Edinburgh Festival Fringe 2025 in 22 Shows
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
Read MorePosted by Mert Dilek | 28th Aug 2025 | Edinburgh 2025, Review, United Kingdom
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
Read MorePosted by Anne Hamilton | 30th Nov 2023 | Interview, New York, Theatre and AI, Transmedia, United States of America
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
Read MorePosted by T.R. Sudha | 13th Dec 2022 | Acting, India, Review
Two well-known theater groups, JB Creations and Stage Creations, collaborate for the first time to...
Read MorePosted by James Layton | 18th Sep 2022 | Applied Theatre, Education, Essay, Theatre for Young Audiences, United Kingdom
Suicide is the second highest cause of death in 15-to-29-year-olds around the world, according to...
Read MorePosted by Vanessa Smith | 29th Jul 2022 | Adaptation, Australia, Review, Theatre and Gender
Review: The Tenant of Wildfell Hall, directed by Jessica Arthur for the Sydney Theatre Company...
Read MorePosted by Aleks Sierz | 2nd May 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Although the current government has blundered through both Brexit and the pandemic, and is now...
Read MorePosted by Aleks Sierz | 23rd Apr 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
When do you have to take a stand? What compels you to do it? And what are the costs involved?...
Read MorePosted by Aleks Sierz | 18th Jan 2022 | London, Review, Theatre and Politics, United Kingdom
The National Theatre has a good record in staging classic American drama by black playwrights....
Read MorePosted by Aleks Sierz | 29th Dec 2021 | Review, Theatre and Politics, United Kingdom
Is the Bosnian conflict of 1992–95 the war that Europe forgot? Maybe, although most fans of new...
Read MorePosted by Leah Mercer | 17th Mar 2021 | Australia, Participatory Theatre, Review
Review: Whistleblower, directed by Arielle Gray, Wyatt Nixon-Lloyd, and Tim Watts. The Last Great...
Read MorePosted by Igor Burić | 22nd May 2020 | Management, News, Serbia
There are more and more calls for help, appeals for solidarity when it comes to the most...
Read MorePosted by Ryan Pepper | 14th Jun 2019 | Canada, Festivals, Ottawa Fringe 2019, Review
Fringe Fest welcomes risk taking and testing the audience, but Pinter Stew by Third Wall Theatre...
Read MorePosted by Holly Bateman | 22nd Dec 2018 | Applied Theatre, News, United Kingdom
Did you know that corvids, the crow family, are native to every single continent, and found...
Read MorePosted by Aleks Sierz | 15th Nov 2018 | London, Review, United Kingdom
How do you judge artistic excellence? Is there such a thing as an objectively brilliant musician,...
Read MorePosted by Ryan Pepper | 28th Jun 2018 | Canada, Festivals, Review
BEBG WONDERFUL YESYES 4SURE HIGH 5 TRUE LOVE SPANK SPANK SO FUN GREAT TIMES!!!!! Fool Muun...
Read MorePosted by Jack Wernick | 4th Nov 2017 | New York, Review, Transcultural Collaborations, United States of America
The Mecca Tales is an essential new work of theatre by emerging Chicago-based playwright Rohina...
Read MorePosted by Aleks Sierz | 13th Aug 2017 | London, Review, United Kingdom
The question that always needs to be asked of any example of science on stage, and there are now...
Read MorePosted by Jack Wernick | 7th Aug 2017 | New York, Review, United States of America
Acclaimed playwright Dominique Morisseau makes an auspicious Lincoln Center debut with her new...
Read MorePosted by Jack Wernick | 21st Jun 2017 | New York, Review, Theatre and Disability, United States of America
Cost of Living is a vital new play from Polish-American playwright Martyna Majok. Following an...
Read MorePosted by Aleks Sierz | 20th Jun 2017 | London, Review, United Kingdom
Dorothy Parker’s take on suicide is called “Resumé”: it goes, “Razors pain you; Rivers are damp;...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 

“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026