playwriting Archives - Page 3 of 3

A Room Of One’s Own: A Theatre Translator In Residence

Posted by William Gregory | 30th Nov 2018 | News, Spain, Translation

In October 2018, Theatre Times translation editor William Gregory became the inaugural translator...

“Nine Night” at The National Theatre: The Play About Grief

Posted by Aleks Sierz | 16th May 2018 | Acting, London, Playwriting, Review, United Kingdom

The good news about so-called black drama on British stages is that it has broken out of its...

“Humble Boy” at The Orange Tree Theatre: The Tragi-Comedy of Generational Conflict

Posted by Aleks Sierz | 26th Mar 2018 | London, Review, United Kingdom

Good programming is an art, and Paul Miller—artistic director at this venue—is clearly on a...

“Tiny Dynamite” at Old Red Lion Theatre

Posted by Aleks Sierz | 25th Jan 2018 | London, Review, United Kingdom

The marvelous is a dangerous place. Especially in memory. Today I still remember seeing the first...

Sin Muros: Interview with “Neighbors” Playwright Bernardo Cubría

Posted by Trevor Boffone | 19th Jan 2018 | Festivals, Interview, Playwriting, United States of America

This February, playwright Bernardo Cubría’s Neighbors: A Fair Trade Agreement will receive a...

David Eldridge’s “Beginning” at The National Theatre

Posted by Aleks Sierz | 27th Nov 2017 | Acting, London, Playwriting, Review, United Kingdom

One defining characteristic of Englishness is social awkwardness, and its emotional register is an...

Nassim Soleimanpour and the Manila Envelope Theatre

Posted by Aida Rocci | 18th Oct 2017 | Iran, Playwriting, Review

Seven years ago, a new play challenged the role of the actor, the playwright, the audience, and the capacity of one individual to travel. The play was White Rabbit Red Rabbit, written by the mysterious Nassim Soleimanpour, an Iranian writer who encouraged the audience to email him with impressions about his play.