“The Interrupted Dream” by Hong Kong’s Zuni Icosahedron in Wrocław, Poland
Tang Xianzu’s sixteenth-century classic, Peony Pavilion (1598), is a play about boundaries and...
Read MorePosted by Rossella Ferrari | 1st Oct 2022 | Adaptation, China, Directing, Festivals, Hong Kong, Poland, Review
Tang Xianzu’s sixteenth-century classic, Peony Pavilion (1598), is a play about boundaries and...
Read MorePosted by Rossella Ferrari | 22nd Nov 2020 | China, Hong Kong, News, Singapore, Taiwan, Transcultural Collaborations
I have hesitated for a while to engage with the increasingly ubiquitous “[insert own subject...
Read MorePosted by Elizabeth Kerr Zolima CityMag | 5th Sep 2019 | China, Hong Kong, Interview
It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...
Read MorePosted by Whit Emerson | 25th Aug 2017 | Hong Kong, Transcultural Collaborations
After queuing outside the Cattle Depot Theatre, in the harsh yellow street light and hot weather...
Read MorePosted by Cao Kefei | 12th Aug 2017 | China, Essay, Hong Kong, Theatre and Opera
I had long heard of Director [Danny] Yung’s trilogy The Outcast General, Tears of Barren Hill, and...
Read MorePosted by Whit Emerson | 9th Aug 2017 | Hong Kong, Translation, United States of America
American Travis Preston directed this production of Sam Shepard’s Buried Child for the Hong Kong...
Read MorePosted by Michael Ka Chi Cheuk | 18th Jul 2017 | China, Chinese Theatre Abroad, Hong Kong, Review, Theatre and Opera, United Kingdom
Readers who are familiar with Hong Kong’s New Wave cinema would not be strangers to Hong Kong...
Read MorePosted by Whit Emerson | 10th Jul 2017 | Adaptation, China, Hong Kong, Review, Theatre and Opera, Transcultural Collaborations
Princess Jia’s request for poetry upon her visit to the Red Chamber is met by the impetuous Bao...
Read MorePosted by Zolima Citymag | 13th Jun 2017 | China, Hong Kong, Review, Theatre and Opera
Anyone familiar with Chinese opera would recognise the role Kelvin Ng Kwok-wa is playing next....
Read MorePosted by Clement Lee | 10th Apr 2017 | Hong Kong
It is a blessing to see the recent Hong Kong Repertory Theatre production of Callas Cheang’s new...
Read MorePosted by Clement Lee | 19th Mar 2017 | Germany, Hong Kong, Theatre and Politics
Roland Schimmelpfennig ‘New Writing’ masterpiece Der Goldene Drache (The Golden Dragon) explores...
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 

“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026