Sin Muros: Interview With “Purple Eyes” Playwright Josh Inocéncio
Born and raised in Houston, Josh Inocéncio is a playwright and performer who focuses on queer and...
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“Ada/Ava”: Silent Film In The 21st Century
ArtsEmerson is dedicated to bringing compelling and experimental theatre from all parts of the...
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“887”: A Shared Collective History About the Nature of Memory Itself
Like pinpoints of light scattered across the map of shows, I have attended over thirty years,...
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OLT’s “An Inspector Calls”: Dark Comedy or Impactful Social Drama?
The Ottawa Little Theatre’s production of An Inspector Calls, the classic mid-20th-century drama...
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Border Force: The Scottish Arts Festival That’s Bringing Two Nations Together
“The Big Burns Supper aims to heal political rifts between the Scots and the English with 11...
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The “Very Last Wedding” At The Divine Comedy Festival
Traditionally, the veil of a Polish bride—removed at the end of the ceremony to mark her passage...
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A Stark, Beautiful “Uncle Vanya” from the Vakhtangov Theatre and Stage Russia HD
Amid the deep velvety gloom that submerges the entire upstage in Rimas Tuminas’s Uncle Vanya, the...
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“Miruga Vidhushagam:” Contemporary Theme And Haunting Idioms
S. Murugabhoopathy’s Miruga Vidhushagam is a comment on civil society that stands mute spectators...
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Performing Arts Join Digital Forces To Celebrate Cultural Heritage On Stage
2018 is the European Year of Cultural Heritage. To bring awareness to the wealth and contribution...
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Actor Sello Maake kaNcube’s Can Themba Speaks His Truth In Mahala’s “The House Of Truth”
It’s the perfect storm when the playwright, director, and actor all come together this sweetly as...
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Leaving for Good: Two New Plays on Korean Immigrants and the Cold War | Part 2
This is Part 2 of a two-part article. Read Part 1 here. From Caregiver to Citizen The Nurses, Who...
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The New Play Dramaturgy in Russia
The movement for the renewal of the repertoire and new playwriting in Russia is hardly more than...
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Sin Muros: Creating a Space for Latinx Theatre in Houston
Since moving to Houston, Texas, in 2012, I’ve been amazed at the abundance of theatre...
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“Fellow Travelers”: A Prototype for Contemporary Opera
As the theatre world pushes boundaries and redefines genres, it has become exceedingly rare to...
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“Tiny Dynamite” at Old Red Lion Theatre
The marvelous is a dangerous place. Especially in memory. Today I still remember seeing the first...
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The Dancing Pulse Of The Heart: “Delhi Dance” in Hospital Waiting Room
Delhi Dance by Ivan Vyrypaev; directed by Galin Stoev; set design by Nikola Toromanov; costumes by...
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Dramatist Oriza Hirata Has A Vision For Theatre
Travel around 150 km northwest from the hustle and bustle of Kyoto, and another, far more peaceful...
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Managing The Floating Theatre in Denmark: Reality Always Wins
Actor and artistic director of the Danish theatre company Det Flydende Teater (literally...
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“Millions Of Seconds” by Diego Casado Rubio: On Being Transgender in Argentina
The desired body vis a vis tradition, and institutional normative sedimentation. ...
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Review: “Mr. Shi and His Lover” Blurs Time and Allusion Through Contemporary Opera
Jonas McLean reviews Mr. Shi and His Lover, Wong Teng Chi and Njo Kong Kie’s contemporary Mandarin...
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