Swedish Premieres: Upending Ibsen, Deconstructing Richard
On a recent trip to Sweden to interview the playwright Jonas Hassen Khemiri, whose plays are now...
Read MorePosted by Bryce Lease | 20th May 2018 | Review, Sweden
On a recent trip to Sweden to interview the playwright Jonas Hassen Khemiri, whose plays are now...
Read MorePosted by Aleks Sierz | 12th May 2018 | Acting, London, Review, United Kingdom
In the 2000s one of the many glories of new writing for British stages was the linguistically...
Read MorePosted by Alexa Alice Joubin | 27th Apr 2018 | Adaptation, Essay, Transcultural Collaborations, Worldwide
Voodoo Macbeth? Heir apparent of the Denmark Corporation in Manhattan? A pair of star-crossed...
Read MorePosted by Alvina Ruprecht | 24th Apr 2018 | Canada, Musical Theatre, Review, Theatre and Politics
The Beginning Of A Most Important Dialogue Initiated By This striking and moving staging of rage!...
Read MorePosted by Alexa Alice Joubin | 18th Apr 2018 | China, Essay, Hong Kong, Taiwan
Along with a number of Japanese and Western canonical poets and writers, Shakespeare and his works...
Read MorePosted by Alexa Alice Joubin | 18th Apr 2018 | Adaptation, Essay, Translation, Worldwide
In A Midsummer Night’s Dream, when Peter Quince sees Bottom turned into an ass-headed figure, he...
Read MorePosted by Aleks Sierz | 26th Mar 2018 | London, Review, United Kingdom
Good programming is an art, and Paul Miller—artistic director at this venue—is clearly on a...
Read MorePosted by Aleks Sierz | 13th Mar 2018 | Adaptation, London, Playwriting, Review, United Kingdom
Electra is the protagonist in two Ancient Greek tragedies, one by Sophocles and the other by...
Read MorePosted by Taylor L. Ciambra | 16th Feb 2018 | Dramaturgy, Interview, United States of America
When describing the role of a dramaturg Dr. Philippa Kelly says this: “I see a dramaturg’s shadow...
Read MorePosted by Alex Rogals | 10th Feb 2018 | Adaptation, Japan, Review, Transcultural Collaborations
New York City’s Japan Society closed out its 2017-18 Noh-Now series this past January with...
Read MorePosted by Yana Meerzon | 9th Jan 2018 | Italy, News
The 16th ceremony of the Europe Theatre Prize and the Europe Prize Theatrical Realities took place...
Read MorePosted by Adam Sherwin | 6th Jan 2018 | London, News, United Kingdom
“Come, and take choice of all my library, And so beguile thy sorrow,” Shakespeare wrote. Now...
Read MorePosted by Heather Waters | 24th Dec 2017 | Acting, Directing, New York, Review, United States of America
Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...
Read MorePosted by Duška Radosavljević | 13th Dec 2017 | Dramaturgy, Essay, Participatory Theatre, United Kingdom
Between 2002–2005, I carried the professional title of a Dramaturg in the UK. Even when confronted...
Read MorePosted by Kasia Lech | 22nd Oct 2017 | Directing, Essay, Poland
This series introduces Polish directors whose work is recognized in Poland, but they are...
Read MorePosted by Adam Sherwin | 21st Aug 2017 | London, Management, News, United Kingdom
Michelle Terry, the new artistic director of Shakespeare’s Globe, has promised a return to the...
Read MorePosted by Alice Jones | 9th Aug 2017 | London, Review, United Kingdom
It was only a matter of time before Tom Hiddleston tackled the most famous role in all of theatre....
Read MorePosted by Aida Rocci | 9th Jun 2017 | London, Review, United Kingdom
In “Romeo and Juliet” directed by Daniel Kramer, love, desire and violence are layered on top of each other, and with bold visuals and a daring interpretation, the classic releases its full power to examine violence and what can save us from it.
Read MorePosted by Zoe Ryu | 2nd May 2017 | Adaptation, Interview, South Korea, Theatre and Opera
Tae-sook Han’s 2016 production of Lady Macbeth, a Changgeuk (Korean traditional opera),...
Read More