Invisible Diaries: Garden
This article is part of the Dramaturgs’ Network’s Invisible Diaries series. In a moment of freedom...
Read MorePosted by Miranda Laurence | 20th Jul 2020 | Dramaturgs’ Network: Invisible Diaries, Dramaturgy, Essay, United Kingdom
This article is part of the Dramaturgs’ Network’s Invisible Diaries series. In a moment of freedom...
Read MorePosted by Aleks Sierz | 19th Jul 2020 | Review, Theatre and Age, United Kingdom
Lorraine Hansberry’s debut, A Raisin in the Sun, was the first drama written by a black woman to...
Read MorePosted by Ian Kiyingi Muddu | 19th Jul 2020 | Festivals, Review, South Africa, Transmedia
“They’ve locked us in here and they’re going to wait for the virus to finish us off.”...
Read MorePosted by Gowri S | 18th Jul 2020 | India, News, Participatory Theatre
Every Brilliant Thing is an interactive performance that initiates conversations around hope and...
Read MorePosted by Marié-Heleen Coetzee | 18th Jul 2020 | Covid-19, Festivals, Management, South Africa
Amidst the COVID-19 pandemic, people around the world turned to the arts and creative sector for...
Read MorePosted by Melissa Denzer | 18th Jul 2020 | Dramaturgy, Interview, Theatre and Politics, United States of America, Women on Broadway and Beyond
Theatre Artist Inside look Morgan Grambo, recent MFA graduate of Dramaturgy from the University of...
Read MorePosted by Andrew Agress | 17th Jul 2020 | Interview, Transmedia, United Kingdom
As many have already said, the best streamed performances seem to be those that are made for the...
Read MorePosted by Ahram Online | 16th Jul 2020 | Covid-19, Egypt, Review, Theatre and Dance
Qassem Amin, a dance performance staged by the Egyptian Modern Dance Theatre Company, has been...
Read MorePosted by Anja Quickert | 16th Jul 2020 | Germany, Interview, Theatre and Politics
Pressure on the German theatre and cultural landscape has increased significantly since the...
Read MorePosted by Elleke Boehmer, Zimpande Kawanu and Archie Davies | 15th Jul 2020 | Essay, South Africa, Theatre for Young Audiences, Transcultural Collaborations
Across cultures, the self-making powers of storytelling are widely recognized. Steve Biko, the...
Read MorePosted by Miranda Laurence | 15th Jul 2020 | Dramaturgy, Essay, United Kingdom
This article is part of the Dramaturgs’ Network’s Invisible Diaries series. At the moment, my...
Read MorePosted by Marta Bryś | 15th Jul 2020 | Directing, Poland, Review
Maja Kleczewska’s and Łukasz Chotkowski’s Berek is like a dive into a dark spot of history, a...
Read MorePosted by Ian Kiyingi Muddu | 13th Jul 2020 | Essay, Playwriting, Uganda
If you want to understand a nation and its people, look no farther than its art. Through a...
Read MorePosted by Colleen Renihan, Ben Schnitzer, and Julia Brook | 13th Jul 2020 | Canada, Essay, Theatre and Politics
Artists are crucial to the futures we’re imagining beyond the COVID-19 pandemic. The vitality of...
Read MorePosted by Vassili Schedrin | 12th Jul 2020 | Essay, Israel, Russia
Solomon Mikhoels, one of the founders and greatest stars of the Soviet Yiddish theater, wrote in...
Read MorePosted by International Online Theatre Festival | 12th Jul 2020 | China, Covid-19, Directing, Interview, IOTF 2020: Archives, Theatre and Pandemic: Asynchronous Discussion Panel at IOTF2020
Tianjiao Li and Xuexi Li from Quirky Moth Theatre – China’s leading theatre company – respond to...
Read MoreFor the first part of this article go here. No coherent government program has been put in place...
Read MorePosted by Aleks Sierz | 11th Jul 2020 | Review, United Kingdom
Edwardian dramatist St John Ervine was once, along with Arthur Wing Pinero, Henry Arthur Jones,...
Read MorePosted by Dennis Altman | 10th Jul 2020 | Musical Theatre, Review, Theatre and Art, United States of America
When Disney released a film version of the musical Hamilton on July 3, it was 11 years since...
Read MoreFor part II of this essay, click here. The coronavirus pandemic is laying bare the ills gnawing at...
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