Eugene Ma Wants to Shake Up Hong Kong Theater
Some performers were born to be on Broadway, and Eugene Ma could easily be among them: The...
Read MorePosted by Molly Grogan Zolima CityMag | 10th Jul 2023 | Directing, Essay, Hong Kong, Musical Theatre
Some performers were born to be on Broadway, and Eugene Ma could easily be among them: The...
Read MorePosted by Anuj Kumar | 12th Oct 2019 | India, Playwriting, Review
Ahead of the première of Dastaan-e-Ram, writer Danish Iqbal discusses the joys and challenges of...
Read MorePosted by Sania Lekshmi and Nidhi Panicker | 23rd Sep 2019 | Directing, India, Interview
“While being respectful, I am not reverential,” says he, an Indian theatre director, screenwriter,...
Read MorePosted by Takudzwa Chihambakwe | 20th Sep 2019 | Acting, Interview, Zimbabwe
The theatre vibe in Zimbabwe is really subdued at the moment. The vanguards have reached their...
Read MorePosted by Romy König | 22nd May 2019 | Germany, Interview, Playwriting
When asked about her background, she tends to respond, “I come from the theatre:” playwright and...
Read MorePosted by Zabrina Lo | 14th May 2019 | Hong Kong, News, Theatre and Opera
Being one of China’s Three Tenors meant that Easter was no holiday for Warren Mok. The opera giant...
Read MorePosted by Jeremy Moran | 15th Apr 2019 | Australia, Directing, Interview
Samara Hersch is a theatre-maker, director, and teaching artist from Australia. She received her...
Read MorePosted by Nobuko Tanaka | 12th Feb 2019 | Japan, Musical Theatre, News, Transcultural Collaborations
Whether it’s a regular theatre that gets you going these days—or you’re skipping along more to...
Read MorePosted by Aleks Sierz | 30th Jan 2019 | London, Review, Theatre and Gender, United Kingdom
The most hyped play of the year is here. Because of the huge demand for seats, and the relative...
Read MorePosted by Artur Rakovskis | 20th Dec 2018 | Interview, Russia
Ivan Vyrypaev is the internationally known playwright, director, producer, artist, and recipient...
Read MorePosted by Peter Andersen | 10th Jun 2017 | Collaborating Across Cultures
It is almost trite to list the assortment of horrors presented in the American news lately. Each morning now involves the morbid task of opening the New York Times to find out which awful event- or statement- occurred over the...
Read MorePosted by Kasia Lech | 18th Mar 2017 | Directing, Essay, Poland, Theatre and Politics
This series continues to introduce Polish directors recognised in Poland and relatively unknown...
Read MorePosted by Alexandra Coghlan | 1st Aug 2016 | Australia, Interview, Theatre and Opera
“It is easy for opera to be hijacked by the taste police, especially when the taste police have...
Read MorePosted by Anna Prosvetova | 1st Jul 2016 | Adaptation, Interview, Russia, Theatre and Gender
Rachel Valentine Smith is a director, producer, designer, and filmmaker. She joined The Faction...
Read MorePosted by Nobuko Tanaka | 25th Feb 2016 | Japan, Playwriting, Review
“At last, the masterpiece Yakiniku Dragon (Korean Barbecue Dragon) is going to be staged again!”...
Read MorePosted by Julian Meyrick and Elizabeth Schafer | 21st Oct 2015 | Australia, Directing, Essay
Old soldiers fade away. Old theatre directors disappear more quickly. And old female directors can...
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From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



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