Who Is Theater Maker Ellenor Riley-Condit?
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
Read MorePosted by Emma Kantor | 31st Oct 2018 | Chicago, Devised Theatre, Directing, Interview, New York, United States of America
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
Read MorePosted by Harry Hoke | 28th Oct 2018 | Boston, Review, Russia, Russian Theatre Abroad, Theatre and Gender, Theatre and Politics
Authority. Surveillance. Enforcement. Confession. These are the tools of the state brought to life...
Read MorePosted by Abigail Weil | 27th Oct 2018 | Boston, Review, Russia, Russian Theatre Abroad, Theatre and Gender
Cheek by Jowl’s production of Shakespeare’s Measure For Measure, performed in Russian by actors...
Read MorePosted by Taylor L. Ciambra | 19th Oct 2018 | Acting, Devised Theatre, Interview, United States of America
“…Hamlet gives them cultural capital. It gives them ownership of something unique, not just...
Read MorePosted by Aleks Sierz | 13th Oct 2018 | London, Musical Theatre, Review, United Kingdom
If music be the food of fun, play on! In fact, give me excess of it, surfeit even. If this is how...
Read MorePosted by Jane Baldwin | 5th Oct 2018 | Boston, Ireland, Review, United States of America
Hamnet, the fascinating play, created by Ireland’s Dead Centre, now at ArtsEmerson’s Paramount...
Read MorePosted by Sarah Dustagheer | 25th Sep 2018 | Education, Essay, Review, Theatre and Film, United Kingdom
Making Shakespeare relevant for contemporary society is often the work of theatre directors,...
Read MorePosted by Alexandra Guzeva - Russia Beyond the Headlines | 23rd Sep 2018 | News, Russia, Russian Theatre Abroad
The Stage Russia project continues to bring classic novels by leading theaters to big screens...
Read MorePosted by Jamie Portman | 18th Sep 2018 | Canada, Festivals, Review
NIAGARA-ON-THE-LAKE, Ont.— Nearly a century ago, Winnie-The-Pooh creator A.A. Milne wrote a...
Read MorePosted by Patrick Langston | 11th Sep 2018 | Canada, Management
The Gladstone Theatre turns 10 years old this fall. That may make it a mere stripling in the art...
Read MorePosted by Joe Szekeres | 6th Sep 2018 | Canada, Festivals, Review
Purported to be the last play the Bard had written alone, Stratford’s version of The...
Read MorePosted by Sebastian Samur & Richard Windeyer | 28th Aug 2018 | Acting, Canada, Essay
With backgrounds in performance and sound design, we were interested in investigating how the...
Read MorePosted by Jamie Portman | 25th Aug 2018 | Adaptation, Canada, Festivals
By the time the assassination scene arrives in the Stratford Festival’s new production of Julius...
Read MorePosted by Patrick Langston | 16th Aug 2018 | Canada, Festivals, News
It’s a safe bet you’ve never realized the universality of A Lover And His Lass, that sweet and...
Read MorePosted by Katalin Gabnai | 1st Aug 2018 | Hungary, Review
Shakespeare: Richard III / Radnóti Miklós Theatre His face is yellow beneath the high-gloss strap...
Read MorePosted by Sarah Kornfeld | 26th Jul 2018 | Review, Romania, Translation
Hamlet And Us was developed by Laboratorul de Arta, a collective within Bucharest of dancers,...
Read MorePosted by Jamie Portman | 11th Jul 2018 | Canada, Festivals, Review
STRATFORD—We find ourselves immediately plunged into the opening shipwreck scene: sails flapping...
Read MorePosted by Jamie Portman | 10th Jul 2018 | Canada, Directing, Review
We’re not in a movie house. We’re in Robert Lepage country, so it’s inevitable that the famed...
Read MorePosted by Madison Parrotta | 30th Jun 2018 | New York, Review, Theatre and Disability, United States of America
Produced in conjunction with Ma-Yi Theater Company, the world premiere of Teenage Dick at The...
Read MorePosted by Laurie Fyffe | 25th Jun 2018 | Canada, Festivals, Review, Theatre and Gender
Re-visiting Shakespeare is a perennial theatrical exercise, and Richard the Third’s malevolent...
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