“Sons Of The Prophet,” Hampstead Theatre
Pain is, at one and the same time, something to avoid, and also something you can use. Kahlil...
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Month: December 2022
“Kerry Jackson,” National Theatre
Is British new writing in deep trouble? With the Arts Council defunding venues such as the...
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“Father and Father” and the 1600 Still Missing from the Kosovo War
If you don’t know about loss, then you will by the end of this show. Sara (Ilire Vinca) is married...
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II 4.4 Short Performances Festival: When Muses are Not Silent
When the non-peaceful world is illuminated by the bursts of shells, it seems that other...
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“&Juliet”: What if?—A Review.
The previews of &Juliet the musical, began October 28th 2022 at the Stephen Sondheim Theatre...
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“Baghdaddy” at the Royal Court
What is the best way of talking about the Middle East? Should plays take a documentary or verbatim...
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Glitches, Memes and Playbackshows: Performance in the Post-internet Era
Drag is gaining popularity and visibility at a rapid pace. With the body as a canvas and the...
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Kathadi Ramamurthy’s Tamil Play “Jugalbandhi” Blends Humor with a Social Message
Two well-known theater groups, JB Creations and Stage Creations, collaborate for the first time to...
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“Our Son”—Kosovo Theatre Showcase ‘22
Meta-theatre has been a bit of a theme at Kosovo’s latest independent theatre showcase in...
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Julia Pascal’s 12:37 at the Finborough Theatre: epic story of Jewish identity from Dublin to Jerusalem
Julia Pascal is a resourceful theatre-maker who is unafraid of being controversial. Her interest...
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“The Jungle And The Sea” Reminds Us War Is Profoundly Local, With The Intimate Negotiation Of Human Relationships
Review: The Jungle and the Sea, directed by Eamon Flack and S. Shakthidharan, Belvoir. After the...
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The Blackest Raisin: “A Raisin in the Sun” at The Public Theatre
Lorraine Hansberry’s A Raisin in the Sun, as anyone reading this knows, is a cornerstone of...
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James Graham’s “Best of Enemies” at the Noël Coward Theatre
TV is a strange medium, but James Graham is no stranger to its toxic charm. London audiences have...
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“RBG: Of Many, One” Is A Beautifully Crafted, Virtuosically Performed Play About Ruth Bader Ginsburg
Review: RBG: Of Many, One, directed by Priscilla Jackman, Sydney Theatre Company Writing a play...
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Tamil Theatre’s New Voice: Chennai Audiences Cheer for Fresh Ideas and New Faces
Tamil contemporary theatre in the city sees a promising resurgence as new faces debut on stage...
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Coding Confronting Stories
Boris Vitázek is a new media artist based in Bratislava, but his work can be seen at various...
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“A Drop of Midnight”
There is a palpable sense of world-class musicianship as the ensemble of six instrumentalists and...
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“In a World Without Roe,” Hedgepig Ensemble Theatre Fosters Theatrical Parity
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
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Women and War: a Staged Reading of Two New Plays From Ukrainian Playwrights
Earlier this year in the Polish theatre journal Didaskalia (169/170, 2022), a pair of Ukrainian...
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Interview with Kosovo Theatremaker and Human Rights Activist Kushtrim Koliqi—“In Kosovo Men are Bulls**t, We are like Criminals…”
“In Kosovo men are bulls**t, we are like criminals…” Kushtrim Koliqi has been a human rights...
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