association, based in Łodź, which runs a theatre and education center offering a series of...
Read MorePosted by Ewelina Godlewska-Byliniak | 7th Nov 2011 | Directing, Poland, Review
Does the end mean a promise of fulfillment? Or is it just its illusion, a delusive prospect of...
Read MorePosted by Dara Weinberg | 7th Nov 2011 | Directing, Musical Theatre, Poland, Review
“I want to create a new kind of chorus theatre,” says Marta Górnicka. If Tu Mówi Chór…...
Read MorePosted by Marta Bryś | 7th Nov 2011 | Directing, Poland, Review
In his latest premiere, Koprofagi, Jan Klata abandons all the strategies that secured him his...
Read MorePosted by Pawel Soszynski | 22nd Sep 2011 | Directing, Poland, Review
What Lupa staged in Wrocław was simply a bad play. Waiting Room.0 is an intentional formal and...
Read MorePosted by Pawel Ploski | 7th Jun 2011 | Adaptation, Poland, Review
The National Audiovisual Institute released a new DVD publishing with The Card Index directed by...
Read MorePosted by Pawel Soszynski | 7th Apr 2011 | Directing, News, Participatory Theatre, Poland, Polish Theatre Abroad, Theatre and Film
In her debut film, Małgorzata Dziewulska takes on a challenging task: revising Grotowski’s...
Read MorePosted by Paul Bargetto | 22nd Feb 2011 | Directing, Interview, Playwriting, Poland, Polish Theatre Abroad
I feel there’s a straight line from Mrożek to Dorota. She’d probably kill me if she heard me say...
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