Practiced Empathy and Awareness with Atlantic Pacific Theatre
Atlantic Pacific Theatre challenged their regular audience with a diptych, part process theater,...
Read MorePosted by Marcina Zaccaria | 30th May 2018 | Acting, Applied Theatre, New York, Participatory Theatre, Philippines, Review, Transcultural Collaborations, United States of America
Atlantic Pacific Theatre challenged their regular audience with a diptych, part process theater,...
Read MorePosted by Emily Couch | 30th May 2018 | Directing, Review, Russia, Russian Theatre Abroad
Internationally acclaimed theatre director Lev Dodin and the legendary Maly Drama Theatre of St....
Read MorePosted by Maggie Ivanova | 29th May 2018 | Australia, Directing, Review
Fleur Kilpatrick’s Terrestrial, directed by Nescha Jelk for the State Theatre Company of South...
Read MorePosted by The Theatre Times | 29th May 2018 | Interview, LGBTQ+ Theatre, Playwriting, United States of America
Boston-based playwright Ken Urban has written the first major play about gay divorce, using the...
Read MorePosted by Irene Kukota | 29th May 2018 | Acting, Directing, Interview, Russia, Russian Theatre Abroad, Translation
Following the premiere of Vassily Grossman’s Life And Fate at the Theatre Royal Haymarket on May...
Read MorePosted by Nobuko Tanaka | 29th May 2018 | Adaptation, Japan, News, Theatre and Politics, Translation
For casual fans of film, the name Martin McDonagh only became familiar after the movie he wrote,...
Read MorePosted by Jessica Barrett | 28th May 2018 | Interview, London, Musical Theatre, United Kingdom
Giles Terera has won armies of fans and an Olivier award for his performance as Aaron Burr in the...
Read MorePosted by Diwan Singh Bajeli | 28th May 2018 | India, Review, Theatre and Politics
Shastra Santan by Prof. Ashok Sagar Bhagat brings to fore how strife makes human beings cruel and...
Read MorePosted by Lora Krasteva | 27th May 2018 | Festivals, London, News, Producing, Theatre and Gender, Translation, United Kingdom
In April 2018, London’s Arcola Theatre staged Global Female Voices, an evening of play...
Read MorePosted by Valdas Vasiliauskas | 27th May 2018 | Directing, Essay, Lithuania, Playwriting
Eimuntas Nekrošius and Lithuania’s Youth Theatre May 2018 marks thirty years since an event of...
Read MorePosted by Ramona Taranu | 26th May 2018 | Festivals, Japan, Review
World Theatre Festival Shizuoka is one of Japan’s three major annual performing arts festivals,...
Read MorePosted by William Gregory | 26th May 2018 | Adaptation, Brazil, Dramaturgy, Immersive Theatre, News, United Kingdom
Translator and theatre scholar Dr. Jozefina Komporaly reflects on a day of exchange between the...
Read MorePosted by Emiliia Dementsova | 25th May 2018 | Adaptation, Essay, Russia, Russian Theatre - Featured
It is impossible to put it in writing, but to record the horror of the thing here is a black cross...
Read MorePosted by Nobuko Tanaka | 25th May 2018 | Japan, Review, Theatre and Art, Theatre and Dance
Contemporary dance seemed to enter the wider arts consciousness in Japan around the turn of the...
Read MorePosted by Irene Kukota | 24th May 2018 | Acting, Interview, London, Russia, Russian Theatre Abroad, United Kingdom
Tonight is the opening night of Uncle Vanya at the Theatre Royal Haymarket, In anticipation of the...
Read MorePosted by Janelle Lawrence | 24th May 2018 | New York, Review, South Africa, Theatre and Opera, United States of America
Experiencing any show at Brooklyn Academy of Music is as magical as seeing a show at LTC3, only I...
Read MorePosted by Aleks Sierz | 23rd May 2018 | London, Review, United Kingdom
Playwright Barney Norris is as prolific as he is talented. Barely out of his twenties, he has...
Read MorePosted by Adam Sherwin | 23rd May 2018 | News, United Kingdom
A “folk opera” which celebrates the response of the local community in Calder Valley to the...
Read MorePosted by Aleks Sierz | 22nd May 2018 | London, Review, United Kingdom
Playwright Joe Penhall and the music biz? Well, they have history. When he was writing the book...
Read MorePosted by Oliver Bennett | 22nd May 2018 | Essay, Russia, Theatre and Politics
Despite being a revolutionary and futuristic masterpiece by Mayakovsky, Meyerhold, and Malevich,...
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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025 
The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025 
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
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