“Swan Song”: Between Prophecy and Epitaph
A provincial theatre celebrates an anniversary. In the dressing room — two men: a comic and a...
Read MorePosted by Emiliia Dementsova | 5th Aug 2025 | Adaptation, Azerbaijan, Review, Theatre and Politics
A provincial theatre celebrates an anniversary. In the dressing room — two men: a comic and a...
Read MorePosted by Maria Delgado | 5th Aug 2025 | Festivals, Review, Spain
The first new production of Mark Rosenblatt’s Olivier-award-winning Giant since its London...
Read MorePosted by Soo Ryon Yoon | 4th Aug 2025 | Featured, Management, News, South Korea, Theatre and Gender, Theatre and Politics
“Can we just disband the Seoul Foundation for the Arts and Culture entirely and start over?” A...
Read MorePosted by Amir Al-Azraki | 3rd Aug 2025 | Essay, Iraq, Theatre and Decolonization
Inherited Voices: A Theatre of Borrowed Authority Recently, I’ve found myself drawn to a popular...
Read MorePosted by Aleks Sierz | 2nd Aug 2025 | London, Review, United Kingdom
Is there such a thing as the seven-year itch? Named after Billy Wilder’s 1955 comedy, which...
Read MorePosted by Savas Patsalidis | 1st Aug 2025 | Bulgaria, Festivals, Transcultural Collaborations
To read PART I of this report, go to this link. Two “in yr face” Tragedies: Double...
Read MorePosted by Savas Patsalidis | 1st Aug 2025 | Bulgaria, Festivals, Transcultural Collaborations
We each owe a Death Johannes von Tepl, Death and the Ploughman [ Der Ackermann und der Tod, 1401 ]...
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