La Vie En Sickly Rose: Florian Zeller’s “The Son” at the German State Theatre
The entire stage is the same shade of pale, dusty pink: the extra-long couch and side tables, the...
Read MorePosted by Ilinca Todoruţ | 13th Oct 2024 | Review, Romania, Theatre and Politics
The entire stage is the same shade of pale, dusty pink: the extra-long couch and side tables, the...
Read MorePosted by Aleks Sierz | 28th Oct 2023 | London, Review, Theatre and Politics, United Kingdom
Multiculturalism, according to the Home Secretary, has failed, so where does that leave British...
Read MorePosted by Aleks Sierz | 24th Jul 2022 | London, Review, Theatre and Decolonization, Theatre and Gender, United Kingdom
I live in Brixton, south London. A few days ago, the borough’s aptly named Windrush Square hosted...
Read MorePosted by Aleks Sierz | 26th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
Read MorePosted by Aleks Sierz | 6th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
Read MorePosted by Aleks Sierz | 23rd Jun 2020 | London, Review, Theatre and Politics, United Kingdom
Yesterday, I took a break from my sunny local park and turned a room in my house into the...
Read MorePosted by James Montaño | 11th Dec 2019 | Review, Theatre and Religion, United States of America
At the center of the large wooden barn is a makeshift altar, wrapped in gauze and adorned in...
Read MorePosted by Aleks Sierz | 5th Jul 2019 | London, Review, United Kingdom
An armadillo is a small mammal, but this is not a play about the amazing relative of the anteater....
Read MorePosted by Aleks Sierz | 2nd Jul 2019 | London, Review, United Kingdom
In one lifetime, the many loves that once dared not speak their names have become part of everyday...
Read MorePosted by Fan Yiying | 26th Jun 2019 | China, LGBTQ+ Theatre, Review, Theatre and Gender
ZHEJIANG, East China — On a theater stage in the city of Hangzhou, a male character reflects on...
Read MorePosted by Aleks Sierz | 16th Mar 2019 | London, Review, United Kingdom
Tom Hiddleston. What can I say? His career has sprinkled handfuls of stardust from the beginning:...
Read MorePosted by Aleks Sierz | 27th Jan 2019 | London, Review, Theatre and Politics, United Kingdom
Write what you know, says the adage, and that’s exactly what playwright Ishy Din has done with his...
Read MorePosted by Aleks Sierz | 25th Jan 2019 | Ireland, London, Nigeria, Review, United Kingdom
Police stop and search activities—the harassment of young, usually black, men in the streets of...
Read MorePosted by Aleks Sierz | 21st Jan 2019 | London, Review, United Kingdom
Mainstream theatre is often a huge treasure chest, blazing with jewels and flashing lights, while...
Read MorePosted by Aleks Sierz | 12th Jun 2018 | Documentary Theatre, London, Review, Theatre and Gender, United Kingdom
Masculinity, whether toxic or in crisis (but never ever problem-free), is a hardy perennial...
Read MorePosted by Kasia Lech | 3rd Mar 2018 | Czech Republic, Poland, Puppetry, Review, Theatre for Young Audiences
“A long, long time ago…or maybe not so long ago…in fact, quite recently, there was a...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, Theatre and Gender, United Kingdom
This is Carey Mulligan week. She appears, improbably enough, as a hard-nosed cop in David Hare’s...
Read MorePosted by Aleks Sierz | 18th Feb 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...
Read MorePosted by Aleks Sierz | 29th Nov 2017 | London, Review, Theatre and Politics, Ukraine, United Kingdom
War is morally acidic: it dissolves social rules, loosens inhibitions and gives permission to men...
Read MorePosted by Gina Robilliard | 18th Jun 2017 | Australia, LGBTQ+ Theatre
Burlesque is an art form that has polarized Western society for centuries. In his 1991 publication...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 | M | T | W | T | F | S | S |
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