Joe White’s “Blackout Songs” at Hampstead Theatre: Powerful Account of Mutual Dependency on Drink
Joe White is great at staging fraught emotions. His Mayfly in 2018 vividly showed a family whose...
Read MorePosted by Aleks Sierz | 30th Nov 2022 | Acting, London, Playwriting, Review, United Kingdom
Joe White is great at staging fraught emotions. His Mayfly in 2018 vividly showed a family whose...
Read MorePosted by The Theatre Times | 28th Nov 2022 | Education, Germany, News, Transcultural Collaborations
The University of Göttingen would like to invite you to The 1st International Symposium on...
Read MorePosted by Grace J. Ioppolo | 27th Nov 2022 | Books, Education, Essay, United Kingdom
Most of what we know about the beginnings of English professional theater as a financial...
Read MorePosted by Gabrielle Edelstein | 25th Nov 2022 | Adaptation, Australia, Review, Sydney
Review: The Tempest, directed by Kip Williams, Sydney Theatre Company. The Tempest, first...
Read MorePosted by Magda Romanska | 23rd Nov 2022 | Adaptation, Essay, Theatre and Politics
Since February 2022, Western and Ukrainian media have reported on the kidnapping and forced...
Read MorePosted by Aleks Sierz | 22nd Nov 2022 | Acting, London, Review, United Kingdom
Last night, at the Arcola, I witnessed the return of The Poltergeist, Philip Ridley’s blazing...
Read MorePosted by Orlaith Darling | 20th Nov 2022 | Adaptation, Essay, Theatre and Politics, United Kingdom
The last few years in politics have gifted the keen observer many allusions to some of...
Read MorePosted by Aleks Sierz | 19th Nov 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Every day there is bad news about the NHS — junior doctors are exhausted, nurses need food banks...
Read MorePosted by Morgan Skolnik | 18th Nov 2022 | Documentary Theatre, New York, Review, Theatre and Religion, United States of America
The Unbelieving is documentary theater (all the lines are taken from real interviews), but this...
Read MorePosted by Morgan Skolnik | 17th Nov 2022 | LGBTQ+ Theatre, Musical Theatre, New York, Review, United States of America
F*ck7thGrade is messy, it’s awkward, it’s unrelentingly earnest, and it’s utterly delightful....
Read MorePosted by The Theatre Times | 16th Nov 2022 | Education, Management, News, Producing, Worldwide
The International Association of Theatre Leaders (IATL) would like to invite you to The...
Read MoreIt was well past midnight on October 2, 2021. Current Plans—at the time known as Present...
Read MorePosted by Lisa Monde | 14th Nov 2022 | Adaptation, Books, Essay, Musical Theatre
Dedicated to the 125th anniversary of the legendary hero of the famous gothic novel “Dracula”,...
Read MorePosted by Verity Healey | 13th Nov 2022 | Adaptation, Dramaturgy, Kosovo, Review, Theatre and Politics
The Handke Project, Kosovo Theatre Showcase, Teatri Oda, 26th October 2022 If The Handke Project...
Read MorePosted by Aleks Sierz | 12th Nov 2022 | Canada, Dramaturgy, Review, Theatre and Science, United Kingdom
The fictional world is our world, but at the same time it’s another place; likewise, the digital...
Read MorePosted by Dmitry Troyanovsky | 11th Nov 2022 | Essay, Germany, Theatre and Politics, Ukraine
Dmitry Troyanovsky is a theatre and opera director living in Boston, MA. Born in Kyiv, Ukraine...
Read MorePosted by Aleks Sierz | 10th Nov 2022 | Documentary Theatre, London, Playwriting, Theatre and Decolonization, United Kingdom
Sudha Bhuchar’s Evening Conversations at the Soho Theatre: a calmly intelligent exploration of family identity
Read MorePosted by Verity Healey | 9th Nov 2022 | Directing, Kosovo, Musical Theatre, Review, Theatre and Politics
Is this the first memorial disco theatre piece of its kind in modern theatre? Well, it’s a disco...
Read MorePosted by The African Theatre Magazine | 5th Nov 2022 | Adaptation, Dramaturgy, Review, South Africa
Masque theatre is hosting Cape Town Theatre Company’s A Picture of Dorian Gray. “A Picture of...
Read MorePosted by Emilija Kvočka | 3rd Nov 2022 | Adaptation, Dramaturgy, Hungary, Review
Buchner’s “historically difficult explains modernity” in the performance of...
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