Zoe Cooper’s Northanger Abbey at the Orange Tree Theatre: High Energy and Queer-eyed Adaptation of Jane Austen Classic
Jane Austen is not just a classic novelist — she’s a cultural institution and a national treasure....
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Month: January 2024
Long and Short Hatreds
Joshua Harmon’s Prayer for the French Republic is a very good play about anti-Semitism that left...
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TheTheatreTimes.com: Towards Transnational Digital Infrastructure
Written by Magda Romanska and Kasia Lech All theatre is local. All theatre is global. Both...
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Creativity on the Edge, Communication with the Centre, and Conversations about the Future
Being on the edge is the place where I like to be no matter in what domain it is…and the edge is a...
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Interview with Brilliant Les Dramaturx (Germany): Playfully, In the Sense of Autonomous Art, or Politically, In the Sense of Artivism.
Christian Tschirner aka Soeren Voima (he/him – author, theater maker, Schauspielhaus...
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Dealing with a Difficult Past: Guillermo Calderón’s “Villa” at Santiago a Mil
Catching up with Guillermo Calderón’s Villa at Santiago a Mil after almost 12 years has been a...
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Design Writing: Five Views of Sarah Ruhl’s “Eurydice”
Introduction by Michael Schweikardt Student designers at San Francisco State University’s School...
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“El Lector Por Horas/Reader By The Hours.” A Successful Spanish Play That Also Deserves To Be A Global Hit
Sanchis Sinisterra is a Spanish playwright with a long career and many successes who is in the...
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Actor on the Verge of a Nervous Breakdown: “El Brote” (The Break) at Santiago a Mil
El Brote (The Break) is the tale of an actor who doesn’t feel he’s had the career breaks his...
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NYC Artists Stand in Solidarity with The Freedom Theatre
On January 13th, hundreds of artists and cultural workers marched through New York City’s theater...
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Performance and Politics: “Parlamento” (Parliament) Storms Santiago a Mil
Piel de Lava have been making work for 20 years and it shows. Elisa Carricajo, Valeria Correa,...
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Making a Film on Santiago’s Streets: “Efectos especiales” at Santiago a Mil
Think of a film set where the audience gathered on the streets are not fully aware that they are...
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Depression and discontents: Daniel Veronese’s staging of “La persona deprimida” (The Depressed Person) at Santiago a Mil
I read David Foster Wallace’s short story The Depressed Person soon after it was published in...
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From 1984 to 2024: Teatro Ictus’s “Primavera Con Una Esquina Rota” (Springtime In a Broken Mirror) at Santiago a Mil
Primavera con una esquina rota (Springtime in a broken mirror) has acquired a legendary status....
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“María Isabel” at Santiago a Mil: Staging Political Agency
How does one “write” a life for the stage? This question lies at the heart of Ana Luz...
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Marilyn Monroe – The Family Babysitter: Luke Yankee and the Creation of “Marilyn, Mom & Me”
This February, International City Theatre will present the world premiere of a new play, Marilyn,...
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More Sickly Mansions
There are lots of reasons Americans have always loved family-dustup plays and exalted them with...
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Shifting the Spotlight: Exploring the Scarcity of Female Voices in Iraqi Theatre
Upon the release of Contemporary Plays from Iraq in 2017, my focus shifted to translating works...
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Miguel del Arco’s “Rigoletto” at Madrid’s Teatro Real: In-Yer-Face Opera for In-Yer-Face Times
I am going to be honest. I didn’t see Verdi’s Rigoletto at the Real. I had wanted and planned to...
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“Aftermath:” An Interview with Piper Theatre’s Daniel McKamey, Pance Pony, James Clements, and Bailey Nassetta.
Presented by NYC’s Piper Theatre, Aftermath is a new pop musical-in-development written by Daniel...
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