A Conversation With Anne Bogart: “I’m Absolutely Certain That Certainty Is Bad”
An originator of the Viewpoints system of training for actors and founder of SITI company,...
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Games And Theatre in Hybrid-Reality
Professor Judith Ackermann studied media, psychology, and computer linguistics prior to taking up...
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Review: “In the Steps of the Ballets Russes: Russian Ballet Icons”
A Spectacular Celebration Of The Russian Tradition The memories of the magical evening with Moscow...
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“The Pitchfork Disney” at Shoreditch Town Hall
Playwright Philip Ridley has one of the most distinctive voices in contemporary theatre. His...
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“Unknown” Polish Directors: Introducing Jacek Głomb
This series continues to introduce Polish directors recognised in Poland and relatively unknown...
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Love Revolution: The Assembly’s “Home/Sick”
Commitment is hard. Even within the well-defined parameters of traditional monogamy, balancing the...
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Conversation With Iván Pérez, The Founder of INNE and Choreographer for Song of the Goat Theatre
In 2016 Song of the Goat Theatre celebrated the twentieth anniversary of its existence. Founded by...
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Masami Teraoka + Pussy Riot Choreographer Viktoria Naraxsa in Hawaii
Internationally acclaimed Japanese-American visual artist Masami Teraoka invited Pussy Riot...
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Bilingual Conversations at the Cervantes Theatre: An Interview With Paula Paz
Interview with Paula Paz, Associate Director of the Cervantes Theatre, the new theatre with hopes of becoming a house of Spanish and Latin American theatre and culture in London.
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Movement At The Museum
Is a museum hall a suitable scene for dance? A number of exhibitions organized during the last...
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“My Country; A Work in Progress” – The First Brexit Play at the National Theatre
Oh dear. The first play explicitly about Brexit is being staged by the National Theatre in a...
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“Come From Away” – New Canadian Musical on Broadway
Come From Away, a relentlessly peppy new musical by the Canadian husband-wife team David Hein and...
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Interview With Oliver Chris: “I’ve Lived My Whole Life With People Saying ‘When Are You Going to Be Prince William?’”
“I didn’t think this was what I would be doing when I left drama school,” says Oliver Chris. What...
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“Speed Show: Drifting Internet Café”: Diary of a Cyborg Theatre Production in Beijing
In Shuzo Oshimi’s comic series, Drifting Net Café, the protagonist runs into his first love from...
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Theatre and Life of Antonio Latella in a Book-Interview by Emanuele Tirelli
Antonio Latella is one of the leading figures of Italian theater, having worked, as an actor, with...
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Extending a Cherry Branch – Stage Russia HD offers up a Cultural Thaw
“My timing in life has always been suspect,” admitted producer Eddie Aronoff, “and our launch of...
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“Wither on the Vine” Showcases an Environmental Immersive Theatre
Something absolutely terrific happened at Tai Lam Interchange Tunnel Farm in Hong Kong last...
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Review: “Sex With Strangers” at Hampsted Theatre
The current crisis in British new writing for the theatre is exemplified by the reliance of so...
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“Escaped Alone”: Catastrophe and Fear Meet Surrealism
Like Beckett and Pinter, Caryl Churchill is writing fugues in old age (she’s 77). Far Away, A...
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Review: “Low Level Panic” at Orange Tree Theatre
The 1980s were a great decade for British women playwrights. During those Thatcher-dominated...
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