Month: August 2025

“Swan Song”: Between Prophecy and Epitaph

Posted by Emiliia Dementsova | 5th Aug 2025 | Adaptation, Azerbaijan, Review, Theatre and Politics

A provincial theatre celebrates an anniversary. In the dressing room — two men: a comic and a...

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Mark Rosenblatt’s “Giant” in Barcelona

Posted by Maria Delgado | 5th Aug 2025 | Festivals, Review, Spain

The first new production of Mark Rosenblatt’s Olivier-award-winning Giant since its London...

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Who’s Afraid of the Public? Reports from the Daehangno X Forum on the Shut-Down of TheatreIn

Posted by Soo Ryon Yoon | 4th Aug 2025 | Featured, Management, News, South Korea, Theatre and Gender, Theatre and Politics

“Can we just disband the Seoul Foundation for the Arts and Culture entirely and start over?” A...

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Decolonizing Iraqi Theatre: Why We Need to Stop Quoting the West

Posted by Amir Al-Azraki | 3rd Aug 2025 | Essay, Iraq, Theatre and Decolonization

Inherited Voices: A Theatre of Borrowed Authority Recently, I’ve found myself drawn to a popular...

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Jake Brunger’s Four Play at the King’s Head Theatre: Delicious Mix Of Laughter And Provocation In A Sex Comedy Of Manners

Posted by Aleks Sierz | 2nd Aug 2025 | London, Review, United Kingdom

Is there such a thing as the seven-year itch? Named after Billy Wilder’s 1955 comedy, which...

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Between Life And Death: A Festival’s Journey Through Tragedy [Part II]

Posted by Savas Patsalidis | 1st Aug 2025 | Bulgaria, Festivals, Transcultural Collaborations

To read PART I of this report, go to this link. Two “in yr face” Tragedies: Double...

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Between Life And Death: A Festival’s Journey Through Tragedy [Part I]

Posted by Savas Patsalidis | 1st Aug 2025 | Bulgaria, Festivals, Transcultural Collaborations

We each owe a Death Johannes von Tepl, Death and the Ploughman [ Der Ackermann und der Tod, 1401 ]...

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