Decor as Protagonist: Bruno Latour and Frédérique Aït-Touati on Theatre and The New Climate Regime
What do we humans have in common with wales, mushrooms, bacteria or the internet? We are all...
Read MorePosted by Sébastien Hendrickx and Kristof van Baarle | 18th Feb 2019 | France, Interview, Theatre and Science
What do we humans have in common with wales, mushrooms, bacteria or the internet? We are all...
Read MorePosted by Jane Baldwin | 18th Feb 2019 | Boston, Review, Theatre and Film, United States of America
Manual Cinema has returned to Boston’s ArtsEmerson with their latest work The End Of TV just a...
Read MorePosted by Jinnie Wei | 17th Feb 2019 | China, Musical Theatre, News, Theatre and Opera
Step aside pop stars and idols. A new televised singing contest in China that showcases the vocal...
Read MorePosted by Elke Huybrechts | 17th Feb 2019 | Belgium, Essay, LGBTQ+ Theatre
Between identity and identitylessness In this article, Elke Huybrechts regards what happened on...
Read MorePosted by Eylül Fidan Akıncı | 16th Feb 2019 | Essay, New York, Theatre and Dance, Transmedia, United States of America
Until the beginning of February, the New York MoMA is mounting an exhibition on Judson Dance...
Read MorePosted by Bojana Cvejić | 16th Feb 2019 | Essay, Norway, Theatre and Dance
On Mette Edvardsen’s poetry and its penchant to imagine a clandestine side to things I’ll begin by...
Read MorePosted by Michael Appler | 16th Feb 2019 | New York, Review, Theatre and Politics, United States of America
“City of No Illusions,” a political comedy that stages the modern refugee crisis inside a funeral home.
Read MorePosted by Romy König | 15th Feb 2019 | Education, Germany, Interview, Theatre for Young Audiences
“Politik im Freien Theater” is a free theatre festival where youngsters address...
Read MorePosted by Aleks Sierz | 15th Feb 2019 | London, Review, United Kingdom
All hail Arthur Miller, chief of London’s modern revivals this year. Which is odd, given that 2019...
Read MorePosted by Walter Byongsok Chon | 14th Feb 2019 | Interview, Playwriting, South Korea
Hansol Jung is a playwright and director from South Korea. Her plays include Wild Goose Dreams (La...
Read MorePosted by Antonio Hernández | 14th Feb 2019 | Adaptation, Review, Spain
Simon Stone is a stage director who began working in Australia and is currently working in Europe. His successful production of Yerma, by Federico García Lorca, was selected by The New York Times theatre critics as one of the best plays in New York in 2018. Medea, a Simon Stone collaboration with the prestigious Ivo Van […]
Read MorePosted by Abigail Weil | 13th Feb 2019 | New York, Review, United States of America
I follow a strict protocol of attitudinal class warfare when I board airplanes. As I walk proudly...
Read MorePosted by Christine Deitner | 13th Feb 2019 | Los Angeles, Review, Theatre and Dance, United States of America
When he first created his Cinderella in 1997, Matthew Bourne couldn’t have predicted any...
Read MorePosted by Peter Eckersall | 13th Feb 2019 | Directing, Documentary Theatre, Interview, Lebanon
Peter Eckersall: How did you come into theatre and how did you start working around this idea of...
Read MorePosted by Patrick Langston | 12th Feb 2019 | Canada, Review
One of the first things we learn about Dr. Martin Luther King Jr. in The Mountaintop, Katori...
Read MorePosted by Zahra Amiruddin | 12th Feb 2019 | India, LGBTQ+ Theatre, Review, Theatre and Politics
In the midst of external turmoil, how does one battle with one’s inner demons? In a world where...
Read MorePosted by Nobuko Tanaka | 12th Feb 2019 | Japan, Musical Theatre, News, Transcultural Collaborations
Whether it’s a regular theatre that gets you going these days—or you’re skipping along more to...
Read MorePosted by French Culture | 11th Feb 2019 | France, Interview
Les Souffleurs, a collective of more than 60 artists mostly based in France, are known for their...
Read MorePosted by Nevenka Koprivšek | 11th Feb 2019 | Applied Theatre, Essay, Slovenia
Our upcoming Plenary Meeting in Rijeka aims to challenge the most common assumptions and beliefs...
Read MorePosted by Caroline Wake | 11th Feb 2019 | Australia, Festivals, Review, Sydney, Theatre and Disability
Review: Beware Of Pity, Sydney Festival 2019 Performances in the Roslyn Packer Theatre typically...
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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025 

James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
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